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How does theatre, one of the most ancient and physical arts, relate to the modern, dynamic technology that is social media ?Used daily by many, social media has become one of the main mediums through which we present and perform our lives. In this timely introduction to the revealing relationship between theatre and social media, Patrick Lonergan considers social media as a performance space, analyses how theatre-makers' engagement with social media on and off stage affects elements of theatrical composition and reception, and explores the practical and conceptual implications of audiences interacting with professional productions through social media.
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This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a ‘game changer’ by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.
Theater and social media. --- Social media and theater --- Social media --- Performing arts. --- Theater-History. --- Performing Arts. --- Theatre History. --- Show business --- Arts --- Performance art --- Theater—History.
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This volume proposes the viral as a means of understanding socially engaged and transmedial performance practices since the mid-20th century. It rethinks the Living Theatre's Artaudian revolution via the lens of affect theory, brings attention to General Idea's media-savvy performances of the 70s, explores Franco and Eva Mattes and Critical Art Ensemble, and surveys the dramaturgies and political stakes of global theatrical networks. Viral performance practices testify that when people gather, something spreads. Performance renders spreading visible, raises its stakes, and encodes it in theatrical form. The artists explored here rarely disseminate their ideas as directly as a marketer or movement would; rather, they undermine simplified forms of contagion while holding dialogue with the discourses that have surrounded viral culture. This work argues that the concept of the viral is historically deeper than the digital landscape suggests, and intimately linked to performance.
Theater and social media. --- Theater and society. --- Experimental theater --- Alternative theater --- Avant-garde theater --- Theater --- Actors --- Society and theater --- Social media and theater --- Social media --- Social status --- Social aspects
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Examining the ways in which contemporary Western theatre protests against the ‘War on Terror’, this book analyses six twenty-first century plays that respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, Hélène Cixous and Tony Kushner. Anti-war Theatre After Brecht grapples with the problem of how to make theatre that protests the policies of democratically elected Western governments in a post-Marxist era. It shows how the Internet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward.
Culture --- Communication. --- Social media. --- Theater --- Performing arts. --- Cultural and Media Studies. --- Performing Arts. --- Theatre History. --- Media and Communication. --- Social Media. --- Study and teaching. --- History. --- War on Terrorism, 2001-2009, in literature. --- Political plays --- War on Terrorism, 2001-2009 --- War and theater. --- Theater and social media. --- Political aspects --- History --- History and criticism. --- Theater and the war. --- Social media and theater --- Theater and war --- Global Struggle Against Violent Extremism, 2001-2009 --- Global War on Terror, 2001-2009 --- GWOT, 2001-2009 (War on Terrorism) --- Terror War, 2001-2009 --- Terrorism War, 2001-2009 --- War against Terrorism, 2001-2009 --- War on Terror, 2001-2009 --- Political drama --- Politicians --- Politics, Practical --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Social media --- Military history, Modern --- Terrorism --- World politics --- Afghan War, 2001 --- -Iraq War, 2003-2011 --- Operation Enduring Freedom, 2001 --- -Political drama --- Drama --- Performing arts --- Acting --- Actors --- Prevention --- Theater-History. --- User-generated media --- Communication --- User-generated content --- Communication, Primitive --- Mass communication --- Sociology --- Show business --- Arts --- Performance art --- Theater—History.
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