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A comprehensive examination of the company most responsible for defining and popularizing the American movie. Vitagraph was among the five production companies established at the dawn of commercial cinema in America. From its initial studios in Manhattan and Brooklyn to its later base of operations in Hollywood, Vitagraph was America's leading producer of motion pictures for much of the silent era, and for several years was the nation's largest exhibitor. The company overcame resistance to multi-reel movies by establishing its own distribution network for feature films across North America, which thrived for more than half a century. Vitagraph's international distribution was even more profitable, reaching into every country where motion pictures were shown. In the process it cultivated a preference for American movies that endures into the present.
Motion picture industry --- History --- Vitagraph Company of America --- History.
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The works of Shakespeare and Dante or the figures of George Washington and Moses do not often enter into popular conceptions of the silent cinema, yet, between 1907 and 1910, the Vitagraph Company frequently used such material in producing "quality" films that promulgated "respectable" culture. William Uricchio and Roberta Pearson situate these films in an era of immigration, labor unrest, and mainstream American xenophobia, in order to explore the cultural views promoted by the films and the ways the audiences--the middle classes as well as workers and immigrants--related to what they saw. The authors associate the production of quality films with a top-down forging of cultural consensus on issues such as patriotism and morality, and reveal the surprising bottom-up negotiations of these films' "meanings.".Devoting chapters to the literary, historical, and biblical subjects used by Vitagraph, this book draws upon plays, pageants, school textbooks, and even product advertisements to illuminate the conditions of cinematic production and reception. It provides a detailed look at one aspect of the film industry's transformation from "despised cheap amusement" to the nation's dominant mass medium, while showing how cultural elites engaged in a struggle similar to that of today's American academy over the literary canon and national value systems.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Film --- United States --- 791.44 --- 791.43-1 --- #SBIB:309H1326 --- Filmproductie. Filmindustrie --- Filmkunst. Films. Cinema--?-1 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Culture in motion pictures. --- Motion pictures --- Social aspects --- Culture in motion pictures --- Music, Dance, Drama & Film --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- 791.44 Filmproductie. Filmindustrie --- Vitagraph Company of America. --- Vitagraph Co. of America --- Vitagraph Company --- Vitagraph (Firm) --- Warner Bros. Pictures (1923-1967) --- American Vitagraph Company --- United States of America --- CINEMA --- COMPAGNIES DE PRODUCTION ET STUDIOS --- SOCIETE ET LE CINEMA --- VITAGRAPH --- ETATS-UNIS
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791.43 --- #SBIB:309H1320 --- #SBIB:309H1326 --- film --- Hollywood --- filmgeschiedenis --- Vitagraph --- Griffith David Wark --- Dwan Allan --- King Henry --- Pickford Mary --- Brown Clarence --- Sloman Edward --- Wellman William --- de Mille Cecil B. --- von Sternberg Josef --- Rosher Charles --- camera's --- art direction --- Fairbanks Douglas --- melodrame --- scenario --- Booth Margaret --- Hornbeck William --- stille film --- stunts --- Farrar Geraldine --- Swanson Gloria --- Blythe Betty --- Ben Hur --- producers --- produktie --- filmproductie --- Mayer Louis B. --- Thalberg Irving --- Selznick David O. --- Denny Reginald --- slapstick --- LLoyd harold --- Keaton Buster --- Chaplin Charles --- Gance Abel --- Verenigde Staten --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- de Mille Cecil B --- Mayer Louis B --- Selznick David O --- CDL --- Motion pictures --- Silent films --- Cinéma --- Films muets --- History --- History and criticism --- Histoire --- Histoire et critique
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