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VERA (YVONNE) --- CRITIQUE ET INTERPRETATION --- VERA (YVONNE) --- CRITIQUE ET INTERPRETATION
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Colonies in literature. --- War in literature. --- Women in literature. --- Feminism in literature. --- Vera, Yvonne (1964-2005) --- Critique et interprétation --- Vera, Yvonne --- Criticism and interpretation. --- Zimbabwe --- In literature. --- Critique et interprétation
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Doris Lessing and Yvonne Vera are among the writers whose work concentrates on disorientation, marginalization and homelessness in a colonized country. The two authors represent two worlds of Zimbabwe: Doris Lessing feels uneasy with her membership in the class of colonizers, but she nevertheless represents the privileged, Yvonne Vera fully identifies with the oppressed, was personally shaped by colonialism. This study focuses on Vera's internal and Lessing's external perspectives of Zimbabwean history and culture, on the impact that colonialism has on a writer from the colonized community vs. on a writer from the colonizer's community.
LESSING (DORIS), 1919 --- -VERA (YVONNE) --- Identité (psychologie) --- LITTERATURE POSTCOLONIALE --- COLONIES DANS LA LITTERATURE --- COLONIES --- ZIMBABWE --- CRITIQUE ET INTERPRETATION --- Dans la littérature --- AFRIQUE --- DANS LA LITTERATURE --- Colonies
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This book is designed as a tribute and response to Yvonne Vera's famous novel 'Butterfly Burning', which is set in the Bulawayo townships in 1946 and dedicated to the author. It is an attempt to explore what historical research and reconstruction can add to the literary imagination. Responding as it does to a novel, this history imitates some fictional modes. Two of its chapters are in effect 'scenes', dealing with brief periods of intense activity. Others are in effect biographies of 'characters'. The book draws upon and quotes from a rich body of urban oral memory. In addition to this historical/literary interaction the book is a contribution to the historiography of southern African cities, bringing out the experiential and cultural dimensions, and combining black and white urban social history. TERENCE RANGER is Emeritus Rhodes Professor of Race Relations, University of Oxford. Zimbabwe: Weaver Press.
Vera, Yvonne, --- Bulawayo (Zimbabwe) --- History --- Race relations. --- Social conditions --- #SBIB:39A4 --- #SBIB:39A73 --- #SBIB:96G --- Toegepaste antropologie --- Etnografie: Afrika --- Geschiedenis van Afrika --- Vera, Yvonne. --- Bulawayo, Southern Rhodesia --- LITERARY COLLECTIONS / African. --- African cities. --- Bulawayo Burning. --- Butterfly Burning. --- Rhodes Professor of Race Relations. --- Social History. --- TERENCE RANGER. --- University of Oxford. --- Yvonne Vera. --- Zimbabwean cultural life. --- black and white urban social history. --- cultural dimensions. --- experiential. --- historical research. --- historiography. --- literary imagination. --- southern African cities. --- urban oral memory.
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Responding to many of the same neo-colonial concerns as earlier African writers, Ben Okri, B. Kojo Laing and Yvonne Vera bring contemporary, hybrid voices to their novels that explore spiritual, cultural and feminist solutions to Africa's complex post-independence dilemmas. Their work is informed by both African and western traditions, especially the influences of traditional oral storytelling and post-modern fictional experimentation. Yet each is unique: Ben Okri is a religious writer steeped in the metaphysical complexities of a traditional symbiosis of physical and spiritual co-existence; B. Kojo Laing's humor grounds itself in linguistic play and outrageous characterization; Yvonne Vera translates her eco-feminist hope in political and social transformation with a focus on the developing political actions of Zimbabwean women. All three reflect on the colonial and post-independence turmoil in their respective countries of birth - Nigeria, Ghana and Zimbabwe. Together, they represent the evolution of a brilliant contemporary generation of post-independence voices. ARLENE A. ELDER is Professor of Women's Studies at the University of Cincinnati. She is the author of 'The Hindered Hand: Cultural Implications of Nineteenth-Century African-American Fiction' and has published essays and articles on African, African-American, Native-American and Australian Aboriginal literatures and orature.
African fiction (English) --- Postcolonialism --- Postcolonialism in literature. --- English fiction --- African literature (English) --- History and criticism. --- Okri, Ben --- Laing, B. Kojo --- Vera, Yvonne --- Laing, Kojo --- Okri, Benjamin --- Criticism and interpretation. --- English literature --- African Literature. --- B. Kojo Laing. --- Ben Okri. --- Colonialism. --- Cultural Traditions. --- Culture. --- Feminism. --- Global Vision. --- Narrative Shape-Shifting. --- Post-Colonial Dilemmas. --- Post-Independence. --- Spirituality. --- Yvonne Vera.
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Jewish religion --- Social problems --- Sociology of the family. Sociology of sexuality --- Criminology. Victimology --- Mass communications --- Fiction --- Feminism --- Violence --- Judaism --- Literature --- Television --- Rape --- Book --- Morrison, Toni --- Cisneros, Sandra --- Vera, Yvonne --- Dangor, Achmat --- Gibb, Camilla --- Ladha, Yasmin --- Molope, Kagiso --- Ruth, Elizabeth --- Saadawi, El, Nawal --- anno 1940-1949
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Political philosophy. Social philosophy --- Developmental psychology --- Sociology of the family. Sociology of sexuality --- Colonisation. Decolonisation --- Sexology --- Fiction --- Thematology --- Gender --- Colonialism --- Literature --- Girls --- Nationalism --- Sexuality --- Writers --- Autobiography --- Images of women --- Book --- Nwapa, Flora --- Roy, Arundhati --- Dangarembga, Tsitsi --- Naidu, Sarojini --- Vera, Yvonne --- Africa
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