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A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators. Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.

Children's films --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Juvenile films --- Motion pictures for children --- Moving-pictures for children --- Video recordings for children --- Motion pictures --- History and criticism. --- History.

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Motion pictures and children --- Motion pictures for children --- #SBIB:AANKOOP --- #SBIB:309H1312 --- #SBIB:309H1313 --- Juvenile films --- Moving-pictures for children --- Video recordings for children --- Motion pictures --- Children and motion pictures --- Moving-pictures and children --- Children --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Children's films. --- Motion pictures and children. --- Children's films

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From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.

Children's films --- 791.43 <73> --- 791.43 <73> Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- Political aspects. --- Juvenile films --- Motion pictures for children --- Moving-pictures for children --- Video recordings for children --- Motion pictures --- Political aspects --- Disney, Walt, --- Disini, --- Disneĭ, Uolt, --- Disney, Walter Elias, --- Ti-si-ñi, --- Ti-ssu-ni, --- W. ディズニー, --- Yensid, Retlaw, --- דיסני, וולט, --- ウォルトディズニー, --- Disnėjus, Voltas, --- Criticism and interpretation. --- Walt Disney Company. --- Disney Studio --- 迪斯尼公司 --- Mei guo di shi ni gong si --- 美國迪士尼公司 --- Walt Disney Productions --- 21st Century Fox (Firm) --- Disney characters. --- Walt Disney characters --- Cartoon characters

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In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.

Zeus --- snowmen --- adaptation --- family jewels --- motherhood --- feminist political economy of media --- Lilo &amp --- music --- children --- heroism --- princess --- transnational media --- feminist film criticism --- EPCOT --- stereotyping --- applause --- family function --- queer --- gender --- entertainment --- masculinity --- fireworks --- diversity --- world --- coping mechanisms --- appropriation --- selflessness --- snowflake --- Megara --- Pixar --- Walter Benjamin --- cultivation --- gender nonconformity --- Disney --- Elsa --- enchantment --- witches --- empowered mothering --- cultural studies --- bullroarer --- postfeminism --- storms --- imperialism --- magic --- matrix of domination --- sexuality --- beauty --- children’s media --- fertility --- boobs and boyfriends --- girls --- parthenogenesis --- Polynesia --- coloniality --- commodification --- Marshmallow --- content coding analysis --- colonialism --- Moana --- Let it Go --- non-binary --- Africana --- family roles --- hypermasculinity --- media criticism --- cultures --- political economy of film --- mean girls --- death --- engagement ring --- Olaf --- intersectionality --- Hercules --- sounds --- Kristoff --- Dumbo --- hegemony --- park --- alternative royals --- prince --- girl cartoon --- pink elephants --- Stitch --- gender stereotypes --- standing ovation --- gender roles --- wedding toast --- diamond --- content analysis --- family structure --- feminism --- family --- Children's films --- Psychological aspects. --- Social aspects. --- Walt Disney Company --- Influence. --- Juvenile films --- Motion pictures for children --- Moving-pictures for children --- Video recordings for children --- Motion pictures --- Disney Studio --- 迪斯尼公司 --- Mei guo di shi ni gong si --- 美國迪士尼公司 --- Walt Disney Productions --- 21st Century Fox (Firm)