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Art --- Art styles --- Ting, Walasse --- Jorn, Asger --- Haese, D', Roel --- Herold, Jacques --- Lint, van, Louis --- Tajiri, Shinkichi --- Simondo, Piero --- Haesaert, Roger --- Rooskens, Anton --- Tabuchi --- Olyff, Michel --- Dotremont, Christian --- Bryen, Camille --- Guiette, René --- Österlin, Anders --- Mortier, Antoine --- Rumney, Ralph --- Raveel, Roger --- Wessel, Wilhelm --- Schultze, Bernhard --- Bulcke, Guy --- Vandercam, Serge --- Corneille --- Shinoda, Toko --- Duprey, Jean-Pierre --- Claus, Hugo --- Baj, Enrico --- Snoeck, Paul --- Appel, Karel --- Wyckaert, Maurice --- Götz, Karl Otto --- Alechinsky, Pierre --- Reinhoud --- Bertini, Gianni --- Lacomblez, Jacques --- Pedersen, Carl-Henning --- Mendelson, Marc --- Haesaert, Gentil --- Galerie Taptoe [Bruxelles] --- anno 1900-1999 --- anno 1950-1959 --- anno 1940-1949 --- Belgium --- Brussels --- Cobra --- Painting --- art galleries [buildings] --- galerieën --- Brulin, Tone --- Michiels, Ivo --- Kunst --- Art, Belgian --- Art belge --- Taptoe (Gallery) --- Taptoe : Kunstcentrum te Brussel van 1955 tot 1957. --- Taptoe ; kunstcentrum --- D'Haese, Roel --- Wijckaert, Rob --- Wijckaert, Maurice --- Belgische kunst ; 20ste eeuw --- 7.038 --- Taptoe (galerie) --- België --- twintigste eeuw --- Kunstgeschiedenis ; 1950 - 2000 --- Snoek, Paul --- Taptoe : Kunstcentrum te Brussel van 1955 tot 1957 --- 700 --- COBRA --- Belgique XXe siècle --- kunst algemeen --- art généralités --- cobra --- CoBra --- Galerie Taptoe --- Exposition
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Drawing on the avant-garde movements of both Expressionism and Surrealism, the women of Abstract Expressionism redefined artistic practice as an immersive arena for action, process and consciousness. Their paintings were regarded not as images but as events. Although the movement officially began in mid-century USA, it quickly – through myriad means – spread around the world and became a catalyst for redefining ideas around aesthetics, poetry, philosophy and politics. This new publication, accompanying a major European touring exhibition, will include works by 40 artists from across the globe, from well-known practitioners such as Carmen Herrera, Etel Adnan, Sandra Blow and Helen Frankenthaler, to lesser-known names from countries such as Australia, China, Iceland, Japan, Mexico, Mozambique, Romania and Venezuela: women who took up the ideas and methodologies of the movement but endowed them with specific cultural and subjective dimensions.
Painting, Abstract --- Women artists --- Art, Abstract --- kunst --- twintigste eeuw --- abstract expressionisme --- abstractie --- abstracte schilderkunst --- action painting --- 75.036 --- 7.038 --- Abbott Mary --- Adnan Etel --- Afnan Maliheh --- Armer Ruth --- Ayres Gillian --- Barbarigo Ida --- Di Benedetto Noemí --- Bergman Anna-Eva --- Biala Janice --- Bing Bernice --- Blow Sandra --- Bongé Dusti --- Chinyee --- Choi Wook-kyung --- DeFeo Jay --- Edelheit Martha --- Ehrenhalt Amaranth --- Fayoumi Asma --- Fenichel Lilly --- Fine Perle --- Fischer-Hansen --- Flack Audrey --- Fonnesbech-Sandberg Elna --- Francés Juana --- Frankenthaler Helen --- Gechtoff Sonia --- Godwin Judith --- Gómez-Sánchez Gloria --- Gramcko Elsa --- Grilo Sarah --- Hartigan Grace --- Holt Lilian --- Johnson Buffie --- Katsura Yuki --- Khal Helen --- De Kooning Elaine --- Krasner Lee --- Lassnig Maria --- Lazzari Bice --- Lifang --- Lopes Bertina --- Mellis Margaret --- Minujín Marta --- Mitchell Joan --- Miyawaki Aiko --- Mohalyi Yolanda --- Mohamedi Nasreen --- Nakano Emiko --- Nikel Lea --- Ohtake Tomie --- Ostrower Fayga --- Pardo Mercedes --- Park Charlotte --- Parsons Betty --- Passlof Pat --- Rahon Alice --- Rama Carol --- Raymond Marie --- Reigl Judit --- Remington Deborah --- Ringvall Britta --- Rosenstein Erna --- Sadr Behjat --- Saikali Nadia --- Sánchez Zilia --- Sanín Fanny --- Schapiro Miriam --- Schumann Sarah --- Schwabacher Ethel --- Sekula Sonja --- Shinoda Toko --- Snowden Sylvia --- Sobel Janet --- Springford Vivian --- Themerson Franciszka --- Thomas Alma --- Thomas Yvonne --- Thun Hedwig --- Tryggvadóttir Nína --- Vaudrey Elsa --- Vieira da Silva Maria Helena --- West Michael --- Abstraction lyrique
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Iconography --- culture [concept] --- identity --- culturele diversiteit (kunst) --- alienation --- Takeoka, Yuji --- Castro, Jota --- Geers, Kendell --- Nara, Yoshitomo --- Nicodemus, Everlyn --- Shonibare, Yinka --- Paik, Nam June --- Chen, Zhen --- Gaba, Meschac --- Huang, Yong Ping --- Murakami, Takashi --- Alvim, Fernando --- An-Chi, Liu --- Ando, Yukako --- Balassanian, Sonia --- Baranek, Frida --- Botha, Andries --- Braun-Vega, Herman --- Chiko & Toko Project --- Choi, Cody --- Chun-Chi, Lin --- Chust, Daniel --- Evans, Mary --- Grigorian, Marcos --- Hasegawa, Jun --- Hsing-wan, Chen --- Kang, Ik-joong --- Khorasani, Karan --- Koganezawa, Takehito --- Koo Jeong-a --- Leirner, Betty --- Machado, Milton --- Macià, Oswaldo --- Maruyama, Naofumi --- Niscino, Tazro --- Nogueira, Lucia --- Oguibe, Olu --- Otondo, Maritxu --- Otsuka, Chino --- Paz, Alicia --- Ping, Qiu --- Rawanchaikul, Navin --- Reinoso, Pablo --- Rothschild, Miguel --- Sato, Keiko --- Shahroudi, Farkhondeh --- Shen Yuan --- Shiota, Chiharu --- Take, Tomoko --- Tanavoli, Parviz --- Thorsdottir, Inga Svala --- Tseng Kwong Chi --- Zyl, van, Ina --- Vanarsky, Jack --- Villani, Júlio --- Wan-Ts, Peng --- Wu Mali --- Wu Shan Zhuan --- Wu, Annie --- Xavier, Wei C.H. --- Yan Pei-Ming --- Yang Jiechang --- Yuan Goang-ming --- Vincent, Françoise --- Feria, Eloy --- Lam, Wifredo --- Clark, Lygia --- Mori, Mariko --- Ozawa, Tsuyoshi --- Sugimoto, Hiroshi --- Tiravanija, Rirkrit --- Neshat, Shirin --- Orozco, Gabriel --- Amer, Ghada --- Katase, Kazuo --- Kinoshita, Suchan --- Robinson, Peter --- Qin Yufen --- Zao Wou-Ki --- Rodriguez, Ofelia
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100 of the most creative designers to have emerged on the international scene over the past five years, chosen by 10 of the most respected figures in the field.
Graphic arts --- Commercial art --- Graphic artists --- Arts graphiques --- Art publicitaire --- Graphistes --- History --- Catalogs --- Catalogs. --- Directories --- Histoire --- Catalogues --- Répertoires --- Design graphique --- Dictionnaire --- Graphiste --- 766.039 --- Grafische vormgeving ; reclame ; 2000-2008 ; naslagwerken --- 178 aardige ontwerpers --- 75B --- 766.071 AAAA --- 766.39 --- A Practice for Everyday Life --- Antoine+Manuel --- Atrissi Tarek --- Bantjes Marian --- Barbara Says --- Big Active --- Bilak Peter --- Born Julia --- Brunner Laurenz --- Build --- Buxó Thomas --- Büro Uebele --- Catalogtree --- Chan Theseus --- Change Is Good --- Cheuk Deanne --- Chiappini Cristina --- Cho Peter --- Cobbenhagen & Hendriksen --- Cox Paul --- De Bondt Sara --- Duplessis Arem --- EYE --- Enlightenment --- FLAG Aubry/Broquard --- Farrell Stephen --- Flamingo Studio --- Friends With You --- Frostner Martin --- Gerritzen Mieke --- Good Design Company --- Groot Arjen --- Gubser Michelle --- Hardie George --- Hares Jonathan --- Hattori Kazunari --- Holder Will --- Homework --- Hugo Mario --- Itakura Keiko --- Ito Keiji --- Jarvis James --- Körner Union --- LUST --- Laboratoires CCCP --- Lehni Jürg --- Lehni-Trüb --- Lemi Ghariokwu --- MadeThought --- Marin Eduardo --- Martinez Meave Gabriel --- Maurer Luna --- Mayfried Thomas --- Meseguer Laura --- Mineur Etienne --- Naegele Isabel --- Namaiki --- Non-Format --- Nygren Henrik --- Office for Editorial Design --- Omnivore --- Opara Eddie --- Owens Mark --- Paper Rad --- Pesko Radim --- Post Typography --- Project Projects --- Punchman Michael --- Raad Iman --- Raeder Manuel --- Rementer Andy --- Rocha Claudio --- Sahar Michal --- Sandberg Martijn --- Siegel Claudia --- Sinister Dexter --- Sonderby Jennifer --- Spector --- Stavro Astrid --- Stegmann Frauke --- Stiletto --- Strange Attractors --- Studio 't Brandt Weer --- Studio Pip and Co. --- Sulki & Min --- Surface --- Tachibana Fumio --- Tinnes Andrea --- Toko --- Typographic Masonry --- Ukawa Naohiro --- United Visual Artists --- Yokoland --- eenentwintigste eeuw --- grafisch design --- grafische vormgeving --- mgmt. design --- typografie --- van Dam Vanessa --- van Dijk Bob --- van Halem Hansje --- 655.26 --- grafische designers --- Gebruiksgrafiek ; 2000 - 2050 --- grafische vormgeving, typografie --- graphic design --- Répertoires --- Studio Pip and Co --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Motion picture billboards --- Graphic arts - History - 20th century - Catalogs --- Graphic arts - History - 21st century - Catalogs --- Commercial art - History - 20th century - Catalogs --- Commercial art - History - 21st century - Catalogs
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How did Buddhism, so prominent in Japanese life for over a thousand years, become the target of severe persecution in the social and political turmoil of the early Meiji era? How did it survive attacks against it and reconstitute itself as an increasingly articulate and coherent belief system and a bastion of the Japanese national heritage? Here James Ketelaar elucidates not only the development of Buddhism in the late nineteenth century but also the strategies of the Meiji state.
Buddhism --- Japan --- History --- 1868-1945 --- Buddhists --- Persecutions --- Social aspects --- J1800.70 --- J1857 --- J1864 --- J1861 --- J1701 --- J1700.70 --- Japan: Religion -- Buddhism -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Religion -- Buddhism -- apologetics, missionary works, proselytization --- Japan: Religion -- Buddhism -- relation with state and politics --- Japan: Religion -- Buddhism -- relation with Shintō (and Shinbutsu) --- Japan: Religion in general -- policy, legislation, guidelines, codes of behavior --- Japan: Religion in general -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Religiöse Verfolgung. --- Buddhismus. --- Buddhism. --- Persecutions. --- Social aspects. --- Japan. --- Aizawa Seishisai. --- Anesaki Masaharu. --- Bureau of Tombs. --- Christianity. --- Confucianism. --- Darwin, Charles. --- Eleven Themes. --- Emperor Jimmu. --- Emperor Komei. --- Eto Shimpei. --- Fujita Toko. --- FukubaBisei. --- Fukuda Gyokai. --- Fukuzawa Yukichi. --- Goi Ranju. --- Han Yu. --- Hirai Kinzo. --- Hirata Atsutane. --- Hirata School. --- Inoue Tetsujiro. --- IshikawaTairei. --- Iwakura Tomomi. --- Juge Shigekuni. --- Kamei Koremi. --- Kikuchi Taketoki. --- Kishimoto Nobuta. --- Kusunoki Masashige. --- Ministry of State (Dajokan). --- Mito. --- Mori Arinori. --- Motoori Norinaga. --- Murakami Senshō. --- Nakai Chikuzan. --- Okubo Toshimichi. --- Okuma Shigenobu. --- Ozu Tetsunen. --- Saigo Takamori. --- Senke Takatomi. --- Seventeen Themes. --- Shibata Reiichi. --- Tanaka Yoritsune. --- Teaching Academies. --- Toyotomi Hideyoshi. --- anti-Buddhist legislation. --- carnivalesque. --- cosmopolitanism. --- decadence. --- festival calendar. --- jinsei. --- national essence. --- temple registration. --- Lamaists --- Religious adherents --- Buddha and Buddhism --- Lamaism --- Ris-med (Lamaism) --- Religions --- Persecution --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Religion --- Buddhist --- Buddhistische Philosophie --- Religionsverfolgung --- Verfolgung --- Glaubensflüchtling --- Prayer-books and devotions --- Tibetan --- I͡Aponii͡ --- Empire du Japon --- Zen-Nihon --- Zenkoku --- Dainihon --- Dainippon --- Japão --- Japaner
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