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Time in literature. --- Time perception in literature. --- Dante Alighieri,
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"Lingering and its decried equivalents such as dawdling, idling, loafing, or lolling about, are both shunned and coveted in our culture where time is money and where there is never quite enough of either. Is lingering lazy? Is it childish? Boring? Do poets linger? (Is that why poetry is boring?) Is it therapeutic? Should we linger more? Less? What happens when we linger? Harold Schweizer here examines an experience of time that, though common, usually passes unnoticed. Drawing on a wide range of philosophical and literary texts and examples, On Lingering and Literature exemplifies in its style and accessible argumentation the new genre of post-criticism, and aims to reward anyone interested in slow reading, daydreaming, or resisting our culture of speed and consumption"--
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"What can we learn about the world from engaging with fictional time-series? What should we make of stories involving time travellers who change the past, recurrence of a single day, foreknowledge of the future, the freezing or rewinding of time, or time-series which split into alternative courses of events? Do they show us radical alternative possibilities concerning the nature of time, or do they show that even the impossible can be represented in fiction? Neither, so this book argues. Defending the view that a fiction represents a single possible world, the authors show how apparent representations of radically different time-series can be explained in terms of how worlds are represented without there being any fictional world which has such a time-series. In this way, the book uses the complexities of fictional time to get to the core of the relation between truth in fiction and possibility. It provides a logic and metaphysics to deal with the fact that fictions can leave certain features of their fictional worlds indefinite, and draws comparisons and connections between fictional and scientific representations and hypotheses. Utilising the notion of a counterpart, the authors show how to understand claims concerning persistence of characters and their identity across fictions, and what it means for a fiction to be 'set' at an actual time. Consideration is given to motion in fiction, asking whether it is sometimes continuous and sometimes discrete, how to understand different rates of change, and whether fictional time itself can be said to flow."--
Philosophy of language --- Literary semiotics --- #KVHA:Taalkunde --- #KVHA:Semantiek --- #KVHA:Tijd --- #KVHA:Futuriteit --- Time in literature --- Time perception in literature. --- Time perception in literature
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Thematology --- French literature --- anno 1700-1799 --- Time in literature. --- Time perception in literature. --- History and criticism.
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Time in literature --- Time perception in literature --- Time perception --- Philology --- Literature
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Literature --- Narration (Rhetoric) --- Time perception in literature --- Time travel in literature --- Philosophy
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Der Band unternimmt die kritische Revision eines lange dominanten Diskurses über die ästhetische Moderne, der sie auf absolute Zeitgenossenschaft, Neuheit und Einstimmigkeit festzulegen suchte. Dagegen wird hier die Vielfalt als eigentliches Prinzip und kultureller Motor der ästhetischen Moderne herausgestellt. Diese Vielfalt hat ihren Grund im Wandel geschichtlicher Erfahrung in der zweiten Hälfte des 18. Jahrhunderts, die mit dem Theorem der Gleichzeitigkeit des Ungleichzeitigen die Verzeitlichung der Einbildungskraft reflexiv in den Blick bekommt und damit die perspektivische Vielheit einander überlagernder Kulturen und Stile.
German literature --- Modernism (Literature) --- Modernism (Aesthetics) --- Time perception in literature --- History and criticism --- German literature - History and criticism - Congresses --- Modernism (Literature) - Germany - Congresses --- Modernism (Aesthetics) - Germany - Congresses --- Time perception in literature. --- Aesthetics --- Crepuscolarismo --- Literary movements
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Time in German Literature and Culture, 1900 - 2015 is an interdisciplinary volume that explores the social, psychological, and historical impact of acceleration through the medium of culture. New interpretations of modernist and contemporary works of literature, visual art, architecture, film and popular culture highlight the wide range of cultural responses to social acceleration. In so doing, they call into question dominant theories of acceleration, which can be excessively totalising and pessimistic.The volume includes original readings of works by classic modernist authors Franz Kafka, Thomas Mann, Robert Musil, Peter Altenberg and Robert Walser; contemporary writers Angela Krauss, Clemens Meyer, Wolfgang Herrndorf and Karen Duve; filmmaker Christian Petzold; artists Wassily Kandinsky and Umberto Boccioni; and photographers Umbo, Gyorgy Kepes and Paul Schuitema. This exciting volume shows that cultural expressions of and responses to acceleration are varied, and offer the spaces of resistance to the ongoing onward rush of our twenty-first-century lives.
German literature --- Time perception in literature --- Time in literature --- Time --- Space and time in literature --- History and criticism --- Philosophy
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Literature and Modern Time is a collection of essays that explore literature in the context of a wave of challenges to linear conceptions of time introduced by thinkers such as Bergson, Einstein, McTaggart, Freud and Nietzsche. These challenges were not uniform in character. The volume will demonstrate that literature of the era under scrutiny was not simply reacting to new theories of time—in some cases it is actually inspiring and anticipating them. Thus Literature and Modern Time promises to offer a genuine dialogue between literature and time theory and in doing so will uncover and examine influences and connections— sometimes unexpected—between philosophers and writers of the era. It will examine literary attempts to transcend and escape time and also challenge rupture-based accounts of modernist time by demonstrating that literary texts commonly associated with brokenness, decline or stasis, also, at the same time, maintain faith in healing, renewal and mobility. This collection contains interdisciplinary research of the quite highest kind - to see so many different kinds of time - narrative, historical, mechanical, subjective, non-linear time, myth and nostalgia - as well as time/space discussed here is very stimulating indeed. - Simon J. James, Professor of Victorian Literature, Department of English Studies, Durham University, UK.
Time in literature. --- Time perception in literature. --- Literature, Modern --- History and criticism. --- Literature, Modern—20th century. --- Literature, Modern—19th century. --- Literature—Philosophy. --- Twentieth-Century Literature. --- Nineteenth-Century Literature. --- Literary Theory. --- Literature --- Literature and philosophy --- Philosophy and literature --- 20th century. --- 19th century. --- Philosophy. --- Theory
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