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eebo-0113
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Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war--including the women of Troy themselves. They await a fair wind for the Aegean; it does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester. Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife, the defiant Hecuba, and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.
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Quintus Smyrnaeus' Posthomerica, the only long mythological epic to survive in Greek from the period between Apollonius' Argonautica (3rd century BC) and Nonnus' Dionysiaca (5th century AD), fills in the whole story of the Trojan expedition between the end of Homer's Iliad and the beginning of the Odyssey, which had been treated only episocially by earlier epic and dramatic poets. Composing sometime between the late second and mid-fourth centuries AD, Quintus boldly adapts Homeric diction and style to suit the literary, moral, religious, rhetorical, and philosophical culture of the high Roman Empire and does not hesitate to diverge from the usual versions of the story in order to craft his own narrative vision.
Trojan War --- Trojan War. --- Epic poetry, Greek
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