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In Franco-Maghrebi Artists of the 2000s: Transnational Narratives and Identities Ramona Mielusel offers an account of the way how young artists (writers, filmmakers, actors, singers, photographers, contemporary migrant artists) of Maghrebi origin residing in France during the last twenty years (2000-2016) contest French “national identity” in their work. Mielusel's interest lies in analyzing the impact that these “minor” artists and their chosen genres have on mainstream cultural productions. She argues that constant displacement and changes in political, social and cultural contexts have significantly transformed the dynamics that govern the relationship between the center (Metropolitan France) and the periphery (its Others). Most importantly, she seeks to position their work in the field of transnationalism, which has dominated postcolonial studies and cultural studies in the past decade.
Arts and transnationalism --- Arts, North African --- National characteristics, French, in art. --- North African arts --- Transnationalism and the arts --- Transnationalism --- History
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Transnationalism, Activism, Art goes beyond Banksy by investigating how the three complementary political, social, and cultural phenomena listed in the title interact in the twenty-first century. Renowned and emerging critics use current theory on cultural production and politics to illuminate case studies of various media, including film, literature, visual art, and performance, in their multiple manifestations, from electronic dance music to Wikileaks to bestselling poetry collections. By addressing how these artistic media are used to enact citizen participation in social justice movements, the volume makes important connections between such participation and scholarly study of globalization and transnationalism."--Pub. desc. "Banksy is known worldwide for his politically subversive works of art, but he is far from the only artist whose creations are infused with internationally relevant, activist themes. How else can the arts help activate citizen participation in social justice movements? Moreover, what is the role of culture in a globalizing world?
Transnationalism. --- Social movements. --- Arts, Modern --- Arts and transnationalism. --- World politics --- Movements, Social --- Social history --- Social psychology --- Trans-nationalism --- Transnational migration --- International relations --- Transnationalism and the arts --- Transnationalism
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Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a 'constellational modernism' for the emerging field of global modernism.
Modernism (Art) --- Art, Egyptian --- Art, Modern --- Islamic modernism --- Arts and transnationalism --- Transnationalism and the arts --- Transnationalism --- Modernism, Islamic --- Islam --- Islamic civilization --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- History --- Islamic influences --- Islamic influences.
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Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a 'constellational modernism' for the emerging field of global modernism.
Arts and transnationalism --- Islamic modernism --- Art, Modern --- Art, Egyptian --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Islamic civilization --- Modernism, Islamic --- Islam --- Transnationalism and the arts --- Transnationalism --- History --- Islamic influences. --- Islamic influences
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This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies.
Sculpture, Modern --- Sculpture --- sculpting --- anno 1800-1899 --- sculpture [visual works] --- Arts and transnationalism --- Arts and transnationalism. --- Sculptors --- Sculptors. --- Sculpture, Modern. --- Transnationalism. --- History --- Travel --- 1800-1899. --- Europe. --- Transnationalism and the arts --- Transnationalism --- Bronze sculptors --- Artists --- 1800-1899 --- Nationalism in art --- Art and transnationalism --- Social networks. --- Job descriptions --- Travel. --- Job descriptions.
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‘This impressively varied and highly accessible book is characterized by an open and inclusive attitude towards the subjects it covers. Its innovative transnationalist perspective facilitates interaction between fields that really ought to communicate more. Refreshingly, it takes “fictional” life writing seriously as contributing to the shaping of the afterlives of artists. There may not be one way of “doing” biography, but, surely, this is the best way of doing biography research.’ — Dr Dennis Kersten, Department of Modern Languages and Cultures, Radboud University, The Netherlands This book demonstrates the significance of transnationality for studying and writing the lives of artists. While painters, musicians and writers have long been cast as symbols of their associated nations, recent research is increasingly drawing attention to those aspects of their lives and works that resist or challenge the national framework. The volume showcases different ways of treating transnationality in life writing by and about artists, investigating how the transnational can offer intriguing new insights on artists who straddle different nations and cultures. It further explores ways of adopting transnational perspectives in artists’ biographies in order to deal with experiences of cultural otherness or international influences, as well as analysing cross-cultural representations of artists in biography and biofiction. Gathering together insights from biographers and scholars with expertise in literature, music and the visual arts, Transnational Perspectives on Artists’ Lives opens up rich avenues for researching transnationality in the cultural domain at large.
Arts. --- Literature, Modern—19th century. --- Literature, Modern—20th century. --- Nineteenth-Century Literature. --- Twentieth-Century Literature. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Biography as a literary form. --- Arts and transnationalism. --- Literature and transnationalism. --- Artists --- Literature, Modern --- History and criticism. --- Literature --- Persons --- Transnationalism and literature --- Transnationalism --- Transnationalism and the arts --- Biography --- Authorship --- Prose literature --- History and criticism --- Technique
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Music and globalization. --- Space perception. --- Literature and globalization. --- Literature and transnationalism. --- Music and transnationalism. --- Art and globalization. --- Arts and transnationalism. --- Arts, Modern. --- Modern arts --- Globalization and art --- Globalization --- Transnationalism and music --- Transnationalism --- Transnationalism and literature --- Globalization and literature --- Spatial perception --- Perception --- Spatial behavior --- Figure-ground perception --- Geographical perception --- Globalization and music --- Dissemination of music --- Transnationalism and the arts
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A ground-breaking volume examining the transnational conditions of the European Enlightenment, Crafting Enlightenment argues that artisans of the long eighteenth-century on four different continents created and disseminated ideas that revolutionized how we understand modern-day craftsmanship, design, labor, and technology. Starting in Europe, this book journeys through France across the Atlantic Ocean to the Americas and then on to Asia and Oceania. Highlighting diverse identities of artisans, the authors trace how these historical actors formed networks at local and global levels to assert their own forms of expertise and experience. These artisans - some anonymous, eminent, and outside the margins - translated European Enlightenment thinking into a number of disciplines and trades including architecture, botany, ceramics, construction, furniture, gardening, horology, interior design, manuscript illustration, and mining. In each thematic section of this illustrated volume, two leading scholars present contrasting case studies of artisans in different geographic contexts. These paired chapters are also followed by shorter commentary that reflects on pertinent themes from both chapters. Emphasizing how and why artisanal histories around the world impacted civic and private life, commerce, cultural engagement, and sense of place, this book introduces new richness and depth to the conversations around the ambivalent and fragmented nature of the Enlightenment.
Handicraft --- Artisans --- Enlightenment --- Arts and transnationalism --- Crafts (Handicrafts) --- Handcraft --- Occupations --- Decorative arts --- Manual training --- Sloyd --- Transnationalism and the arts --- Transnationalism --- History --- Conferences - Meetings --- Applied arts. Arts and crafts --- crafts [art genres] --- anno 1700-1799 --- Enlightenment. --- Arts and transnationalism. --- Artisans. --- Handicraft. --- 1700-1799 --- Artizans --- Craftsmen --- Craftspeople --- Craftspersons --- Skilled labor --- Cottage industries
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