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Fremdsprachenlernen. --- Linguistik. --- utterance structure.
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Cet ouvrage, inscrit dans le champ de l’histoire et de l’épistémologie des idées linguistiques, propose une enquête historique sur la constitution de l’énoncé comme niveau d’analyse pertinent pour les théories linguistiques. Énoncé est ici un terme générique désignant une séquence linguistique perçue comme complète, supérieure au mot, et qui forme – au moins intuitivement et empiriquement – une unité de la communication. Les grammaires générales et françaises des XVIIe et XVIIIe siècles thématisent l’énoncé et en font la théorie, au moyen d’un réseau terminologique et notionnel associant proposition, période, phrase, unités alternativement conçues comme concurrentes, redondantes ou complémentaires.
French language --- Historical linguistics --- Grammar --- Pragmatics --- Discourse analysis. --- Functional discourse grammar. --- History --- Grammar, Historical. --- Grammar. --- 1600-1799. --- Linguistics --- énoncé --- proposition --- phrase --- grammaire générale --- histoire des théories linguistiques --- clause --- sentence --- general grammar --- utterance
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Geoffrey Hill has said that some great poetry 'recognises that words fail us'. These essays explore Hill's struggle over fifty years with the recalcitrance of language. This book seeks to show how all his work is marked by the quest for the right pitch of utterance whether it is sorrowing, angry, satiric or erotic. It shows how Hill's words are never lightly 'acceptable' but an ethical act, how he seeks out words he can stand by - words that are 'getting it right'.This book is the most comprehensive and up-to-date critical work on Geoffrey Hill so far, covering all his work up to 'Scenes from
Hill, Geoffrey --- Criticism and interpretation. --- Literature --- Literary Studies: Poetry & Poets --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland --- Geoffrey Hill. --- Scenes from Comus. --- language. --- pitch. --- poems. --- poetry. --- recalcitrance. --- satiric. --- sorrowing. --- utterance.
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The book addresses controversies around the conscious vs automatic processing of contextual information and the distinction between literal and nonliteral meaning. It sheds new light on the relation of the literal/nonliteral distinction to the distinction between the automatic and conscious retrieval of information. The question of literal meaning is inherently interwoven with the question of lexical salience on one hand and default interpretations on the other. This volume addresses these interconnected issues, stressing their mutual interdependence. It contributes new, ground-breaking insights into the questions of literalness, semantics-pragmatics interface, automatic (default) retrieval and contextual pragmatic enrichment, modelling of discourse processing, lexical pragmatics, and other related issues.
Discourse analysis --- Grammar, Comparative and general --- Cognition. --- Psychology --- Phonology --- Social aspects. --- Phonology. --- Phonetics --- Pragmatics --- Psycholinguistics --- Linguistics --- Philology --- Grammar, Comparative and general Phonology --- Linguistic Defaults. --- Salience. --- Semantic/Pragmatic Interface. --- Utterance Processing.
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De récentes découvertes sur le rôle du détail phonétique ont inspiré des modèles prosodiques basés sur une approche exemplariste. Au travers de quatre expériences portant sur la production et la perception du détail mélodique et temporel dans la variété napolitaine de l'italien, nous montrons que la notion de détail prosodique n'est pas non plus incompatible avec une approche abstractionniste. Plus particulièrement, nous suggérons que l'exploration du détail prosodique permettrait de mieux encadrer les rapports entre substance phonétique et formes phonologiques, en éclairant ainsi comment les fonctions pragmatiques sont véhiculée par la prosodie. Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering in-sights on how pragmatic information is conveyed by prosody.
Italian language --- Grammar, Comparative and general --- Phonetics. --- Language and languages --- Dialects --- Phonology. --- Détail phonétique. --- Intonation. --- Italien (de Naples). --- Modèles exemplaristes et abstractionnistes. --- Napolitain (dialecte) --- Phonologie. --- Prosodie. --- Tempo. --- Intonation (linguistique) --- Thèses et écrits académiques. --- Phonologie --- Prosodie (linguistique) --- E-books --- Foreign languages --- Languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Philology --- Linguistics --- Articulatory phonetics --- Orthoepy --- Phonology --- Speech --- Romance languages --- Grammar, Comparative and general Phonology --- italian --- speech production --- phonetics --- neapolitan italian --- phonology --- speech perception --- pragmatics --- intonation --- Duration (music) --- Focus (linguistics) --- Italy --- Pitch-accent language --- Prosody (linguistics) --- Utterance
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The core use of language is in face-to-face conversation. This is characterized by rapid turn-taking. This turn-taking poses a number central puzzles for the psychology of language. Consider, for example, that in large corpora the gap between turns is on the order of 100 to 300 ms, but the latencies involved in language production require minimally between 600 ms (for a single word) or 1500 ms (for as simple sentence). This implies that participants in conversation are predicting the ends of the incoming turn and preparing in advance. But how is this done? What aspects of this prediction are done when? What happens when the prediction is wrong? What stops participants coming in too early? If the system is running on prediction, why is there consistently a mode of 100 to 300 ms in response time? The timing puzzle raises further puzzles: it seems that comprehension must run parallel with the preparation for production, but it has been presumed that there are strict cognitive limitations on more than one central process running at a time. How is this bottleneck overcome? Far from being 'easy' as some psychologists have suggested, conversation may be one of the most demanding cognitive tasks in our everyday lives. Further questions naturally arise: how do children learn to master this demanding task, and what is the developmental trajectory in this domain? Research shows that aspects of turn-taking, such as its timing, are remarkably stable across languages and cultures, but the word order of languages varies enormously. How then does prediction of the incoming turn work when the verb (often the informational nugget in a clause) is at the end? Conversely, how can production work fast enough in languages that have the verb at the beginning, thereby requiring early planning of the whole clause? What happens when one changes modality, as in sign languages - with the loss of channel constraints is turn-taking much freer? And what about face-to-face communication amongst hearing individuals - do gestures, gaze, and other body behaviors facilitate turn-taking? One can also ask the phylogenetic question: how did such a system evolve? There seem to be parallels (analogies) in duetting bird species, and in a variety of monkey species, but there is little evidence of anything like this among the great apes. All this constitutes a neglected set of problems at the heart of the psychology of language and of the language sciences. This Research Topic contributes to advancing our understanding of these problems by summarizing recent work from psycholinguists, developmental psychologists, students of dialog and conversation analysis, linguists, phoneticians, and comparative ethologists.
Psycholinguistics. --- Sociolinguistics. --- Etiquette. --- Conversation. --- Pragmatics. --- Speech acts (Linguistics) --- Social interaction. --- Human interaction --- Interaction, Social --- Symbolic interaction --- Exchange theory (Sociology) --- Psychology --- Social psychology --- Pragmalinguistics --- General semantics --- Language and languages --- Logic, Symbolic and mathematical --- Semantics (Philosophy) --- Talking --- Colloquial language --- Etiquette --- Oral communication --- Ceremonies --- Condolence, Etiquette of --- Manners --- Politeness --- Usages --- Conduct of life --- Manners and customs --- Language and society --- Society and language --- Sociology of language --- Language and culture --- Linguistics --- Sociology --- Integrational linguistics (Oxford school) --- Language, Psychology of --- Psychology of language --- Speech --- Thought and thinking --- Illocutionary acts (Linguistics) --- Speech act theory (Linguistics) --- Speech events (Linguistics) --- Philosophy --- Social aspects --- Sociological aspects --- Psychological aspects --- face-to-face conversation --- psychology --- psychology of language --- psycholinguists --- turn-taking --- language sciences --- language --- Frontiers in Psychology --- Intonation (linguistics) --- Prosody (linguistics) --- Sign language --- Stroke --- Syntax --- Utterance
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How did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South. Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau's "Civil Disobedience" to Henry James's The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln's Cooper Union address in the same constellation as Margaret Fuller's feminism and Thomas Dixon's defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.
American literature --- Slavery in literature. --- Race in literature. --- Literary style --- Slavery and slaves in literature --- Slaves in literature --- Literature --- Style, Literary --- Language and languages --- Rhetoric --- History and criticism. --- Social aspects --- Style --- 19th century --- History and criticism --- 20th century --- Slavery in literature --- Race in literature --- Style [Literary ] --- United States --- Emerson, Ralph Waldo --- Criticism and interpretation --- Thoreau, Henry David --- Fuller, Margaret --- Hawthorne, Nathaniel --- Stowe, Harriet Elizabeth Beecher --- Douglass, Frederick --- Whitman, Walt --- Melville, Herman --- Tourgee, Albion Winegar --- James, Henry --- Twain, Mark --- Crane, Stephen --- Chesnutt, Charles Waddell --- Dixon, Thomas --- Enslaved persons in literature --- slavery, race, literature, frederick douglass, stephen crane, silence, antebellum, disunion, america, reconciliation, utterance, henry james, thoreau, civil disobedience, bostonians, freedom, expression, rhetoric, speaking, voice, lynching, thomas dixon, speech, feminism, margaret fuller, cooper union, lincoln, hawthorne, dissent, whitman, melville, stowe, twain, chestnutt, racism, indian question, jackson, tourgee, bartleby, billy budd, politics, history.
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A boldly innovative study of nonverbal communication in the poetry and prose of Hellenic antiquityWhen a Gesture Was Expected encourages a deeper appreciation of ancient Greek poetry and prose by showing where a nod of the head or a wave of the hand can complete meaning in epic poetry and in tragedy, comedy, oratory, and in works of history and philosophy. All these works anticipated performing readers, and, as a result, they included prompts, places where a gesture could complete a sentence or amplify or comment on the written words. In this radical and highly accessible book, Alan Boegehold urges all readers to supplement the traditional avenues of classical philology with an awareness of the uses of nonverbal communication in Hellenic antiquity. This additional resource helps to explain some persistently confusing syntaxes and to make translations more accurate. It also imparts a living breath to these immortal texts.Where part of a work appears to be missing, or the syntax is irregular, or the words seem contradictory or perverse—without evidence of copyists' errors or physical damage—an ancient author may have been assuming that a performing reader would make the necessary clarifying gesture. Boegehold offers analyses of many such instances in selected passages ranging from Homer to Aeschylus to Plato. He also presents a review of sources of information about such gestures in antiquity as well as thirty illustrations, some documenting millennia-long continuities in nonverbal communication.
Greek literature --- Gesture in literature --- Nonverbal communication in literature. --- Body language in literature. --- Langage corporel dans la littérature --- Littérature grecque --- Gestes dans la littérature --- Langage du corps dans la littérature --- History and criticism. --- Histoire et critique --- Nonverbal communication in literature --- Body language in literature --- Gesture --- History and criticism --- History --- -Gesture in literature --- -Nonverbal communication in literature --- Balkan literature --- Byzantine literature --- Classical literature --- Classical philology --- Greek philology --- Mudra --- Acting --- Body language --- Elocution --- Movement (Acting) --- Oratory --- Sign language --- Nonverbal communication (Psychology) in literature --- Gesture in literature. --- History. --- Langage corporel dans la littérature --- Littérature grecque --- Gestes dans la littérature --- Langage du corps dans la littérature --- Greek literature - History and criticism --- Gesture - Greece - History --- Aeschylus. --- Agathon. --- Alcman. --- Allegory. --- Allusion. --- Andocides. --- Antithesis. --- Aorist. --- Aphorism. --- Aposiopesis. --- Aristophanes. --- Attempt. --- Author. --- Characterization. --- Concept. --- Conditional sentence. --- Consciousness. --- Consequent. --- Consideration. --- Contexts. --- Critias (dialogue). --- Critias. --- Decorum. --- Demonstrative. --- Demosthenes. --- Elaboration. --- Emblem. --- Epigram. --- Eudaimonia. --- Euripides. --- Euthyphro. --- Evocation. --- Explanation. --- Exposition (narrative). --- Facial expression. --- Fine art. --- Genre. --- Gesture. --- God. --- Gorgias. --- Haplography. --- Heliaia. --- Hermetica. --- Herodotus. --- Humour. --- Idealism. --- Illustration. --- Imagination. --- Inference. --- Irony. --- Laertes. --- Literal translation. --- Literature. --- Modal particle. --- Monadology. --- Narrative. --- Nicias. --- Nonverbal communication. --- Ontology. --- Ostanes. --- Parmenides. --- Parody. --- Philosophy. --- Phrase. --- Pindar. --- Plautus. --- Priam. --- Protagoras. --- Protasis. --- Publication. --- Punctuation. --- Quintilian. --- Quotation. --- Religion. --- Rhapsode. --- Rhetorical device. --- Sarpedon. --- Scholasticism. --- Scrutiny. --- Simulacrum. --- Sophist (dialogue). --- Sophist. --- Sophocles. --- Suggestion. --- Supplication. --- Sycophant. --- Tecmessa. --- Terence. --- Teucer. --- Theory of Forms. --- Thought. --- Thucydides. --- Timon of Phlius. --- Tiresias. --- To This Day. --- Treatise. --- Usage. --- Utterance. --- V. --- Verisimilitude.
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This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage, and in the understanding of signs helped produce scripts that still compel us to the act of interpretation.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
English drama --- Semiotics and literature --- Literature and history --- Theater --- English --- Languages & Literatures --- English Literature --- Literature and semiotics --- Literature --- English literature --- History and criticism --- History --- Shakespeare, William --- English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism. --- Literature and history -- England -- History -- 16th century. --- Semiotics and literature -- England -- History -- 16th century. --- Shakespeare, William, -- 1564-1616 -- Criticism and interpretation. --- Theater -- England -- History -- 16th century. --- Abjection. --- Aestheticism. --- Allegory. --- Ambiguity. --- Antitheatricality. --- Antithesis. --- Bel-imperia. --- Burlesque. --- Cambridge University Press. --- Chaucer's Retraction. --- Counter-Reformation. --- Criticism. --- Cymbeline. --- Deconstruction. --- Deprecation. --- Disenchantment. --- Dogberry. --- Dramaturgy. --- Epic theatre. --- Essay. --- Etymology. --- Fiction. --- Flattery. --- Fortinbras. --- G. (novel). --- G. Wilson Knight. --- Genre. --- Good and evil. --- Gorboduc. --- Henriad. --- Hermia. --- Hieronimo. --- Historicism. --- Hubris. --- Hypocrisy. --- Iago. --- Iconoclasm. --- Ideology. --- Idolatry. --- Irony. --- Jacques Derrida. --- King Lear. --- Legal fiction. --- Leontes. --- Literariness. --- Literature. --- Malvolio. --- Melodrama. --- Metonymy. --- Mock-heroic. --- Modernity. --- Narcissism. --- Narrative. --- Negative capability. --- Pandarus. --- Parody. --- Paul de Man. --- Performative utterance. --- Petruchio. --- Plautus. --- Playwright. --- Poetry. --- Political satire. --- Polonius. --- Princeton University Press. --- Prudentius. --- Puritans. --- Pyramus and Thisbe. --- Renaissance tragedy. --- Revenge tragedy. --- Rhetoric. --- Ricardian (Richard III). --- Richard Hooker. --- Robert Greene (dramatist). --- Roderigo. --- Romantic epistemology. --- Romanticism. --- S. (Dorst novel). --- Satire. --- Secularization. --- Sentimentality. --- Shakespeare's Kings. --- Shakespearean comedy. --- Shakespearean tragedy. --- Shylock. --- Skepticism. --- Spirituality. --- Tamburlaine. --- The Gaze of Orpheus. --- The Spanish Tragedy. --- Theatrum Mundi. --- Theodicy. --- Thomas Kyd. --- Titus Andronicus. --- Tragedy. --- Tragic hero. --- Tragicomedy. --- V. --- William Ames. --- William Shakespeare. --- History and criticism. --- Shakespeare, William, --- Criticism and interpretation.
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How does religious healing work, if indeed it does? In this study of the contemporary North American movement known as the Catholic Charismatic Renewal, Thomas Csordas investigates the healing practices of a modern religious movement to provide a rich cultural analysis of the healing experience. This is not only a book about healing, however, but also one about the nature of self and self- transformation. Blending ethnographic data and detailed case studies, Csordas examines processes of sensory imagery, performative utterance, orientation, and embodiment. His book forms the basis for a rapprochement between phenomenology and semiotics in culture theory that will interest anthropologists, philosophers, psychologists, physicians, and students of comparative religion and healing.
Identification (Religion) --- Self. --- Pentecostalism --- Spiritual healing. --- Identity (Religion) --- Religious identity --- Psychology, Religious --- Personal identity --- Consciousness --- Individuality --- Mind and body --- Personality --- Thought and thinking --- Will --- Charismatic Movement --- Charismatic Renewal Movement --- Latter Rain movement --- Neo-Pentecostalism --- Pentecostal movement --- Christianity --- Gifts, Spiritual --- Glossolalia --- Divine healing --- Faith-cure --- Faith healing --- Spiritual therapies --- Healing --- Miracles --- Catholic Church. --- Religious aspects --- Catholic Church --- History --- New England --- Church history. --- Self --- Spiritual healing --- #SBIB:39A10 --- #SBIB:39A9 --- Antropologie: religie, riten, magie, hekserij --- Medische antropologie / gezondheid / handicaps --- Guérison par la foi --- Mouvement charismatique --- Eglise catholique --- Nouvelle-Angleterre --- Histoire religieuse --- Church history --- Pentecostalism - Catholic Church. --- Pentecostalism - New England. --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Pentecostalism - Catholic Church --- Pentecostalism - New England --- New England - Church history --- anointing. --- catholic charismatic renewal. --- charismatic renewal. --- christianity. --- comparative religion. --- embodiment. --- ethnography. --- healing cult. --- healing movement. --- healing practices. --- healing. --- nonfiction. --- performative utterance. --- religion. --- religious beliefs. --- religious movement. --- religious practices. --- ritual. --- self transformation. --- sensory imagery. --- social science. --- therapy. --- transformation.
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