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Voix off --- Au cinéma.
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"Where is the place of the voice in film? Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volume illustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and "playback singing" in some countries, for instance, provide an alternative means of understanding the location of the voice in the soundtrack. Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network of global flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have been long been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance. In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context."--
PERFORMING ARTS / Film & Video / Direction & Production. --- Voice in motion pictures. --- Dubbing of motion pictures. --- Voice-overs. --- Voix au cinéma --- Doublage de films --- Voix hors champ --- Voix (cinéma) --- Films --- Voix off --- Doublage --- Voix au cinéma --- Voix off. --- Doublage.
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This book presents the first study of voice-over from a wide approach, including not only academic issues but also a description of the practice of voice-over around the globe. The authors define the concept of voice-over in Film Studies and Translation Studies and clarify the relationship between voice-over and other audiovisual transfer modes. They also describe the translation process in voice-over both for production and postproduction, for fiction and non-fiction. The book also features course models on voice-over which can be used as a source of inspiration by trainers willing to include this transfer mode in their courses. A global survey on voice-over in which both practitioners and academics express their opinions and a commented bibliography on voice-over complete this study. Each chapter includes exercises which both lecturers and students can find useful.
Voice in motion pictures --- Voice overs --- Dubbing of motion pictures --- Motion pictures --- Translating and interpreting --- Dubbing --- Voice-overs. --- Translating and interpreting in motion pictures. --- commentaarstemmen --- Voix off --- Synchronisation --- Doublage --- Sous-titrage --- commentaarstemmen. --- Films --- Cinéma --- Audiovisuel --- Traduction et interprétation --- Voice-overs --- Translating and interpreting in motion pictures --- Film --- Dubbing. --- Dubbing of motion pictures. --- Sous-titrage. --- Voix off. --- Synchronisation. --- Doublage. --- Traduction et interprétation. --- Commentaarstemmen.
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