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For years Chile has been putting forward new modes of architectural production from a small, hitherto peripheral location in terms of traditional centres of contemporary production. Architects of the stature of Mathias Klotz, Smijan Radic and Cecilia Puga testify to a strong renewal of Chilean architecture, which has its prolongation in the younger couple formed by Mauricio Pezo and Sofia von Ellrichshausen. Established in the city of Concepicon, south of Santiago de Chile, the Pezo von Ellrichshausen studio made a name for itself in 2005 following the construction of the Poli House. Since then, and despite their youth, they have consolidated themselves as one of the most promising professional studios on the contemporary architecture scene. This issue brings together the studio s built works and projects, single-family houses for the most part, which permit the reader to witness the evolution of the themes dealt with from the compact, monolithic construction of the early dwellings, including interesting exercises in the use of courtyards, to the most recent theme of a rethink of the classic patio house.

Pezo von Ellrichshausen Arquitectos --- Pezo, Mauricio --- von Ellrichshausen, Sofía --- Pezo von Ellrichshausen (Firm) --- Architecture --- architectuur --- Pezo von Ellrichshausen [Concepcion] --- architecture [discipline] --- Chile

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Exterior' is an explicit counterpart to Pezo von Ellrichshausen's previous self-contained axonometric structures. In their large and immersive format, as both abstract and figurative compositions, these latest paintings are portraying the reversible quality of rather familiar architectonic spaces. The relative scale, rawness and depth depicted in these simple rooms can be read as carefully selected fragments taken from no particular building, from a pervasive and perhaps idealized laconic architecture. As an incomplete open reality, every picture is framing a discreet, quiet and typical encounter of walls, floors and ceilings; with a precise articulation of corners by means of a few basic architectural elements such as openings, steps, columns and beams. These are intimate and lively atmospheres that evoke an implicit memory of a well known place while conveying those oblique yet personal instants of attention in our everyday life. With an interview with Pezo von Ellrichshausen on the relation between their architecture and painting by the architect critic Ellis Woodman.

Painting, Chilean --- Architecture in art --- Peinture chilienne --- Architecture dans l'art --- History --- Exhibitions. --- Histoire --- Expositions --- Pezo von Ellrichshausen (Firm) --- 75.07 --- 72.07 --- Architectuurschilderijen ; ruimtelijke geometrische structuren --- Pezo, Mauricio °1973 (°Angol, Chili) --- Von Ellrichshausen, Sofia °1976 (°Bariloche, Argentinië) --- Thema's in de architectuur: licht en schaduw --- Chilean painting --- Schilderkunst ; schilders --- Architecten. Stedenbouwkundigen A - Z --- Pezo von Ellrichshausen Architects

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Des rivages de la Méditerranée à ceux de l'Atlantique et du Pacifique, la conception de villas de vacances a suscité une véritable modernité architecturale. En effet, la mythique villa de Curzio Malaparte à Capri, les belles Américaines de John Lautner ou Paul Rudolph aux États-Unis, la villa Noailles, la maison E 1 027 d'Eileen Gray et Jean Badovici et le cabanon de Le Corbusier jalonnent l'histoire de l'architecture des bords de mer. Aujourd'hui, les architectes rivalisent d'astuces pour ancrer ces maisons sur des terrains improbables, les protéger du vent et de la corrosion grâce à des matériaux choisis, révéler des vues sublimes, installer piscines et terrasses en belvédère; des typologies inventives puisent leurs sources dans l'architecture vernaculaire pour en tirer des leçons formelles et environnementales. De la France au Japon en passant par l'Australie, la Grèce et l'Amérique du Sud, cet ouvrage propose un choix de 25 réalisations récentes. Très différentes par leur échelle, leur esthétique et leur budget, elles sont abordées à partir de trois thèmes : la maison en promontoire, la maison les pieds dans l'eau et la maison tapie dans le site, apportant de multiples réponses à des contextes souvent difficiles, parfois exceptionnels mais offrant toujours de riches possibilités architecturales. (quatrième de couverture)

Seaside architecture --- Architecture, Domestic --- Architecture littorale --- Architecture domestique --- Intégration au site naturel --- Littoral --- Maison résidentielle --- Petite construction --- Résidence secondaire --- Architecture balnéaire --- Détail d'architecture --- Habitat vacancier --- Piscine --- Ando, Tadao --- Artadi, Javier --- Barclay, Sandra --- Citterio, Antonio --- Conder, Simon --- Crousse, Jean-Pierre --- Holl, Steven --- Kubota, Katsufumi --- Pezo, Mauricio --- Puga, Cecilia --- Snow, Julie --- Sondergaard, Jan --- Souto De Moura, Edouardo --- Strindberg, Staffan --- Tümertekin, Han --- Von Ellrichshausen, Sofia --- Afrique du sud --- Australie --- Canada --- Chili --- France --- Grèce --- Japon --- Kobe --- Pérou --- Portugal --- Royaume-Uni --- Sardaigne --- Suède --- Ando, Tadao, --- Souto de Moura, Eduardo --- Holl, Steven, --- Ando, Tadao, 1941 --- -Artadi, Javier --- Holl, Steven, 1947 --- -Kubota, Katsufumi

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""Me traiterait-on de diva si j'étais un homme ?" demandait Zaha Hadid, l'une des architectes les plus célèbres au monde, qui dut néanmoins faire face à la critique. Cet ouvrage rend hommage à l'architecture remarquable réalisée par les femmes à travers le monde. S'y côtoient les icônes du XXe siècle comme Eileen Gray, Charlotte Perriand, ou Lina Bo Bardi et les talents contemporains comme Manuelle Gautrand, Kazuyo Sejima, Grafton Architects ou encore Dorte Mandrup, dont l'affirmation a donné son titre à cet ouvrage, célébration indédite de l'architecture au féminin." [4e de couverture]

Women architects --- Femmes architectes --- Femme --- Architecte --- Profession --- Gray, Eileen --- Perriand, Charlotte --- Bo Bardi, Lina --- Gautrand, Manuelle, --- Sejima, Kazuyo --- Grafton architects --- Bardi, Lina Bo, --- Femmes architectes. --- Architecture moderne. --- Architecture et arts. --- Architecture, Modern --- Féminisme --- Cano, Lucia --- Barclay, Sandra --- Wigglesworth, Sarah --- Vigano, Paola --- De Vries, Nathalie --- Van Hee, Marie-José --- Tsien, Billie --- Tezuka, Yui, --- Tagliabue, Benedetta --- Smithson, Alison --- Merrick Sklarek, Norma --- Scott Brown, Denise, --- Ruchat-roncati, Flora --- Rohmer, Marlies --- Rogers, Su --- Reich, Lilly --- Rastogi, Sonali --- Puga, Cecilia --- de Portzamparc, Elisabeth --- Van Der Pol, Liesbeth --- Pinos, Carme --- Pigem, Carme --- Pietilä, Raili --- Patkau Architects --- O'Donnell, Sheila --- Nieto, Fuensanta --- Nagayama, Yuko --- Moussavi, Farshid --- Mori, Toshiko --- Moneo, Belén --- Mesa, Débora --- Maranta, Paola --- Fuksas, Doriana --- Macintosh, Kate --- Lu, Wenyu --- Van Loon, Ellen --- Lobo, Inës --- Liu, Jing, --- Lin, Maya --- Leibinger, Regine --- Legendre, Anouk --- Lacaton, Anne, --- Kaijima, Momoyo --- Jiricna, Eva --- Hutton, Louisa --- Houben, Francine --- Hopkins, Patty --- Holmebakk, Beate --- Heubacher-Sentobe, Margarethe --- Heringer, Anna --- Heneghan, Roisin --- Hasegawa, Itsuko --- Gmür, Silvia --- Gipp, Petra --- Findlay, Kathryn --- Farrell, Yvonne --- McNamara, Shelley --- Escobedo, Frida, --- Von Ellrichshausen, Sofia --- Eames, Ray --- Diller, Elizabeth --- Decq, Odile --- Davis, Sharon --- Cabral, Gloria --- Brooks, Alison --- Böhm, Elisabeth --- Boeri, Cini --- Narchitects --- Mad office --- Asymptote architecture --- Bardi, Lina Bo, 1914-1992 --- Gautrand, Manuelle, 1961 --- -Grafton architects --- Tezuka, Yui, 1969 --- -Tagliabue, Benedetta --- Scott Brown, Denise, 1931 --- -Ruchat-roncati, Flora --- Liu, Jing, 1980 --- -Lin, Maya --- Lacaton, Anne, 1955 --- -Kaijima, Momoyo --- Escobedo, Frida, 1979 --- -Von Ellrichshausen, Sofia --- Architecture moderne --- Architecture et arts