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Time in music --- Wagner, Richard,

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The work of this introductory chapter is twofold; first, to provide a brief historical overview of the changing nature and conception of musical time over the last two thousand years, and second, to set out the arc of the work through detailing the central points of each chapter. While the individual pieces of writing bring vital and varied perspectives from musicology, ethnomusicology, philosophy, psychology, and socio-cultural work, what unites them is their attention to music of the modern period, with a strong focus on the multiplicities of contemporary practice, while also pointing to their nineteenth-century antecedents. In introducing the main themes of the book, the introduction calls attention to the burgeoning scholarship on time in music ranging between the immediate feelings and socialities of being in time with others and the broader imaginings of the cultural politics of time in music.

Time in music --- Music --- Psychological aspects.

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Time in music. --- Time perception. --- Music --- Philosophy and aesthetics.

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'Performing Time' explores our experience of time in dance and music, from the perspectives of both performers and audience, and informed by the most recent research in dance science, musicology, neuroscience, and psychology.

Music --- Dance --- Time --- Time in music. --- Eurythmics. --- Music. --- Psychological aspects.

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Conferences - Meetings --- Space and time in music --- Music --- Acoustics and physics --- Musique --- Philosophy and aesthetics --- Congresses. --- Philosophie et esthétique --- Congrès --- Space and time in music - Congresses