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Film --- video art --- Vasulka, Steina --- Vasulka, Woody --- United States of America

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A secret filiation runs from those artists who used the medium of video in the 1960s, the first being Nam June Paik, to those who decided, in the early 1990s, to employ the digital language. To elaborate this hypothesis, the exhibition pursues three threads: the use of machines and their language, memory and hence the archive, and lastly multiplicity of screens as a construction of new mental worlds.

Alongside works by Nam June Paik [KR] and Steina and Woody Vasulka [IS], pioneers of video art, we will find creations by artists utilizing the digital medium such as the artist collective SLIDERS_lab [FR], Maria Barthélémy and René Sultra [FR], and Joost Rekveld [NL]. The show also features other artists, grouped around the Anarchive collection launched and run by Anne-Marie Duguet [FR]. (Her)ontdek het werk van onder meer de 'vader' van de videokunst Nam June Paik en van Steina en Woody Vasulka in Mémoires vives.

Het boek behandelt de relatie tussen de videokunst uit de jaren 1960 en de digitale kunst van de jaren 1990. In de publicatie komen enkele sleutelwerken aan bod, die rond drie thema's worden gegroepeerd: '(her)uitgevonden' apparaten, het geheugen en het archief, en de veelheid van schermen als constructie van een nieuw mentaal universum.

video [art discipline] --- video art --- multimediakunst --- Art vidéo --- Installation-art --- Conception assistée par ordinateur --- Paik, Nam June --- Lenticulair drukken --- Art --- video artists --- Barthélémy, Maria --- Sultra, René --- Vasulka, Steina --- Vasulka, Woody --- Vasulka, Woody & Steina --- video [discipline]

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Raaijmakers, Dick --- Stelarc --- Vasulka, Steina --- Vasulka, Woody --- Weibel, Peter --- Ascott, Roy --- Adilkno --- Hobijn, Erik --- Hess, Felix --- Spuybroek, Lars --- Eshun, Kodwo --- Lovink, Geert --- Shimoda, Seiji

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kunst --- mediakunst --- video --- videokunst --- film --- experimentele film --- installaties --- computerkunst --- video-installaties --- elektronische kunst --- digitale kunst --- kunstonderwijs --- vakdidactiek --- twintigste eeuw --- Verenigde Staten --- Frampton Hollis --- Conrad Tony --- Sharits Paul --- Blue James --- Vasulka Steina --- Vasulka Woody --- Weibel Peter --- 791.5 --- 791.43 --- 7.038 --- Exhibitions --- Mass media --- Mass communication --- Media, Mass --- Media, The --- Communication --- Study and teaching (Higher) --- State University of New York at Buffalo --- History

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In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video's emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. Enlisting a distinctly media-archaeological approach, Blom's new book—her second from Sternberg Press—is a brilliant look at the relationship between video memory and social ontology.

kunst --- kunsttheorie --- video --- videokunst --- video-installaties --- Benning Sadie --- Piene Otto --- Tambellini Aldo --- Crutchfield James P --- Gillette Frank --- Ryan Paul --- Campus Peter --- Viola Bill --- Paik Nam June --- Vasulka Woody --- Vasulka Steina --- Sonnier Keith --- Muntadas Antoni --- Graham Dan --- Birnbaum Dana --- vom Bruch Klaus --- Benglis Lynda --- Morris Robert --- 791.5 --- Video art --- Intersubjectivity. --- Art, Modern --- History.