Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Voice as Art considers how artists have used human voices, since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce Nauman, Janet Cardiff, and Mike Kelley through to contemporary practice by Shilpa Gupta, The Otolith Group Elizabeth Price the voice is tracked through modernism and postmodernism to posthumanism in relation to speaking subjects, sculptural objects, documents, dramaturgical utterance, forensic evidence, verbatim techniques, and embodied listening. This book gives artists, researchers, and art audiences ways to understand how voices exist in between theoretical discourses and how with their utterance's artists create new dispositions in space by reworking genres to critique cultural form and meaning. It will be of great interest to students and practitioners of sound art, visual culture and theatre and performance"--

Voice in art. --- Voice in art. --- Voix dans l'art.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

L'oeuvre théâtrale de W.B. Yeats est analysée en prenant pour thème central la question de la parole et de la voix. Dans le contexte des mutations du drame propres au tournant des XIXe et XXe siècles, il construit une dramaturgie tragique dans laquelle il oppose à un orchestre de voix réelles et imaginaires la voix perturbatrice d'une figure héroïque en quête de transfiguration.

Theater --- Voice in art --- Théâtre --- Voix dans l'art --- History --- Histoire --- Yeats, W. B. --- Criticism and interpretation --- Théâtre --- Criticism and interpretation. --- Yeats, W. B. - (William Butler), - 1865-1939 - Criticism and interpretation --- Yeats, W. B. - (William Butler), - 1865-1939

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cet essai analyse le rôle de la voix dans l'écriture théâtrale contemporaine et s'appuie sur des auteurs comme Sarah Kane ou Valère Novarina qui renouvellent les modalités d'émission de la voix.

Drama --- Acting --- Voice in art --- Théâtre (Genre littéraire) --- Art dramatique --- Voix dans l'art --- Voix --- Voice in literature. --- Theater --- Voix dans la littérature. --- Sémiotique et théâtre. --- Au théâtre --- History and criticism. --- Semiotics. --- Histoire et critique. --- Thèmes, motifs. --- Vinaver, Michel, --- Lemahieu, Daniel, --- Kermann, Patrick, --- Kane, Sarah, --- Fosse, Jon, --- Schimmelpfennig, Roland, --- Critique et interprétation --- Théâtre (Genre littéraire) --- Drama. --- Au théâtre. --- Schimmelpfennig, Roland --- Critique et interprétation. --- Vinaver, Michel --- Voix dans la littérature. --- Sémiotique et théâtre. --- Au théâtre. --- Thèmes, motifs. --- Critique et interprétation --- Critique et interprétation.