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Group work in art --- Exhibitions --- Ahearn, John, --- Torres, Rigoberto --- Exhibitions. --- Ahearn, John
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Iconography --- culturele diversiteit (kunst) --- human figures [visual works] --- Ahearn, John --- Torres, Rigoberto --- anno 1900-1999 --- United States of America
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Since the earliest myths of the sculptor Pygmalion bringing a statue to life through desire, artists have explored the boundaries between sculpture and the physical materiality of the body. This groundbreaking volume examines key sculptural works from 13th-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Sculpture, which has historically taken the human figure as its subject, is presented here in myriad manifestations created by artists ranging from Donatello and Degas to Picasso, Kiki Smith, and Jeff Koons. Featuring works created in traditional media such as wood and marble as well as the unexpected such as wax, metal, and blood, Like Life presents sculpture both conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Containing texts by art and cultural historians as well as interviews with contemporary artists, this is a provocative exploration of three-dimensional representations of the human body.
Figure sculpture --- Human figure in art --- Color in art --- Exhibitions --- sculpting --- Sculpture --- color [perceived attribute] --- human figures [visual works] --- polychromy --- Polychromy --- 73.041 --- Anatomische modellen --- Polychromie --- Bellmer, Hans --- Berruguete, Alonso --- Canova, Antonio --- Cattelan, Maurizio --- Cordier, Charles-Henri-Joseph --- Curtius, Philippe --- Doodsmaskers --- Ex voto --- Degas, Edgar --- Donatello --- Fontana, Lucio --- Genzken, Isa --- Gérôme, Jean-Léon --- Hanson, Duane --- Hoffman, Malvina Cornell --- Kher, Barti --- Kienholz, Edward --- Koons, Jeff --- Kusama, Yayoi --- Beeldhouwkunst ; iconografie ; de mens, portretten --- Madame Tussaud --- Maragliano, Anton Maria --- McCarthy, Paul --- Mueck, Ron --- Oppenheim, Meret --- Polykleitos --- Religieuze beelden --- Rodin, Auguste --- Smith, Kiki --- Torres, Rigoberto --- Wassen beelden --- Wilson, Fred --- Zumbo, Giulio Gaetano --- lichaam (van de mens)
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Sculpture --- sculpture [visual works] --- outdoor sculpture --- public spaces --- Visser, Carel --- Couzijn, Wessel --- Shapiro, Joel --- Gabo, Naum --- Laurens, Henri --- Oldenburg, Claes --- Ahearn, John --- Picasso, Pablo --- Manders, Mark --- Marini, Marino --- Wotruba, Fritz --- Torres, Rigoberto --- Wenckebach, Oswald --- West, Franz --- Andriessen, Mari --- Penone, Giuseppe --- Chabot, Hendrik --- Rodin, Auguste --- McCarthy, Paul --- Keyser, de, Hendrick --- Wall, Jeff --- Moore, Henry --- Struycken, Peter --- Koelewijn, Job --- Artschwager, Richard --- Vries, de, Auke --- King, Phillip --- Bade, David --- Förg, Günther --- Pallandt, van, Charlotte --- Appel, Karel --- Puckey, Thom --- Kooning, de, Willem --- Rickey, George --- Zadkine, Ossip --- Manzù, Giacomo --- Calder, Alexander --- Mastroianni, Umberto --- Centrum Beeldende Kunst [Rotterdam] --- SOM-Coop Himmelblau --- Rotterdam
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Art --- Sculpture --- outdoor sculpture --- public spaces --- sculpting --- Visser, Carel --- Couzijn, Wessel --- Shapiro, Joel --- Gabo, Naum --- Laurens, Henri --- Oldenburg, Claes --- Ahearn, John --- Picasso, Pablo --- Manders, Mark --- Marini, Marino --- Wotruba, Fritz --- Torres, Rigoberto --- Wenckebach, Oswald --- West, Franz --- Andriessen, Mari --- Penone, Giuseppe --- Chabot, Hendrik --- Rodin, Auguste --- Keyser, de, Hendrick --- Wall, Jeff --- Moore, Henry --- Struycken, Peter --- Koelewijn, Job --- Artschwager, Richard --- Vries, de, Auke --- King, Phillip --- Bade, David --- Förg, Günther --- Pallandt, van, Charlotte --- Appel, Karel --- Kooning, de, Willem --- Rickey, George --- Zadkine, Ossip --- Manzù, Giacomo --- Calder, Alexander --- Mastroianni, Umberto --- Centrum Beeldende Kunst [Rotterdam] --- SOM-Coop Himmelblau
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Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Art --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- public art --- art theory --- site-specific works --- identity --- public spaces --- interactive art --- Andre, Carl --- LeWitt, Sol --- Buren, Daniel --- Lacy, Suzanne --- Holt, Nancy --- Haacke, Hans --- Morris, Robert --- Smithson, Robert --- Weiner, Lawrence --- Manglano-Ovalle, Iñigo --- Martinez, Daniel Joseph --- Müller, Christian Philipp --- Sperandio, Christopher --- Torres, Rigoberto --- Ukeles, Mierle Laderman --- Noguchi, Isamu --- Serra, Richard --- Moore, Henry --- Acconci, Vito --- Judd, Donald --- Dion, Mark --- Orozco, Gabriel --- Wodiczko, Krysztof --- Calder, Alexander --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- Wodiczko, Krzysztof
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Art styles --- Iconography --- Art --- Environmental planning --- art [discipline] --- humor --- street art --- cities --- public spaces --- kunst in de openbare ruimte --- graffiti [casual notations] --- Zevs --- Pignon-Ernest, Ernest --- Tinguely, Jean --- Banksy --- Oppenheim, Dennis --- Lennon, John --- Ono, Yoko --- Simonds, Charles --- Picasso, Pablo --- Ginsberg, Allen --- Blek le Rat --- Blu --- Darius & Downey --- Downey, Brad --- Eicher, Amanda --- Fairey, Shepard --- Fekner, John --- Friedkin, Anthony --- Grey, Alex --- Guyton, Tyree --- Hammonds, David --- Harfleet, Paul --- Harvey, Ellen --- Haring, Keith --- Hoffman, Abbie --- Hsieh, Tehching --- Kfouri, Daniel --- Know Hope --- Smithson, Robert --- Köster, Kim --- Kulig, Curtis --- Lambert, Steve --- Lee, Ji --- Leinkauf, Mischa --- Medlin, Jennifer --- Messner, Anne --- MOMO --- Mora, Nuria --- Naegeli, Harald --- Nicholson, Chad --- Notzold, Paul --- Ontiveros, Camilo --- Orion, Alexandre --- Os Gemeos --- Otterness, Tom --- Petit, Philippe --- Quinones, Lee --- Reid IV, Leon --- REVS --- Riley, Duke --- Rupp, Christy --- Skaggs, Joey --- Skullphone --- Slinkachu --- Spanhake, Shannon --- Stain, Chris --- Swoon --- Thundercut --- Tokodi, Edina --- Torres, Rigoberto --- Vinchen --- Wallacavage, Adam --- Winkler, Hans Hs --- Witz, Dan --- ZASD --- Zezão --- Zhang Dali --- The Yes Men --- Heizer, Michael --- Basquiat, Jean-Michel --- Holzer, Jenny --- Kruger, Barbara --- Wodiczko, Krysztof --- Wojnarowicz, David --- Tunick, Spencer --- Labat, Tony --- Kerouac, Jack --- Matta-Clark, Gordon --- Kaprow, Allan --- Gelitin --- monochrom [Vienna] --- Guerrilla Girls [New York, N.Y.] --- Vomito Attack --- anno 1900-1999 --- anno 2000-2099 --- Wodiczko, Krzysztof
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