Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

L'auteur présente des études de sept bâtiments achevés dans les 15 dernières années où les surfaces translucides sont remarquables pour répandre la lumière. La variété des effets montre comment la transparence, la translucidité varie selon un certain nombre de facteurs: conception, matériaux, orientation, éclairage, etc...

Transparence --- Façade --- Enveloppe architecturale --- Lumière-architecture --- Curtain walls --- Transparency in architecture --- Architecture

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Glass construction --- Transparency in architecture --- Construction en verre --- Transparence en architecture --- Exhibitions --- Expositions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ci sono miti culturali che consentono di riflettere sulla modernità a partire dalle sue radici, permettendo di indagarne gli sviluppi e le polarità fondamentali: tra questi, il mito della trasparenza che, nato in ambito architettonico con l’erezione del Crystal Palace di Londra nel 1851, da tempo non riguarda più soltanto la creazione di spazi caratterizzati da una totale reversibilità ottica di interno ed esterno, ma è ormai divenuto un concetto chiave del dibattito politico e sociale di tutto l’Occidente. Con un taglio agile ma teoricamente agguerrito e un linguaggio che unisce rigore e scorrevolezza, Riccardo Donati affronta qui le tappe evolutive di tale fenomeno, seguendone la progressiva trasformazione da sogno a incubo attraverso lo studio di quelle discipline che da sempre hanno il compito di forgiare e diffondere i miti: la letteratura e le arti della visione. Da Thackeray a Dumas, da Dostoevskij a Ruskin, passando per il Novecento modernista di Tzara, Breton, Scheerbart, Benjamin, Joyce, Palazzeschi, Bontempelli, Duchamp, Ejzenštejn, Zamjatin, fino ad autori del Dopoguerra e della contemporaneità (tra gli altri, Nabokov, Calvino, Rodari, Ballard, Romero), il presente saggio mostra come muovendosi costantemente tra i territori dell’immaginario e delle concrete pratiche costruttive, fuori e dentro il perimetro della storia (realmente vissuta o soltanto ipotizzata), intellettuali e artisti di tutto il mondo abbiano attribuito alle costruzioni diafane valori di segno opposto. Di volta in volta palazzi di vetro, case di cristallo, vetrine commerciali e teche trasparenti sono serviti a veicolare utopie libertarie e incubi concentrazionari, previsioni di un luminoso orizzonte egualitario e oscuri scenari di omologazione generalizzata, approdando infine, in questi ultimi anni, a vere e proprie visioni apocalittiche circa il destino della collettività.

Transparency in literature --- Transparency in architecture --- Literature, Modern --- Literature - General --- Languages & Literatures --- History and criticism --- Modern literature --- Transparent architecture --- Arts, Modern --- Architecture --- letteratura --- mito --- critica sociale --- architettura --- arte --- filosofia

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

La construction de bâtiments réalisée en plastic reçoit aujourd'hui un attrait de plus en plus grand auprès des constructeurs et du public. Suite aux premières expériences des années 1940, le plastic est devenu courrant, principalement en raison de son côté transparent ou translucide. De grands architectes issus de l'actuelle avant-garde en ont un usage fréquent. Le présent ouvragde tente de démontrer que ce matériau "éphémère" est entré dans les habitudes constructives et fait partie de la liste des matériaux proposés actuellement en raison des possibilités esthétiques et techniques qu'il offre.

Architecture mobile --- Construction modulaire --- Informatique appliquée --- Matériau --- Matière plastique --- P.v.c. --- Technologie de la construction --- Transparence --- Plastics in building --- Transparency in architecture --- Buildings, Plastic --- Ban, Shigeru --- Behnisch, Günter --- Bruckner, Anton --- Cucinella, Mario --- De Meuron, Pierre --- Franken, Bernhard --- Giencke, Volker --- Grimshaw, Nicholas --- Herzog, Jacques --- Kempe, André --- Kuhn, Christoph --- Lacaton, Anne --- Pfeifer, Günter --- Sakula, Ash --- Siegert, D. J. --- Thill, Oliver --- Vassal, Jean-Philippe --- Abb architects --- Arconiko --- B & k+ --- Herzog & de meuron --- Jaschek & partners --- Staib architects --- Tekuto architecture studio --- Construction --- Matières plastiques dans la construction --- Matériaux --- 691.6/8 --- 691.8 --- 691 --- 691.17 --- 749.02 --- 72.039 --- Bouwmaterialen ; plastic ; transparant ; translucent --- Lichte constructies ; lichtgewicht constructies --- Architectuur ; verplaatsbare ; mobiele ; tijdelijke --- Membrane architectuur ; tentstructuren --- Architectuur ; interieurarchitectuur ; materialen ; plastic --- Onderdelen en constructie-elementen van gebouwen --- Wanden ; muren ; vloeren ; plafonds ; daken ; gevels --- Ruimtelijke constructies ; overspanningen ; kapconstructies --- Herzog & de Meuron --- Lacaton & Vassal --- Transparante materialen --- Translucide materialen --- Plastic --- Kunststof --- Synthetische materialen --- Bouwmaterialen (architectuur) --- Bouwmaterialen ; kunststoffen --- Meubelkunst en design ; technieken, materialen --- Architectuurgeschiedenis ; 2000 - 2050 --- Transparent architecture --- Architecture --- Plastic building materials --- Building materials --- Plastics --- Building plastics industry --- Air-supported structures --- Matières plastiques dans la construction. --- Matériaux. --- Lacaton, Anne, --- Vassal, Jean-Philippe, --- Herzog, Jacques, --- Herzog, Jacques, 1950 --- -Kempe, André --- Lacaton, Anne, 1955 --- -Pfeifer, Günter --- Vassal, Jean-Philippe, 1954 --- -Architecture mobile --- -Construction --- -Buildings, Plastic