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book (8)


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Book
Management of vicuña : its contribution to rural development in the High Andes of Peru.
Authors: --- ---
ISBN: 9251022240 Year: 1985

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Keywords

Vicuña


Book
Vicenta Maria lopez y Vicuña : vida y proyección social de su obra (1847-1890)
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ISBN: 8440084966 Year: 1975 Publisher: Pamplona Religiosas de Maria Inmaculada

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Book
Utilización de la vicuña en el Perú = : Utilization of vicugnas in Peru = Nutzung der Vikunjas in Peru
Authors: ---
ISBN: 3880850488 Year: 1978 Volume: 44 Publisher: Eschborn : Sociedad Alemana de Cooperación Técnica,

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Book
Cecilia Vicuña : word weapons
Authors: --- --- ---
ISBN: 9798986781204 Year: 2023 Publisher: [San Francisco, California] New York, New York The Wattis Institute ; RITE Editions Distributed by ARTBOOK/D.A.P.

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This book brings together the Palabrarmas series by the artist, poet, and activist Cecilia Vicuña (b. 1948, Santiago, Chile). A neologism that translates to "word weapons" or "word arms," Palabrarmas imagine new ways of seeing language. By taking the form of collages, silkscreens, drawings, poems, fabric banners, cut-outs, mixed media installations, and street actions, Vicuña brings together many aspects of her practice in poetry, activism, and visual art, allowing new meanings to emerge. This book presents a range of palabrarmas, created over the past four decades, in color for the first time. -- Provided by the publisher.


Book
Cecilia Vicuña : Seehearing the enlightened failure
Authors: --- --- --- --- --- et al.
ISBN: 9789491435591 9491435590 Year: 2019 Publisher: Rotterdam New York Witte de With Center for Contemporary Art D.A.P.

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Overlapping autobiography with sharp political reflections, Vicuña weaves visceral entanglements between word and seed, sound and thread, quipu and blood, body and dust, or rubbish and cosmos. This exhibition and accompanying publication is the most comprehensive survey today of a groundbreaking work that has been deeply influential among her peers and for later generations. As the exhibition, this publication gives an overview of Vicuña's artistic practice as a poet, visual artist, and activist from the 1960s to the present day. It is edited by López, designed by Studio Manuel Raeder in Berlin, and includes a forward by Sofía Hernández Chong Cuy, new essays by Miguel A. López, Julia Bryan-Wilson and Carla María Macchiavello, existing essays by Lucy Lippard and Dawn Adès, an anthology of texts authored by Cecilia Vicuña, and a number of previously unpublished visual documentation that expands our understanding of her work.


Book
La protection de la vigogne dans l'ordre juridique international
Authors: ---
Year: 1995 Publisher: Bruxelles : Changra Lazo,

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Book
The Vicuña : The Theory and Practice of Community Based Wildlife Management
Authors: ---
ISBN: 1441934839 038709475X 9786611964894 1281964891 0387094768 9780387094755 354009475X 9783540094753 Year: 2009 Publisher: New York, NY : Springer US : Imprint: Springer,

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The vicuña has been one of the few success stories of wildlife conservation. Increasing populations are, however, raising new challenges for effective management as emphasis shifts from protection to allow sustainable use. Internationally, policy development has followed the community-based conservation paradigm, which holds that economic benefits from wildlife management practices bring greater commitment on the part of local communities to protect both the species and its habitat. In this book we argue that sustainability is not guaranteed by sustainable use, and that both education and regulation are required to prevent the proliferation of unsustainable practices. Community wildlife management does not replace conservation, but it does fundamentally alter the nature of the task that conservation agencies face.


Book
Fray : art + textile politics
Author:
ISBN: 9780226077819 Year: 2017 Publisher: Chicago London The University of Chicago Press

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In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.

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