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Book
Virgil : a collection of critical essays
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ISBN: 0139421939 Year: 1966 Publisher: Englewood Cliffs (N.J.): Prentice Hall

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Book
P. Vergilius Maro Aeneis : Buch VI
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Year: 1916 Publisher: Leipzig : Teubner,

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Book
La religion de Virgile
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Year: 1963 Publisher: Paris : PUF,

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Book
Die Dichtkunst Virgils : Bild und Symbol in der Äneis
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Year: 1950 Publisher: Innsbruck : Rohrer,

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Book
Vergil : Vater des Abendlandes
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Year: 1933 Publisher: Bonn am Rhein : Wahlband der Buchgemeinde,

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Dissertation
De Tegernseeër glossen op Vergilius.
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Year: 1892 Publisher: Groningen : Wolters,

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Book
Vergilijeva enejida : Poema
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ISBN: 9669662508 Year: 2006 Publisher: Kyjiv : Majsternja bilec'kych,

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Book
De Aeneas van Virgilius uit een krijgskundig oogpunt beschouwd
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Year: 1845 Publisher: Doesborgh : De Bruijn,

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Article
La légende de Virgile en Belgique : discours prononcé dans la séance publique de la Classe des lettres de l'Académie royale de Belgique, le 7 mai 1890
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Year: 1890 Publisher: Bruxelles : Hayez,

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Book
Virgil's cinematic art : vision as narrative in the Aeneid
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ISBN: 9780197643242 9780197643266 0197643272 0197643256 0197643264 Year: 2023 Publisher: New York (N.Y.) : Oxford university press,

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"This book concerns the rhetoric of visual manipulation that provokes readers to envision what is written on the page, treating visual details in ancient epic not as mere scene-setting information or enhancements to any given story, but as cues for performing specific imaginative processes. Through a series of close readings centred primarily on Virgil's Aeneid, the book aims to show that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive, and shifting them about in ways that move readers into and out of the visual and emotional worlds of the story's characters. Whereas most studies of narrative visualization concern seeing, this one concerns watching. And listening. And trying to keep up. Informing the book's theoretical approach are recent cognitivist and constructivist studies of how audiences watch narrative films and make sense of what they are being given to see. By looking to the world of narrative films, where directors use shots craftily edited to cue audiences to 'fill in' for what the camera itself cannot show, the book locates new narrative content lurking in old places, brought to life within the imaginations of readers. The end result is a new approach to the question of how ancient epic tales convey narrative content through visual means"--

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