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Transitions in Writing addresses the experiences of writers as they move between contexts of writing and juggle new and different demands. Spelman Miller and Stevenson bring together research by scholars in a range of settings across the world who approach transition from different standpoints. Transition is often conceived of as a change in setting, coinciding with physical or temporal relocation, such as between stages of an educational or professional career. However, writers also manage more local, micro-level transitions as they move between genres, registers and rhetorical moves to meet the demands of the task. The combination of both macro- and micro-level perspectives on transition offers a novel, broad conception of the types of change a writer encounters, and illustrates a range of methodological approaches appropriate to exploring such transitions.
English language --- Transition (Rhetoric) --- Authorship. --- Juncture (Linguistics) --- Composition (Language arts) --- Rhetoric.
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L'élaboration du discours, les modes de transmission et de réception, les va-et-vient linguistique, artistique et narratologique constituent la notion de "passage" dans ce qu'il possède de transitoire, de diachronique, d'hétérotopique, voire d'utopique en font une sorte d'anamorphose allégorique, un phénomène littéraire, esthétique ou historique en perpétuelle évolution. Ses frontières poreuses génèrent une oscillation continue entre le Moi et l'Autre, entre le créateur - quel qu'il soit - et le récipiendaire. C'est dans une approche interculturelle que ce volume franco-allemand s'inscrit. Les diverses analyses en français et en allemand visent à mettre en lumière le "passage" au sein des arts (arts visuels et musique), des lettres, de la civilisation et de la linguistique.
Transition (Rhetoric) --- Literature --- Discourse analysis, Literary --- Discourse analysis, Narrative --- Aesthetics, Modern --- German literature --- French literature --- Arts --- Aesthetics --- History and criticism --- History --- History.
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Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
Theater --- Dramatic criticism --- Theater criticism --- Criticism --- History --- English drama --- Emotions in literature. --- Transition (Rhetoric) --- History and criticism. --- Transitional element (Rhetoric) --- Transitions (Rhetoric) --- Rhetoric
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Digressio (Retoriek) --- Digression (Rhetoric) --- Digression (Rhétorique) --- Transition (Rhetoric) --- French literature --- French language --- Narration (Rhetoric) --- History and criticism --- Theory, etc --- Discourse analysis --- French literature - History and criticism - Theory, etc --- French language - Discourse analysis
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Rhetoric, Ancient --- Transition (Rhetoric) --- Plato --- Technique --- Transitional element (Rhetoric) --- Transitions (Rhetoric) --- Rhetoric --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Aflāṭūn --- Aplaton --- Bolatu --- Platon, --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Technique. --- Platon --- Platoon --- Платон --- プラトン --- Plato - Technique
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