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motetten --- religieuze muziek --- anno 1500-1599 --- Belgium --- Motets. --- 782.2 --- Arts Music Vocal music Sacred
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motetten --- religieuze muziek --- anno 1500-1599 --- Belgium --- Academic collection --- 782.2 --- Arts Music Vocal music Sacred
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liturgische muziek --- missen --- anno 1500-1599 --- Belgium --- Masses --- 782.2 --- Arts Music Vocal music Sacred
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madrigalen --- anno 1500-1599 --- Belgium --- Madrigals, Italian. --- 782.2 --- Arts Music Vocal music Sacred
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Academic collection --- 782.2 --- Arts Music Vocal music Sacred --- motetten --- religieuze muziek --- anno 1500-1599 --- Belgium
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Academic collection --- 782.2 --- Arts Music Vocal music Sacred --- motetten --- religieuze muziek --- anno 1500-1599 --- Belgium
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Professor Temperley suggests that the Elizabethan metrical psalm tunes were survivors of a mode of popular music that preceded the familiar corpus of ballad tunes. Passed on by oral transmission through several generations of unregulated singing, these once lively tunes changed gradually into very slow, quavering chants. Temperley guides the reader through the complex social, theological and aesthetic movements that played their part in the formation of the late Victorian ideal of the surpliced choir in every chancel, and he makes a fresh assessment of that old bugbear, the Victorian hymn tune. His findings show that the radical liturgical experiments of the last few years have not dislodged the Victorian model for the music of the English parish church. This volume provides an anthology of parish church music of all kinds from the fifteenth century to the twentieth, newly edited from primary sources for study or for performance [Publisher description].
Church music --- Sacred vocal music --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Church of England. --- Anglican Communion --- Church of England
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Vespers (Music) --- Sacred vocal music --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Vesperals (Music) --- Divine office (Music) --- Evening service music
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956 --- Muziekgeschiedenis: tijdschriften --- Sacred vocal music --- Italy --- Venice (Italy) --- Manuscripts --- Thematic catalogs --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Manuscripts&delete& --- 923 --- Repertoria - catalogi (componist)
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Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals the role of Latin refrains and refrain songs in the musical lives of religious communities by employing novel interdisciplinary and analytical approaches to the study of medieval song. Through interpretive frameworks focused on time and temporality, performance, memory, inscription, and language, each chapter offers an original perspective on how refrains were created, transmitted, and performed. Arguing for the Latin refrain's significance as a marker of form and meaning, this book identifies it as a tool that communities used to negotiate their lived experiences of liturgical and calendrical time; to confirm their communal identity and belonging to song communities; and to navigate relationships between Latin and vernacular song and dance that emerge within their multilingual contexts.
Songs, Latin (Medieval and modern) --- Sacred vocal music --- Latin songs, Medieval and modern --- History and criticism --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Christian spirituality --- Music --- Medieval Latin literature --- anno 500-1499
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