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Van Laethem, Dries --- Demoen, Gustave --- Spilliaert, Clara --- Theys, Hans
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Art --- art [discipline] --- Heck, Kati --- Wolputte, Van, Philippe --- Tyfus, Dennis --- Geens, Lode --- Rombouts, Guy --- Segers, Timothy --- Devos, Danny --- Theys, Hans
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Art --- art [discipline] --- Tyfus, Dennis --- Vranken, Leon --- Boiy, Tomas --- Geens, Lode --- Segers, Timothy --- Felga, Céline --- Colson, Vaast --- Theys, Hans
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Alvarez, D.T. --- van Biesen, Stefaan --- Clinckx, Christine --- Coolen, Caroline --- van Maele, Marcel --- Romanov, Alma --- Theys, Hans --- Thomas, Giles --- Wichers, Patries
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Art --- art [discipline] --- Lepeleire, De, Damien --- Velde, van de, Rinus --- Swennen, Walter --- Casaer, Paul --- Pacquée, Ria --- Theys, Hans --- Verdonck, Benjamin --- Wambacq, Freek --- Belgium
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The best introduction to Carole Vanderlinden's work is explaining how it was created. It's probably easier to read her work if you know how it came to life. Many artists take inspiration from existing works of art they've generally come into contact with when growing up, often in books or magazines, sometimes in museums and galleries. Carole Vanderlinden loves to read and to leaf through books, but her main interest is visiting museums of ancient or ethnographic art. In general, she looks for any event, drawing, object, pattern, colour and rhythm that speaks to her. Joining her on two of these trips of discovery, once in Brussels and once in Paris, she can be fascinated by the most diverse objects, such as a zigzag Navajo carpet, Egyptian alabaster Canopic jars dating back to 1500 BC, 18th-century glazed biscuit from Tournai or a herbarium. These objects and their colours and rhythms are copied in notebooks, often with an accompanying text. Later she might re-paint them on paper creating new combinations or compositions. These works on paper usually remain quite light, with a lot of cut-outs, like minimalist collages. In parallel Vanderlinden works on her paintings without any preconceived idea. Layer after layer the paintings try to avoid being controlled or supervised in any way. Sometimes we see patterns emerge that are familiar from her works on paper. These patterns are used as ways of countering a painting, destabilising it, recreating a balance or finishing it. During this practice, the patterns become more compact and dense. Slowly they merge with the stubborn texture of the painting. The book 'Mon seul désir' is a follow-up to 'Nocturne' (2013). It contains reproductions of works on paper by Carole Vanderlinden and an oniric essay of Hans Theys, inspired by Carole's works on paper and the medieval tapestry 'La dame à la licorne'.
eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- België --- Vanderlinden Carole --- schilderkunst --- tekenkunst --- installaties --- 741.071 VANDERLINDEN --- 741.07 --- Tekenkunst ; tekenkunstenaars A - Z --- watercolors [paintings] --- Painting --- Vanderlinden, Carole --- drawings [visual works] --- Theys, Hans --- Drawing, Belgian --- Painting, Belgian --- Vanderlinden, Carole,
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kunst --- tekenkunst --- kunsttheorie --- 741.01 --- 741.03 --- 741 --- Tekenen --- tekeningen --- kunstgeschiedenis --- kunstfilosofie --- semiotiek --- praktijk van schilderen en tekenen, algemene handleiding en --- Tekenkunst --- tekenen en tekentechnieken --- Tekenkunst ; theorie, filosofie, esthetica --- Drawing --- drawing techniques --- drawing [image-making] --- Theys, Hans ; over tekenen
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Het boek omvat de beschrijving van een poging van Hans Theys en Ann Veronica Janssens een bewegend beeld te creëren voor een openbaar gebouw in Brussel. Het bevat een beeldoverzicht van het oeuvre van Ann Veronica Janssens en wolkenfoto's van Hans Theys. Het bevat ook een summiere inleiding tot het oeuvre van Ann Veronica Janssens. Hans Theys verzorgde de vorm van het boek.
art [fine art] --- installations [visual works] --- photography [process] --- commissions [orders for works] --- Architecture --- architecture [discipline] --- Art --- Janssens, Ann Veronica --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Photography --- Brussels-Capital --- Theys, Hans --- Ann Veronica Janssens (°1956, Folkestone, Gr.-Br.) --- Beeldende kunst ; installaties ; 1993-1998 ; Ann Veronica Janssens --- Belgische kunstenaars --- 7.07 --- 7.038(493) --- kunst --- twintigste eeuw --- België --- Janssens Ann Veronica --- Theys Hans --- installaties --- architectuur --- kunst en architectuur --- overheidsgebouwen --- kantoorgebouwen --- 7.071 JANSSENS --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 ; België --- Janssens, Ann Veronica, --- Janssens, Ann Veronica °1956 (°Folkestone, Groot-Brittannië) --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw --- art [discipline] --- Photography, Artistic --- Art, Belgian --- Photographie artistique
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