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Art --- Sociology of the family. Sociology of sexuality --- Woolf, Virginia --- Perception visuelle dans la littérature --- Visual perception in literature --- Visuele waarneming in de literatuur --- Aesthetics --- Political and social views --- Politics and literature --- Great Britain --- History --- 20th century --- Feminism and literature --- England --- Women and literature --- Art and literature --- Post-impressionism (Art) --- Aesthetics [British ] --- Modernism (Literature)

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Art and literature --- Art et littérature --- Kunst en literatuur --- Peinture et littérature --- Perception visuelle dans la littérature --- Schilderkunst en literatuur --- Visual perception in literature --- Visuele waarneming in de literatuur --- Art and literature. --- Visual perception in literature. --- Women and literature --- History --- Plath, Sylvia --- Criticism and interpretation. --- Criticism and interpretation --- United States --- 20th century

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lezen --- fenomenologie --- literatuur --- Psychological study of literature --- Art --- Literature --- Appraisal of books --- Boeken en lectuur --- Boeken--Keuze --- Boeken--Publiek --- Boekenkeuze --- Books and reading --- Books--Appraisal --- Choice of books --- Choix de livres --- Evaluation of literature --- Fenomenologie --- Fenomenologie en literatuur --- Literature--Evaluation --- Livres et lecture --- Livres--Choix --- Livres--Public --- Perception visuelle dans la littérature --- Phenomenology --- Phenomenology and literature --- Phénomenologie et littérature --- Phénoménologie --- Reading [Choice of ] --- Reading and books --- Reading habits --- Reading public --- Visual perception in literature --- Visuele waarneming in de literatuur --- Reading --- Psychological aspects --- illustrations [layout features]

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Painting --- Fiction --- Drama --- English literature --- anno 1600-1699 --- anno 1500-1599 --- Littérature réaliste --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Perception visuelle dans la littérature --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Ut pictura poesis (Aesthetics) --- Ut pictura poesis (Esthetica) --- Ut pictura poesis (Esthétique) --- Verhaal (Retoriek) --- Visual perception in literature --- Visuele waarneming in de literatuur --- Art and literature --- Art, Renaissance --- Realism in art --- Renaissance --- History and criticism --- History --- Realism in literature. --- Visual perception in literature. --- History and criticism. --- Narration (Rhetoric). --- Ut pictura poesis (Aesthetics). --- Early modern, 1500-1700 --- England --- 16th century --- 17th century --- Art [Renaissance ] --- English literature - Early modern, 1500-1700 - History and criticism --- Art and literature - England - History - 16th century --- Art and literature - England - History - 17th century --- Art, Renaissance - England --- Realism in art - England --- Renaissance - England.

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Focusing on the years from 1922 to 1938, this book revisits an important moment in black cultural history to explore how visual elements were used in poems, novels, and photography to undermine existing stereotypes. Miriam Thaggert identifies and analyzes an early form of black American modernism characterized by a heightened level of experimentation with visual and verbal techniques for narrating and representing blackness. The work of the writers and artists under discussion reflects the creative tension between the intangibility of some forms of black expression, such as spirituals, and the materiality of the body evoked by other representations of blackness, such as “Negro” dialect. By paying special attention to the contributions of photographers and other visual artists who have not been discussed in previous accounts of black modernism, Thaggert expands the scope of our understanding of the Harlem Renaissance and contributes to a growing recognition of the importance of visual culture as a distinct element within, and not separate from, black literary studies. Thaggert trains her critical eye on the work of James Weldon Johnson, Nella Larsen, George Schuyler, Carl Van Vechten, James Van Der Zee, and Aaron Siskind—artists who experimented with narrative and photographic techniques in order to alter the perception of black images and to question and reshape how one reads and sees the black body. Examining some of the more problematic authors and artists of black modernism, she challenges entrenched assumptions about black literary and visual representations of the early to mid twentieth century. Thaggert concludes her study with a close look at the ways in which Harlem and the Harlem Renaissance were reimagined and memorialized in two notable texts—Wallace Thurman’s 1932 satire Infants of the Spring and the Metropolitan Museum of Art’s controversial 1969 exhibition “Harlem on My Mind: The Cultural Capital of Black America, 1900–1968.”

African Americans in art --- African Americans in literature --- Afro-Americains dans l'art --- Afro-Americans in literature --- Afro-Amerikanen in de kunst --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Art dans la littérature --- Art in literature --- Black Americans in literature --- Harlem Renaissance --- Kunst in de literatuur --- Negroes in literature --- Noirs américains dans la littérature --- Perception visuelle dans la littérature --- Visual perception in literature --- Visuele waarneming in de literatuur --- Zwarte Amerikanen in de literatuur --- American literature --- African American authors --- History and criticism --- African American art --- 20th century --- African Americans --- Intellectual life --- Modernism (Literature) --- United States --- Johnson, James Weldon --- Criticism and interpretation --- Larsen, Nella --- Schuyler, George Samuel --- Van Vechten, Carl --- Siskind, Aaron --- Littérature américaine --- Noirs américains --- Auteurs noirs américains --- Histoire et critique --- Dans la littérature --- Dans l'art --- Vie intellectuelle --- 20e siècle