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In any society, the perception of femininity and masculinity is not necessarily dependent on female or male genitalia. Cross dressing, gender impersonation, and long-term masquerades of the opposite sex are commonplace throughout history. In contemporary American culture the behavior occurs most often among male heterosexuals and homosexuals, sometimes for erotic pleasure, sometimes not. In the past, however, cross dressing was for the most part practiced more by women than men. Although males often burlesqued women and gave comic impersonations of them, they rarely attempted a change of public gender until the twentieth century. This phenomenon, according to Vern L. Bullough and Bonnie Bullough, has implications for any understanding of the changing relationships between the sexes in the twentieth century. In most Western societies, being a man and demonstrating masculinity is more highly prized than being a woman and displaying femininity.
Sekseverschillen. --- Transvestism. --- Transvestism. --- Transvestism. --- Transvestites. --- Transvestites. --- Transvestitisme. --- Transvestitismus. --- Travesti. --- Travestie. --- Travestis. --- Travestisme. --- Travestisme. --- Travestissement (psychopathologie). --- Homosexualité.
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The surprising true story of Mexico's hunt, arrest, and conviction of its first female serial killerFor three years, amid widespread public outrage, police in Mexico City struggled to uncover the identity of the killer responsible for the ghastly deaths of forty elderly women, many of whom had been strangled in their homes with a stethoscope by someone posing as a government nurse. When Juana Barraza Samperio, a female professional wrestler known as la Dama del Silencio (the Lady of Silence), was arrested--and eventually sentenced to 759 years in prison--for her crimes as the Mataviejitas (the little old lady killer), her case disrupted traditional narratives about gender, criminality, and victimhood in the popular and criminological imagination.Marshaling ten years of research, and one of the only interviews that Juana Barraza Samperio has given while in prison, Susana Vargas Cervantes deconstructs this uniquely provocative story. She focuses, in particular, on the complex, gendered aspects of the case, asking: Who is a killer? Barraza--with her "manly" features and strength, her career as a masked wrestler in lucha libre, and her violent crimes--is presented, here, as a study in gender deviance, a disruption of what scholars call mexicanidad, or the masculine notion of what it means to be Mexican. Cervantes also challenges our conception of victimhood--specifically, who "counts" as a victim.The Little Old Lady Killer presents a fascinating analysis of what serial killing--often considered "killing for the pleasure of killing"--represents to us.
Serial murders --- Women serial murderers --- Barraza Samperio, Juana Dayanara, --- Mexico. --- CaraMex. --- Jesús Malaverde. --- Juana Barraza. --- La Catrina. --- La Dama del Silencio. --- La Llorona. --- La Santa Muerte. --- La Virgen de Guadalupe. --- Mataviejitas. --- Mexican wrestling. --- anomie. --- criminal photography. --- criminal. --- criminality. --- cumbia. --- female criminals. --- feminicide. --- lucha libre. --- machismo. --- macho. --- mexicanidad. --- pigmentocracy. --- popular culture. --- serial killing. --- sketches. --- stereotype. --- travesti. --- victim. --- wrestling.
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Through a study of the actress' films, records and writings, Gerda Taranow reconstructs the rigorously developed artistry that lay behind the superb performances. Analyzing each histrionic element and discussing repertoire she shows how Bernhardt adapted the techniques learned at the Conservatoire and in the theatre to her own particular strengths and limitations.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
LITERARY CRITICISM / Drama. --- Bernhardt, Sarah, --- Acting. --- Adrienne Lecouvreur. --- Amoureuse. --- Andromaque. --- Arthur Symons. --- Athalie. --- Bajazet (play). --- Blanche Marchesi. --- Camille Saint-Saëns. --- Cavatina. --- Charles Gounod. --- Classicism. --- Clement Scott. --- Contralto. --- Cyrano (musical). --- Declamation. --- Dinorah. --- Dion Boucicault. --- Dramaturgy. --- Edmond Rostand. --- Eleonora Duse. --- Eric Bentley. --- Ernani. --- Fairy tale. --- Five Plays. --- Francesca da Rimini. --- Giacomo Meyerbeer. --- Gianni Bettini. --- Gismonda. --- Giuseppe Verdi. --- Goethe's Faust. --- Grand opera. --- Harper's Bazaar. --- Harry Baur. --- Hernani (drama). --- Hesketh Pearson. --- His Wife's Lover. --- Hyperbole. --- Ingenue (stock character). --- Jean Giraudoux. --- Jean Richepin. --- Jean-Louis Barrault. --- Jules Barbier. --- Jules Massenet. --- King Lear. --- Le Cid (opera). --- Le Figaro. --- Les Femmes Savantes. --- Libretto. --- Liebestod. --- Lillie Langtry. --- Lorenzaccio. --- Louis Jouvet. --- Lyric soprano. --- Mad scene. --- Marcel Schwob. --- Marcella Sembrich. --- Marguerite (musical). --- Mathilde Marchesi. --- Maude Adams. --- Max Beerbohm. --- Melodrama. --- Mephistopheles. --- Mise-en-scène. --- Mithridate. --- Molière. --- Mrs. Patrick Campbell. --- Opera and Drama. --- Oreste. --- Pantomime. --- Parody. --- Passepied. --- Passion and Purity. --- Quibble (plot device). --- Rachel's. --- Revue. --- Reynaldo Hahn. --- Rodgers and Hammerstein. --- Romanticism. --- Sacha Guitry. --- Sarah Bernhardt. --- Sardou. --- Shylock. --- Six Acts. --- Soubrette. --- Sound effect. --- Superiority (short story). --- Tartuffe. --- The Actress. --- The Duenna. --- The Human Voice. --- The Lady from the Sea. --- The Marriage of Figaro. --- Title role. --- Tragedy. --- Travesti (theatre). --- Two Women. --- Victor Hugo. --- Victorien Sardou. --- William Shakespeare.
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