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Art --- Sculpture --- installations [visual works] --- sculpting --- Villar Rojas, Adrián --- anno 2000-2099 --- Argentina

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Meteorology. Climatology --- Art --- ecology --- community art --- political art --- climate change --- Saraceno, Tomás --- Greenfort, Tue --- Osodi, George --- Villar Rojas, Adrián --- Allora and Calzadilla --- Sonjasdotter, Åsa --- Meyer-Keller, Eva --- Tsegaye, Michael --- Blumenfeld, Erika --- Staeck, Klaus --- anno 2000-2099

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Hans Ulrich Obrist often quotes Erwin Panofsky, who once famously said the future is built from fragments of the past. How these fragments accumulate, how the future becomes constructed, is often a matter of historical inquiry as well as shared personal experiences. Coloured by digital technology, international conflict, domestic life, and more, twelve artists and an architect engage in conversation with Hans Ulrich Obrist, challenging history's defining notions and offering diverse accounts of how the present is imagined in relation to the past. One of the conversations takes the form of a photographic essay by Ari Marcopoulos examining Athens, the ancient city and its contemporary life. 'The Athens Dialogues' reveals how antiquity is a toolbox for shaping not only artistic and research practices, but present-day realities and the futures to come.

Art --- art [fine art] --- Antique, the --- Anesiadou, Danai --- Julien, Isaac --- Sengupta, Shuddhabrata --- Soulou, Christiana --- Steyerl, Hito --- Villar Rojas, Adrián --- Koons, Jeff --- Marcopoulos, Ari --- Georgiou, Apostolos --- Bridle, James --- Leyendecker, Ranjana --- Ray, Charles --- Diller, Elizabeth --- Antiquity --- Athens --- Art and history --- kunst --- kunsttheorie --- kunstgeschiedenis --- kunstenaars --- eenentwintigste eeuw --- Steyerl Hito --- Bridle James --- Georgiou Apostolos --- Anesiadou Danai --- Villar Rojas Adrian --- Ray Charles --- Diller Elizabeth --- Sengupta Shuddhabrata --- Raqs Media Collective --- Soulou Christiana --- Julien Isaac --- Leyendecker Ranjana --- Koons Jeff --- Marcopoulos Ari --- 7.01 --- Athens (Greece) --- Aḟiny (Greece) --- Atene (Greece) --- Atʻēnkʻ (Greece) --- Ateny (Greece) --- Athen (Greece) --- Athēna (Greece) --- Athēnai (Greece) --- Athènes (Greece) --- Athinai (Greece) --- Athīnā (Greece) --- Αθήνα (Greece) --- History --- Social aspects. --- Antiquities --- History and art --- History in art --- art [discipline]

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kunst --- eenentwintigste eeuw --- twintigste eeuw --- Segui Antonio --- Villar Rojas Adrián --- Raqs Media Collective --- Otolith Group --- Price Walter --- McQueen Steve --- Matta Roberto --- Leyendecker Ranjana --- Lam Wilfredo --- Koo Jeong A --- Glissant Sylvie --- Gallego Geneviève --- Fattal Simone --- Diawara Manthia --- Dekyndt Edith --- Boyd Dan --- Boetti Alighiero --- Barcelo Miquel --- Attia Kader --- Al-Maria Sophia --- Adnan Etel --- Adonis --- Adami Vaerio --- cultuurfilosofie --- kunst en economie --- kunst en politiek --- 7.039 --- 7.01 --- globalisering --- Glissant Édouard --- kunsttheorie --- Exhibitions --- Culture and globalization --- Culture et globalisation --- Culture et mondialisation --- Cultuur en globalisering --- Globalisation et culture --- Globalisering en cultuur --- Globalization and culture --- Mondialisation culturelle --- Mondialisation de la culture --- Mondialisation et culture --- Art --- Political aspects --- Economic aspects --- Culture --- Philosophy

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The ecological crisis the world is currently experiencing calls for an urgent rethinking of our relationship to nature, natural resources, and the entirety of life on Earth, as well as that of humans to each other. The time has come for repurposing coexistence, aided by post-human thought and technological advancement, and for realizing that humans are merely part of, rather than the center of, our world.00'Potential Worlds: Planetary Memories and Eco-Fictions', published in conjunction with group shows at Zurich?s Migros Museum für Gegenwartskunst and Baku?s YARAT Contemporary Art Space, questions forms of knowledge developed in the course of annexation of the environment and asks what ideas of nature might emerge from the current crisis and how we might perceive nature in the future. Thirty-six artists from around the world featured in this book examine the ecological and social consequences of the past and ongoing conquests of land for purposes of accumulating power and resources. Essays by Benjamin H. Bratton, T. J. Demos, Reza Negarestani, and Jussi Parikka shed light on multiple different perspectives, such as colonialism, post-humanism, ecology, and artistic adaption of new technologies, and investigate the potential future of mankind living in alliance with nature and the role of art in this undertaking as a technological, scientific, and social experiment. Concise texts on the work of the participating artists and an introduction by curators Suad Garayeva-Maleki and Heike Munder round out this illustrated volume.00Exhibition: Migros Museum für Gegenwartskunst, Zurich, Switzerland (07.03. - 11.10.2020).

Art --- installations [visual works] --- multimedia works --- ecology --- climate --- pollution --- video art --- Menlibayeva, Almagul --- Moon Kyungwon --- Alves, Maria Thereza --- Baraya, Alberto --- Biemann, Ursula --- Cao Fei --- Caycedo, Carolina --- John Doe Co. --- Greenfort, Tue --- Hadjithomas, Joana --- Henda, Kiluanji Kia --- Jeon, Joonho --- Joreige, Khalil --- Kallat, Reena Saini --- Villar Rojas, Adrián --- Burton Nitta --- Charrière, Julian --- Novitskova, Katja --- Yoldas, Pinar --- Zheng, Bo --- Cooking Sections --- Budor, Nora --- Anca Benera and Arnold Estefán --- Arunanondchai, Korakrit --- Al Qadiri, Monira --- Atalan, Ozan --- Henderson, Louis --- Henner, Mishka --- Kudsk Steensen, Jakob --- Maggic, Mary --- Abson, Mileece --- Rezaire, Tabita --- Saro-Wiwa, Zina --- Singh Soin, Himali --- Durham, Jimmie --- Dion, Mark --- Fend, Peter --- Harrison, Helen Mayer --- Harrison, Newton