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Grünewald, Matthias. --- Von Sandrart, Joachim. --- Von Ossenburg, Mathis. --- Reitzmann, Heinrich.
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Painters --- Peintres --- Biography --- Biographies --- Sandrart, Joachim von, --- Catalogues raisonnés --- -Artists --- Sandrart, Joachim von --- -Catalogues raisonnes. --- Biography. --- -Biography --- Catalogues raisonnés --- Catalogues raisonnés. --- Von Sandrart, Joachim, --- Sandrart, Joachimus
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The book accompanying the once-in-a-lifetime exhibition in Vienna about Rembrandt van Rijn and his brilliant student Samuel van Hoogstraten Rembrandt Harmensz van Rijn and his work are explored from the perspective of his most important and exceptionally innovative pupil Samuel van Hoogstraten. Van Hoogstraten’s multi-faceted oeuvre attests to the influences of his teacher Rembrandt, but also to his competitive spirit and the independent paths taken by his talented pupil. For his part, Rembrandt reacted to impulses supplied by his pupil Van Hoogstraten. From the multiplicity of possible themes relating to the two artists, the chosen focus will highlight two essential aspects of their oeuvre: colour and illusion. These determine the choice of works and the focus of the essays. In doing so, the present volume provides a comprehensive overview of the creative oeuvre of both artists and offers the opportunity to contrast and compare their outstanding talents. This publication accompanies the eponymous exhibition from 8 October 2024 until 12 January 2025 at the Kunsthistorisches Museum Wien.
Painting --- painting [image-making] --- influence --- Hollandse school --- Hoogstraten, van, Samuel --- Rembrandt --- Van Rijn, Rembrandt --- van Hoogstraten, Samuel --- von Sandrart, Joachim --- Houbraken Arnold --- Lastman, Pieter
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Caravaggism --- Manfredi, Bartolomeo --- Caravaggisme --- Caravaggio --- Von Sandrart, Joachim --- Seghers, Gerard --- Baburen, Dirck van --- Honthorst, Gerard van --- Régnier, Nicolas --- Vouet, Simon --- Boulogne, Valentin de --- Tournier, Nicolas --- 17de eeuw --- Manfredi, Bartolomeo, --- Criticism and interpretation. --- Criticism and interpretation --- Catalogs --- caravaggisme --- Van Baburen, Dirck --- caravaggisme. --- Manfredi, Bartolomeo. --- Caravaggio. --- Von Sandrart, Joachim. --- Seghers, Gerard. --- Van Baburen, Dirck. --- Honthorst, Gerard van. --- Régnier, Nicolas. --- Vouet, Simon. --- de Boulogne, Valentin. --- Tournier, Nicolas. --- 17de eeuw. --- invloed van Italiaanse school --- de Boulogne, Valentin
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verzamelaars --- Rubens, Peter Paul --- Opstal, Gérard van --- Du Quesnoy, François --- Fragonard, Jean-Honoré --- Titiaan --- De Piles, Roger --- Von Sandrart, Joachim --- Heinse, Johann Jakob Wilhelm --- Maulbertsch, Franz Anton --- 17de eeuw --- 18de eeuw --- Europa --- Rubenism --- congres / 2004 --- Nieuwe Tijden (kunst) --- Rubens, Pierre Paul --- Temps modernes (art) --- Rubens, Peter Paul, --- 759.04 --- Arts Painting 1600 - 1800 --- Art européen --- History --- Painting --- Art styles --- Art --- anno 1700-1799 --- Europe --- Art, European --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Influence --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Painting, Flemish --- Peinture flamande --- Congresses. --- du Quesnoy, François --- verzamelaars. --- Rubens, Peter Paul. --- Opstal, Gérard van. --- du Quesnoy, François. --- Fragonard, Jean-Honoré. --- Titiaan. --- De Piles, Roger. --- Von Sandrart, Joachim. --- Heinse, Johann Jakob Wilhelm. --- Maulbertsch, Franz Anton. --- 17de eeuw. --- 18de eeuw. --- Europa. --- invloed van Vlaamse school --- Colloquia
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