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Une traduction nouvelle du long poème de Pétrarque (1304-1374), où le poète chante son amour pour Laure et évoque la douleur d'aimer, au travers de six allégories personnifiées : l’Amour, la Chasteté, la Mort, la Renommée, le Temps et l'Eternité. Elle est accompagnée de photographies des vitraux récemment restaurés de l'église Saint-Pierre-ès-Liens à Ervy-le-Châtel, dans l'Aube.
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Lichfield (angleterre) --- Vitraux de l'abbaye d'herckenrode --- Vitraux de la renaissance --- Liege, pays de --- Cathedrale
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Vitraux --- Vitraux de la renaissance --- Belgique --- Liège (belgique ; province) --- Histoire --- 16e siècle --- Luxembourg (belgique) --- Namur (belgique ; province)
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This beautifully illustrated book presents a treasury of medieval and Renaissance stained glass. With its boldly delineated forms and vibrant colours, stained glass has a visual impact matched by few other forms of art. Brilliantly illuminating the interiors of many of the greatest gothic cathedrals, stained and painted glass was also used to decorate domestic spaces, and for many it exemplifies the Middle Ages. In both a literal and visual sense in throws light on the beliefs and images, sacred and secular, which informed the medieval world. More than 100 panels from the V&A's exceptionnal collection are illustrated here, each one supported by a commentary and bibliography, making the book and invaluable resource for students of the Middle Ages and Renaissance, and a feast for the eyes for anyone interested in the history of art and design.
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Art --- Création (esthétique) --- Révolutions --- Art et révolution --- Iconoclasme. --- Art et politique. --- Architecture gothique. --- Néo-gothique (art) --- Art et histoire. --- Vitraux gothiques. --- Vitraux de la Renaissance. --- Dans l'art. --- Aspect social --- Histoire. --- Historiographie. --- Recherche. --- France --- Art et révolution
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