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War and society --- War and literature --- War --- Psychological aspects --- Armed conflict (War) --- Conflict, Armed (War) --- Fighting --- Hostilities --- Wars --- International relations --- Military art and science --- Peace --- Literature and war --- Literature --- Society and war --- Sociology --- Civilians in war --- Sociology, Military --- Social aspects --- Morale --- war studies --- cultural studies --- cultural history --- trauma studies --- war and literature --- war and culture
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"This study investigates the negotiation of Jewish-German-Communist identity in post-Holocaust Germany, specifically East Germany. After an introduction to the political-historical context, it highlights the conflicted writings of six East German Jewish writers: Anna Seghers (1900-1983), Stefan Heym (1913-2001), Stephan Hermlin (1915-1997), Jurek Becker (1937-1997), Peter Edel (1921-1983), and Fred Wander (1917-2006). All were Holocaust survivors. All lost family members in the Holocaust. All were important writers who played a leading role in East German cultural life, and all were loyal citizens and committed socialists, although their definitions and maneuvers regarding Party loyalty differed greatly. Good soldiers, they viewed their writing as contributing to the social-political revolution taking place in East Germany. Informed by Holocaust and trauma studies, as well as psychology and deconstruction, this study looks for moments when Party discipline falters and other, repressed, thoughts and emotions surface, decentering the works. Some recurring questions addressed include: What is the image of Germans? Do the works evidence revenge fantasies? How does the negotiation of ostensibly mutually exclusive identities play out? Is there acknowledgement of the insufficiency of Communist theory to explain anti-Semitism, as well as recognition of Stalinist or other forms of Communist anti-Semitism? Although these writers ultimately established themselves in East Germany, attaining positions of privilege and even power, their best works nonetheless evince an acute sense of endangerment and vulnerability; they are documents both created and marked by trauma"--
German literature --- Communism and literature --- Holocaust survivors' writings --- Holocaust, Jewish (1939-1945), in literature. --- Identity (Philosophical concept) in literature. --- History and criticism. --- Jewish authors --- Identity in literature --- Literature --- Writings of Holocaust survivors --- Literature and communism --- History and criticism --- Communist Writers. --- East Germany. --- Holocaust Survivors. --- Identity Negotiation. --- Jewish-German Identity. --- Literature. --- Post-Holocaust. --- Trauma Studies.
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In 'The Limits of Autobiography', Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions 'How have I lived?' and 'How will I live?' in relation to the social and psychic forms within which trauma emerges. First published in 2001, this edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.
Self in literature. --- First person narrative. --- Winterson, Jeanette, --- Kincaid, Jamaica --- Allison, Dorothy, --- Gilmore, Mikal. --- Criticism and interpretation. --- life writing, trauma and autobiography, literature and autobiography, self-representation of trauma, limit-cases, representing trauma, trauma and life writing, literature and trauma studies. --- American prose literature --- Autobiography. --- English prose literature --- Autobiographical fiction --- History and criticism.
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Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics.
Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Aesthetic Practices. --- Art. --- Artistic Research. --- Conflict. --- Contemporary Art. --- Curatorial Practice. --- Fine Arts. --- Forensic Aesthetics. --- Forensic Architecture. --- George Bures Miller. --- Image. --- Janet Cardiff. --- Memory Studies. --- Multi-media Art. --- Museum Studies. --- Omer Fast. --- Paul McCarthy. --- Performativity. --- Practical Aesthetics. --- Psychoanalysis. --- Representation. --- Theatre Studies. --- Theory of Art. --- Trauma Studies. --- Unrepresentability. --- Video Art. --- Video Installation. --- Visual Culture. --- Visual Studies. --- Trauma; Conflict; Contemporary Art; Representation; Unrepresentability; Visual Culture; Aesthetic Practices; Memory Studies; Trauma Studies; Curatorial Practice; Video Installation; Multi-media Art; Video Art; Artistic Research; Performativity; Practical Aesthetics; Forensic Aesthetics; Museum Studies; Omer Fast; Janet Cardiff; George Bures Miller; Forensic Architecture; Paul McCarthy; Art; Visual Studies; Theory of Art; Theatre Studies; Psychoanalysis; Fine Arts; Image
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In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
Holocaust, Jewish (1939-1945), in literature. --- Holocaust, Jewish (1939-1945) --- Graphic novels --- Literature, Modern --- Autobiography. --- Influence. --- History and criticism. --- Holocaust, graphic narratives, graphic novels, generational trauma, memoirs, genre, intergenerational transmission of trauma, memory, history, imagination, illustrations, graphic novelists, illustrators, comics, comic books, Jewish history, narrative, trauma, intergenerational, intergenerational dialogue, graphic stories, Holocaust literature, Jewish studies, trauma studies, Holocaust survivors, United States, Canada, France, Israel, popular culture, bearing witness, post-Holocaust testimony.
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Sierra Leone’s devastating civil war barely caught the attention of Western media, but it raged on for over a decade, bringing misery to millions of people in West Africa from 1991 to 2002. The atrocities committed in this war and the accounts of its survivors were duly recorded by international organizations, but they run the risk of being consigned to dusty historical archives. Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, this remarkable poetry collection aims to breathe new life into the records of Sierra Leone’s civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Shanee Stepakoff finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. Her use of innovative literary techniques helps to ensure that the voices of survivors are not forgotten, but rather heard across the world. This volume also includes an introduction that explores how the genre of “found poetry” can serve as a uniquely powerful means through which writers may bear witness to atrocity. This book’s unforgettable excavation and shaping of survivor testimonies opens new possibilities for speaking about the unspeakable.
War crime trials --- transitional justice, human rights, human rights violations, human rights abuses, hybrid writing, found poetry, docu-poems, docu-poetry, Liberia, West African, contemporary African history, testimony, Testimonies, trauma studies, trauma in literature, war-crimes tribunal, war-crimes trials, war-crimes courts, tribunals, mass atrocity, torture survivors, Truth and Reconciliation, TRC, truth commission, war-crimes witnesses, war-crimes survivors, collective trauma, victims of war, transnational, justice, transnational justice, global, history, criminal, court, legal, truth, restitution, trauma, trauma survivors, gender-based violence, war-related vesico-vaginal fistula, child soldiers, Sierra Leone, child combatants, enthnopolitical conflict, ethnopolitical violence, ethnic violence, political violence, genocide, Wartime, war amputees, bearing witness.
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"The book is about how those who experienced the violence of the French Revolution struggled to come to terms with it in the following decades"--
Political violence --- History --- France --- Psychological aspects. --- Influence. --- Social conditions --- Violence --- Political crimes and offenses --- Terrorism --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- French Revolution, Mass Violence, Transitional Justice, Trauma Studies, Memory.
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With a fine-tuned ethnographic sensibility, Janis H. Jenkins explores the lived experience of psychosis, trauma, and depression among people of diverse cultural orientations, revealing how mental illness engages fundamental human processes of self, desire, gender, identity, attachment, and interpretation. Extraordinary Conditions illuminates the cultural shaping of extreme psychological suffering and the social rendering of the mentally ill as nonhuman or not fully human. Jenkins contends that mental illness is better characterized in terms of struggle than symptoms and that culture is central to all aspects of mental illness from onset to recovery. Her analysis refashions the boundaries between the ordinary and the extraordinary, the routine and the extreme, and the healthy and the pathological. This book asserts that the study of mental illness is indispensable to the anthropological understanding of culture and experience, and reciprocally that understanding culture and experience is critical to the study of mental illness.
Mental illness --- Medical anthropology. --- Ethnopsychology. --- Cross-cultural psychology --- Ethnic groups --- Ethnic psychology --- Folk-psychology --- Indigenous peoples --- National psychology --- Psychological anthropology --- Psychology, Cross-cultural --- Psychology, Ethnic --- Psychology, National --- Psychology, Racial --- Race psychology --- Psychology --- National characteristics --- Medical care --- Medicine --- Anthropology --- Madness --- Mental diseases --- Mental disorders --- Disabilities --- Psychology, Pathological --- Mental health --- Social aspects. --- Anthropological aspects --- Mental illness. --- Maladies mentales --- Sociologie --- Anthropologie médicale --- Ethnopsychologie --- dehumanization of mental illness. --- disability studies. --- divergent mental states. --- ethnopsychology. --- family impact of mental illness. --- madness. --- marginalization of mentally ill. --- medical anthropology. --- mental health care. --- mental health in the us. --- mental health. --- mental illness in the us. --- mental illness. --- psychology. --- psychosis. --- recovery from mental illness. --- schizophrenia. --- study of mental illness. --- trauma studies. --- trauma. --- violence and trauma.
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The legacy of the Second World War remains unsettled; no consensus has been achieved about its meaning and its lasting impact. This is pre-eminently the case in France, where the experience of defeat and occupation created the grounds for a deeply ambiguous mixture of resistance and collaboration, pride and humiliation, heroism and abjection, which writers and politicians have been trying to disentangle ever since. This book develops a theoretical approach which draws on trauma studies and hermeneutics; and it then focuses on some of the intellectuals who lived through the war and on how their experience and troubled memories of it continue to echo through their later writing, even and especially when it is not the explicit topic. This was an astonishing generation of writers who would go on to play a pivotal role on a global scale in post-war aesthetic and philosophical endeavours. The book proposes close readings of works by some of the most brilliant amongst them: Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Charlotte Delbo, Paul Ricoeur, Emmanuel Levinas, Louis Althusser, Jorge Semprun, Elie Wiesel, and Sarah Kofman. An Open Access edition of this work is available on the OAPEN Library.
French literature --- World War, 1939-1945 --- History and criticism. --- Influence. --- Literature and the war. --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Guerre mondiale (1939-1945) --- Litterature française --- Histoire et critique. --- Litterature et guerre --- Psychic trauma in literature. --- Ethics in literature. --- 2e guerre mondiale --- Deuxième guerre mondiale --- Guerre de 1939-1945 --- Seconde guerre mondiale --- Guerre mondiale --- Guerre sino-japonaise --- Reconstruction d'après-guerre --- Plan Jaune (1940) --- Guerre soviéto-finlandaise (1939-1940) --- Histoire universelle --- Citations françaises --- Écrivains français --- Et la littérature française --- Littérature comparée --- Littérature française --- Mouvements littéraires --- Philologie française --- Prix littéraires --- Autobiographie française --- Biographie (genre littéraire) française --- Chroniques françaises --- Contes littéraires français --- Dialogues (genre littéraire) français --- Discours français --- Écrits anonymes français --- Écrits d'agriculteurs français --- Écrits d'enfants français --- Écrits d'étudiants français --- Écrits d'homosexuels français --- Écrits de criminels français --- Écrits de jeunes français --- Écrits de militaires français --- Écrits de prisonniers français --- Écrits de travailleurs français --- Essai (genre littéraire) français --- Fantasy française --- Journaux intimes français --- Littérature clandestine française --- Littérature contestataire française --- Littérature d'épouvante française --- Littérature de colportage française --- Littérature de reportage française --- Littérature dialectale française --- Littérature didactique française --- Littérature épistolaire française --- Littérature érotique française --- Littérature expérimentale française --- Littérature fantastique française --- Littérature française pour la jeunesse --- Littérature humoristique française --- Littérature pastorale française --- Littérature policière française --- Littérature populaire française --- Littérature religieuse française --- Littérature révolutionnaire française --- Mémoires (genre littéraire) français --- Nouvelles françaises --- Pamphlets français --- Parodie française --- Pastiche français --- Poésie française --- Portraits (genre littéraire) français --- Prose française --- Récits de détention français --- Récits de guerre français --- Récits de voyages français --- Roman français --- Satire française --- Science-fiction française --- Théâtre (genre littéraire) français --- Civilisation --- Littérature francophone --- 1939-1945) -- Pertes humaines --- 1939-1945) -- Musées --- 1939-1945) -- Art et guerre --- 1939-1945) -- Cinéma et guerre --- 1939-1945) -- Littérature et guerre --- 1937-1945 --- Opérations sous-marines --- Confiscations --- Réfugiés --- Destruction et pillage --- Atrocités --- Mouvements de résistance --- Aspect économique --- Récits personnels --- Africaine et française --- Allemande et française --- Américaine et française --- Anglaise et française --- Arabe et française --- Australienne et française --- Autrichienne et française --- Belge de langue française et française --- Brésilienne et française --- Byzantine et française --- Camerounaise et française --- Catalane et française --- Chinoise et française --- Coréenne et française --- Croate et française --- Danoise et française --- Espagnole et française --- Européenne et française --- Française et galloise --- Française et grecque moderne --- Française et haïtienne de langue créole --- Française et hébraïque --- Française et hongroise --- Française et irlandaise --- Française et italienne --- Française et japonaise --- Française et kazakhe --- Française et latino-américaine --- Française et macédonienne --- Française et maghrébine --- Française et polonaise --- Française et portugaise --- Française et roumaine --- Française et russe --- Française et serbe --- Française et suédoise --- Aspect social --- Auteurs juifs --- Femmes écrivains --- Literary studies: from c 1900 --- -Literary studies: from c 1900 --- -French literature --- Second World War --- ethics --- hermeneutics --- trauma studies --- French thought
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