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Fiktionality. --- Make-Believe. --- Theory of fiction. --- Transmediality.
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Tels leurs lointains prédécesseurs des Entretiens sur la pluralité des mondes, la Marquise d’U*** et le chevalier d’E*** sont réunis à la campagne et se livrent à des entretiens sur les sciences et la philosophie naturelle. Ils passent en revue les principaux problèmes de la philosophie des sciences – la nature de la découverte, des faits, de la probabilité, le réalisme et l’instrumentalisme, fictions et expériences de pensée –, abordent quelques grands sujets de la science d’aujourd’hui – astronomie, chaos et hasard, objets quantiques, nature des entités mathématiques – et s’intéressent particulièrement à la biologie évolutionniste et à l’éthologie. Ils débattent des valeurs et des idéaux du savant et de la relation entre la science et la religion. La philosophie, de nos jours, aspire à être populaire, et même “peuple”. On fustige son ésotérisme et sa sophistication et l’on voudrait qu’elle soit toujours accessible. Mais ne faut-il pas également songer à l’éducation philosophique des marquises ? N’ont-elles pas droit elles-aussi à des introductions claires et légères aux questions centrales de l’épistémologie ? Et ce qui est bon pour elles ne peut-il l’être pour tout un chacun ?
Knowledge, Theory of --- Philosophy --- Fiction. --- Knowledge, Theory of - Fiction --- Philosophy - Fiction
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Nicht-realistisches Erzählen ist hochpopulär, wurde aber häufig des politischen Eskapismus verdächtigt. Diese Studie bietet einen fiktionstheoretischen Zugang zum Erzählverfahren der Kontrafaktik und zeigt dessen Nähe zum politischen Schreiben auf. Analysen kontrafaktischer Werke von Christian Kracht, Kathrin Röggla, Juli Zeh und Leif Randt demonstrieren die Vielfalt und Relevanz politischer Realitätsvariationen in der Gegenwartsliteratur. Non-realistic narratives are currently immensely popular but have been frequently accused of political escapism. This study models counterfactuality using theories of fiction and shows the great affinity that this narrative technique shares with political writing. Analyses of works by Christian Kracht, Kathrin Röggla, Juli Zeh, and Leif Randt demonstrate the diversity and relevance of political variations on reality in contemporary literature.
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Communities in Fiction reads six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out (contradictorily) by Raymond Williams, Martin Heidegger, and Jean- Luc Nancy.The book’s topic is the question of how communities or noncommunities are represented in fictional works. Such fictional communities help the reader understand real communities, including those in which the reader lives. As against the presumption that the trajectory in literature from Victorian to modern to postmodern is the story of a gradual loss of belief in the possibility of community, this book demonstrates that communities have always been presented in fiction as precarious and fractured. Moreover, the juxtaposition of Pynchon and Cervantes in the last chapter demonstrates that period characterizations are never to be trusted. All the features both thematic and formal that recent critics and theorists such as Fredric Jameson and many others have found to characterize postmodern fiction are already present in Cervantes’s wonderful early-seventeenth-century “Exemplary Story,” “The Dogs’ Colloquy.” All the themes and narrative devices of Western fiction from the beginning of the print era to the present were there at the beginning, in CervantesMost of all, however, Communities in Fiction looks in detail at its six fictions, striving to see just what they say, what stories they tell, and what narratological and rhetorical devices they use to say what they do say and to tell the stories they do tell. The book attempts to communicate to its readers the joy of reading these works and to argue for the exemplary insight they provide into what Heidegger called Mitsein— being together in communities that are always problematic and unstable.
Communities in literature --- Community life in literature --- Literature and society --- Community organization --- Community development --- Community development. --- Community organization. --- Literature and society. --- Community life in literature. --- Communities in literature. --- Cervantes. --- Conrad. --- Hardy. --- Heidegger. --- Nancy. --- Pynchon. --- Raymond Williams. --- Theory of Fiction. --- Trollope. --- Woolf.
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Communities in Fiction reads six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out (contradictorily) by Raymond Williams, Martin Heidegger, and Jean- Luc Nancy. The book's topic is the question of how communities or noncommunities are represented in fictional works. Such fictional communities help the reader understand real communities, including those in which the reader lives. As against the presumption that the trajectory in literature from Victorian to modern to postmodern is the story of a gradual loss of belief in the possibility of community, this book demonstrates that communities have always been presented in fiction as precarious and fractured. Moreover, the juxtaposition of Pynchon and Cervantes in the last chapter demonstrates that period characterizations are never to be trusted. All the features both thematic and formal that recent critics and theorists such as Fredric Jameson and many others have found to characterize postmodern fiction are already present in Cervantes's wonderful early-seventeenth-century "exemplary story," "The Dogs' Colloquy." All the themes and narrative devices of Western fiction from the beginning of the print era to the present were there at the beginning, in Cervantes. Most of all, however, Communities in Fiction looks in detail at its six fictions, striving to see just what they say, what stories they tell, and what narratological and rhetorical devices they use to say what they do say and to tell the stories they do tell. The book attempts to communicate to its readers the joy of reading these works and to argue for the exemplary insight they provide into what Heidegger called Mitsein--being together in communities that are always problematic and unstable.
Community development. --- Community organization. --- Literature and society. --- Community life in literature. --- Communities in literature. --- Cervantes. --- Conrad. --- Hardy. --- Heidegger. --- Nancy. --- Pynchon. --- Raymond Williams. --- Theory of Fiction. --- Trollope. --- Woolf. --- Communities in literature --- Community life in literature --- Literature and society --- Community organization --- Community development
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