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This book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honor de Balzac and George Eliot show for several types of pre-cinematic spectacle. It also identifies a so far neglected aspect of novel theory that nineteenth-century authors elaborated by incorporating suggestions from pre-cinematic visual spectacles. By shedding light on forms of visuality that were not entertained by the dominant aesthetic modes of painting and photography, The Nineteenth-Century Novel and the Pre-Cinematic Imagination argues that the presence of nineteenth century pre-cinematic optical illusions in works of fiction redefines the notion of mimesis as animated movement and points to a continuity between pre-cinema, the literary imagination and the structures of knowledge production of the modern episteme. Alberto Gabriele is the author of Reading Popular Culture in Victorian Print: Belgravia and Sensationalism (2009) and The Emergence of Pre-Cinema: Print Culture and the Optical Toy of the Literary Imagination (2016). He also edited Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective (2017). He has previously been a Macgeorge fellow at the University of Melbourne, Australia. .
Fiction --- Art and literature. --- Visualization in literature. --- History and criticism.
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Arabic poetry --- Fantasy in literature --- Imagery (Psychology) in literature --- Visualization in literature --- History and criticism
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Spanish literature --- Gaze in literature. --- Visualization in literature. --- Petrarchism. --- Littérature espagnole --- History and criticism.
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"Scholars have long noted the strikingly visual aspects of Statius' poetry. This book advances our understanding of how these visual aspects work through intertextual analysis. In the Thebaid, for instance, Statius repeatedly presents "visual narratives" in the form of linked descriptive (or ekphrastic) passages. These narratives are subject to multiple forms visual interpretation inflected by the intertextual background. Similarly, the Achilleid activates particularly Roman conceptions of masculinity through repeated evocations of Achilles' blush. The Silvae offer a diversity of modes of viewing that evoke Roman conceptions of gender and class"--
Ekphrasis. --- Statius, P. Papinius --- Criticism and interpretation. --- Visualization in literature --- Latin poetry --- History and criticism. --- Classical Studies --- Greek & Latin Literature
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Art and literature --- English literature --- Imagery (Psychology) in literature --- Impressionism --- Impressionism in literature --- Modernism (Literature) --- Visualization in literature --- Literary style --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History --- History and criticism
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The Child Gaze: Narrating Resistance in American Literature theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin's Little Man, Little Man, Mildred Taylor's Roll of Thunder, Hear My Cry, Toni Morrison's The Bluest Eye, Gene Luen Yang's American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood.
Gaze in literature. --- Children in literature. --- American literature --- Visual perception in literature. --- Visualization in literature. --- Regard dans la littérature. --- Littérature américaine --- Perception visuelle dans la littérature. --- Visualisation dans la littérature. --- LITERARY CRITICISM / Children's & Young Adult Literature. --- LITERARY CRITICISM / Semiotics & Theory. --- History and criticism. --- Histoire et critique.
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"A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations."--Pub. desc.
Technology and the arts. --- Visual communication. --- Visual perception. --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Arts and technology --- Arts --- Psychological aspects --- Visualization in literature. --- Imagination in literature. --- Imagery (Psychology) in literature. --- Imagery (Psychology) in motion pictures. --- Philosophy in literature. --- Philosophy in motion pictures. --- Visual perception in literature. --- Motion pictures --- Beckett, Samuel, --- Pixar Animation Studios. --- Bekket, Samjuel' --- Bekkeṟ_r, Sāmuvēl --- Bekket, Sėmjuėl' --- Bīkīt, Ṣāmū'īl --- Beckett, Samuel Barclay --- Barclay Beckett, Samuel --- Becket, Samuel --- Bekeṭ, Samuel --- Beḳeṭ, Samuʾel --- Bekket, Samjuel’ --- Bekket, Sėmjuėl’ --- Schriftsteller --- Dramatiker --- Übersetzer --- Dublin --- Paris --- Pinget, Robert --- 13.04.1906-22.12.1989 --- 1906-1989 --- Disney Pixar --- Pixar --- Pixar Animation Studios --- Filmstudio --- Emeryville, Calif. --- USA --- Del Carmen, Ronnie --- 1985 --- -Visual perception.
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Displacement (Psychology) in literature. --- Foreign countries in literature. --- Travelers' writings, Chinese --- Visualization in literature. --- S03/0210 --- S03/0300 --- China: Geography, description and travel--Chinese geography, description and travels: before 1840 --- China: Geography, description and travel--Geography: 1840 - 1949 --- Chinese --- Literature and history --- Travel in literature. --- Historiography. --- History --- History and criticism. --- Geschichte. --- China --- Civilization --- Foreign influences. --- Displacement (Psychology) in literature --- Foreign countries in literature --- Travel in literature --- Visualization in literature --- Historiography --- History and criticism --- Chinese travelers' writings --- Chinese literature --- Voyages and travels in literature --- History and literature --- History and poetry --- Poetry and history --- Ethnology --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- )
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