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Film
Detour (1945)
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Year: 2005 Publisher: S.l. : Paramount Pictures,

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Ulmer, Edgar G.


Book
Edgar G. Ulmer, le bandit démasqué
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Year: 2002 Publisher: Crisnée : Yellow Now,

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Book
Le bandit démasqué
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Year: 2002 Publisher: Crisnée : Yellow Now,

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Book
Hollywood professionals (the); Howard Hawks, Frank Borzage, Edgar G. Ulmer
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Year: 1974 Publisher: London : The tantivy press,

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Book
Film Noir

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Uitgave ter gelegenheid van het zevende Cinemathema-festival waarin het Amerikaanse filmgenre uit de jaren veertig en vijftig besproken wordt.


Book
Detour.
Authors: ---
ISBN: 9781844572397 Year: 2008 Publisher: Basingstoke Palgrave Macmillan

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Road movies : from Muybridge and Méliès to Lynch and Kiarostami.
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ISBN: 9780230601277 0230601278 1349370665 9786611915681 1281915688 0230610218 Year: 2008 Publisher: New York Palgrave Macmillan

Who the Devil Made It : Conversations with Legendary Film Directors
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ISBN: 0345404572 Year: 1997 Publisher: New York Ballantine Books


Book
Les hommes, le dimanche : Menschen am Sonntag de Robert Siodmak et Edgar G. Ulmer
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ISBN: 9782873402495 Year: 2009 Volume: 15 Publisher: Crisnée : Yellow now,

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Monographie consacrée au film allemand sorti le 4 février 1930 à Berlin, considéré par un critique de l'époque comme le meilleur film de fiction allemand. Film d'inspiration résolument documentaire, il fut tourné avec des moyens de fortune et des acteurs non professionnels, par une poignée de jeunes gens destinésà devenir célèbres une fois éxilés a Hollywood.


Book
Edgar G. Ulmer : a filmmaker at the margins
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ISBN: 0520957172 9780520957176 9780520235779 0520235770 Year: 2013 Publisher: Berkeley : University of California Press,

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Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have either been overlooked or forgotten. In this fascinating and well-researched account of a career spent on the margins of Hollywood, Noah Isenberg provides the little-known details of Ulmer's personal life and a thorough analysis of his wide-ranging, eclectic films-features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the U.S. and abroad. Isenberg shows that Ulmer's unconventional path was in many ways more typical than that of his more famous colleagues. As he follows the twists and turns of Ulmer's fortunes, Isenberg also conveys a new understanding of low-budget filmmaking in the studio era and beyond.  

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