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Marina Abramović fascinates her international audience with performances, films and, most recently, her opera project 7 Deaths of Maria Callas. Following in the tradition of European mysticism, over the past five decades this pioneer of performance art has developed an undogmatic individual approach to the transcendent that expands the religious traditions by adding elements of shamanism, alchemy and Buddhism. The exhibition in the Kunsthalle Tübingen curated by Nicole Fritz in close collaboration with Marina Abramović and her studio is the first to be devoted to the spiritual aspects of the artist's work by means of a selection of her major works.The accompanying catalogue brings together interdisciplinary essays, authored by a range of subject experts, which provide new insights into the artist's work. Exhibition: Kunsthalle Tübingen, Germany (24.07.2021 - 13.02.2022).
Performance art --- Video art --- 7.07 --- Abramovic, Marina °1946 (°Belgrado, Servië) --- Vrouwelijke kunstenaars --- Ulay (pseudoniem van Frank Uwe Laysiepen) 1943 - 2020 (°Solingen, Duitsland) --- Performances ; Body Art --- Videokunst --- Kunst en spiritualiteit --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Abramović, Marina --- Exhibitions --- Art --- installations [visual works] --- performance art --- Abramovic, Marina --- spiritualiteit
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At once radical, controversial and revered, Marina Abramovic (*1946 in Belgrade, Serbia) is one of the most discussed artists today. Famous for her groundbreaking performance works, she continues to expand the boundaries of art. The publication accompanying her first major retrospective in Europe gives an extensive overview of her work from the earliest years until today: film, photography, paintings and objects, installations and archival material. Since the early 1970s Marina Abramovic explores the intersection between performing and visual art in her work and, though rarely overtly political, poses questions of power and hierarchy. In addressing fundamental issues of our existence and seeking the core of notions like loss, memory, pain, endurance, and trust, she both provokes and moves us. Exhibition: Moderna Museet, Stockholm, Sweden (18.02.2017-21.05.2017) / Louisiana Museum voor Moderne Kunst, Humlebaek, Denmark (16.06.2017-22.10.2017) / Bundeskunsthalle, Bonn, Germany (20.04.2017-12.08.2017).
performance art --- pain [sensation] --- body art [visual works, performance] --- video art --- Art --- easel paintings [paintings by form] --- Abramovic, Marina --- Performance --- Performance-art --- Abramović, Marina --- Abramović, Marina --- Performance art --- Art, Modern --- Performance artists --- Artists --- 7.07 --- Vrouwelijke kunstenaars --- Performances ; Body Art --- Videokunst --- Ulay (pseudoniem van Frank Uwe Laysiepen) 1943 - 2020 (°Solingen, Duitsland) --- Abramovic, Marina °1946 (°Belgrado, Servië) --- Persons --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- lichaam (van de mens) --- paintings [visual works]
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Overzicht en achtergronden van de Duitse beeldende kunstenaar Ulay
7.07 --- 77.092.07 --- Beeldende kunst ; 20ste en 21ste eeuw ; 1960-2014 ; Ulay --- Performances --- Polaroids --- Interviews ; gesprekken met kunstenaars ; Ulay --- Laysiepen, Frank Uwe --- Ulay (pseudoniem van Frank Uwe Laysiepen) 1943 - 2020 (°Solingen, Duitsland) --- Body Art ; performances ; videokunst --- Kunst en maatschappijkritiek --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Fotografen A - Z --- Art --- video recordings --- photography [process] --- performance art --- Ulay --- Abramovic, Marina --- video recordings [physical artifacts] --- lichaam (van de mens)
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Op 30 maart 1988 begonnen Marina Abramovic en Ulay met een tocht over de Grote Chinese Muur. Marina Abramovic liep vanuit het Oosten bij de Gele Zee en Ulay vanuit het Westen in de Gobi woestijn. Zij ontmoetten elkaar op 27 juni bij de Er Lang Shan-pas. De tentoonstelling The Lovers is een sublimatie van de ervaringen tijdens de tocht en bestaat uit objecten, reliëfs, foto's, een dia-presentatie, een video-installatie en de film The Great Wall Walk.
happenings --- Art --- performance art --- art [fine art] --- Art styles --- Abramovic, Marina --- Ulay --- anno 1900-1999 --- anno 1970-1979 --- anno 1960-1969 --- anno 1950-1959 --- China --- Performance art --- Great Wall of China (China) in art --- Art de performance --- Grande Muraille (Chine) dans l'art --- Exhibitions. --- Expositions --- Ulay, --- kunst --- twintigste eeuw --- Abramovic Marina --- 7.071 ABRAMOVIC --- Abramović, Marina --- Tentoonstellingscatalogi ; Antwerpen ; Museum van Hedendaagse Kunst (M HKA) --- Performances ; 2e helft 20ste eeuw --- Ulay (pseudoniem van Frank Uwe Laysiepen) 1943 - 2020 (°Solingen, Duitsland) --- Abramovic, Marina °1946 (°Belgrado, Servië) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- art [discipline] --- Great Wall of China (China)
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Art --- photographs --- body art [visual works, performance] --- video art --- performance art --- actions [works of art] --- identity --- Ulay --- Performance art --- Video art --- Body art --- 7.07 --- 77.092.07 --- Ulay (pseudoniem van Frank Uwe Laysiepen) 1943 - 2020 (°Solingen, Duitsland) --- Body Art ; Performances ; videokunst ; fotografie --- Electronic art --- Experimental television --- Art, Modern --- Television --- Experimental films --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art, Body --- Body works (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Fotografen A - Z --- Ulay, --- Laysiepen, F. Uwe, --- Laysiepen, Uwe, --- Laysiepen, Frank Uwe, --- Exhibitions --- Time-based art
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