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Small presses --- Underground periodicals --- Underground press publications
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Czech periodicals --- Slovak periodicals --- Underground periodicals
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Libraries eager to serve the underserved teen-to-twenty-year-old market can make the library a cool place to hang out. All it takes are zines, according to the author, young adult librarian Julie Bartel. Zines and alternative press materials provide a unique bridge to appeal to disenfranchised youth, alienated by current collections. For librarians unfamiliar with the territory, or anxious to broaden their collection, veteran zinester Bartel establishes the context, history, and philosophy of zines, then ushers readers through an easy, do-it-yourself guide to creating a zine collection, includ
Libraries --- Fan magazines --- Underground periodicals --- Alternative periodicals --- Periodicals --- Underground press publications --- Zines --- Fanzines --- Documentation --- Public institutions --- Librarians --- Special collections --- Fanzines. --- Underground periodicals. --- Bibliothèques --- Presse parallèle --- Underground press --- Fonds Spéciaux --- Fonds spéciaux
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The mid-1960s witnessed a boom in underground and self-published works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, low cost print runs but also promote a unique aesthetic: using wild mock-ups, »messianic amateurs« combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic strips. The typography consciously frees itself, in parallel to a liberalization of linguistic and visual forms of expression in the name of a new sensibility. This book (which appears in conjunction with an exhibition at the Weserburg in Bremen) is the first to present the underground and self-published works that came out of West Germany in such depth, while also showing the international context in which they emerged: not as an anecdotal history but as an attempt to tap into the aesthetic cosmos of a Do-It-Yourself rebellion, one that also challenges us to take a new look at the current boom in independent publishing, the risograph aesthetic, and so on.
Underground periodicals --- Zines --- Publishers and publishing --- Anti-art --- Livre --- Couverture de livre --- Illustration --- Livre-objet --- Mise en page --- Typographie --- Littérature --- Art militant --- Political aspects --- History --- Book history --- artists' books [books] --- underground comics --- artists' periodicals --- anno 1960-1969 --- anno 1970-1979 --- Western Europe --- Underground periodicals - Germany (West) - 20th century - Exhibitions --- Underground periodicals - Political aspects - Germany (West) - 20th century - Exhibitions --- Underground periodicals - Germany (West) - 20th century - Pictorial works - Exhibitions --- Zines - Germany (West) - 20th century - Exhibitions --- Zines - Political aspects - Germany (West) - 20th century - Exhibitions --- Zines - Germany (West) - 20th century - Pictorial works - Exhibitions --- Publishers and publishing - Germany (West) - History - 20th century - Exhibitions
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"Traces the emergence and development of samizdat as an uncensored system for making and sharing texts. Based on research of the underground journals, bulletins, art folios and other periodical editions produced in the Soviet Union from the mid-1950s to the mid-1980s, this book analyzes the role of samizdat in fostering new forms of imagined community among Soviet citizens"--
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Peace --- Underground press publications --- Pacifism --- Underground periodicals --- Pacifism. --- Peace. --- Underground periodicals. --- Underground press publications. --- Societies, etc. --- Syracuse Peace Council --- Syracuse Peace Council. --- New York (State) --- Underground press --- Alternative press publications --- Alternative periodicals --- Peace societies --- Coexistence, Peaceful --- Peaceful coexistence --- SPC --- Publications --- Periodicals --- Zines --- International relations --- Disarmament --- Peace-building --- Security, International --- War --- Sociology, Military --- Evil, Non-resistance to --- Nonviolence
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This volume explores the history and theory of zines and analyzes the practice of rebelling against a consumer society that cannibalizes cultural rebellion. Fundamentally utopian in ideology yet confined to a subculture, can self-publishing effect social change? This richly illustrated and researched study of zine culture is the first of its kind and gives us a definitive guide to the contemporary underground.
Zines --- Little magazines --- Underground periodicals --- Press and politics --- media --- tijdschriften --- zines --- magazines --- grafisch ontwerp --- grafische vormgeving --- kunst --- kunst en politiek --- cultuursociologie --- 766.045 --- Alternative periodicals --- Periodicals --- Underground press publications --- Small magazines
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With names like The East Village Inky, Mend My Dress, Dear Stepdad, and I’m So Fucking Beautiful, zines created by girls and women over the past two decades make feminism’s third wave visible. These messy, photocopied do-it-yourself documents cover every imaginable subject matter and are loaded with handwriting, collage art, stickers, and glitter. Though they all reflect the personal style of the creators, they are also sites for constructing narratives, identities, and communities.Girl Zines is the first book-length exploration of this exciting movement. Alison Piepmeier argues that these quirky, personalized booklets are tangible examples of the ways that girls and women ‘do’ feminism today. The idiosyncratic, surprising, and savvy arguments and issues showcased in the forty-six images reproduced in the book provide a complex window into feminism’s future, where zinesters persistently and stubbornly carve out new spaces for what it means to be a revolutionary and a girl. Girl Zines takes zines seriously, asking what they can tell us about the inner lives of girls and women over the last twenty years.
Zines. --- Women's periodicals. --- Zines --- Presse féminine --- Women's periodicals --- 82:396 --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- Periodicals --- Underground periodicals --- Girl. --- about. --- asking. --- girls. --- inner. --- last. --- lives. --- over. --- seriously. --- takes. --- tell. --- they. --- twenty. --- what. --- women. --- years. --- zines.
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Zines in Third Space develops third-space theory with a practical engagement in the subcultural space of zines as alternative media produced specifically by feminists and queers of color. Adela C. Licona explores how borderlands rhetorics function in feminist and queer of-color zines to challenge dominant knowledges as well as normativitizing mis/representations. Licona characterizes these zines as third-space sites of borderlands rhetorics revealing dissident performances, disruptive rhetorical acts, and coalitions that effect new cultural, political, economic, and sexual configurations.
Social justice. --- Gender identity. --- Race relations. --- Communication --- Third-wave feminism. --- Zines. --- Communication and culture --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Ethnology --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Equality --- Justice --- Periodicals --- Underground periodicals --- Feminism --- Social aspects. --- Zines --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- History --- Emancipation --- Gender dysphoria
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