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Approfondir la lecture du théâtre, c'est examiner de près le travail de la parole. La pragmatique renouvelle l'analyse du dialogue et du monologue en mettant en évidence le jeu de forces et le dynamisme de l'échange.Textes analysés de : Racine, Corneille, Marivaux, Claudel, Beckett, Vinaver, Koltès.

Theater --- Discourse analysis. --- Drama --- Discourse analysis --- Philosophy. --- Semiotics. --- History and criticism --- Philosophy --- Semiotics --- Theater - Philosophy. --- Theater - Semiotics. --- Drama - History and criticism --- Theater - Philosophy --- Theater - Semiotics --- Théâtre --- Langage --- Discours --- Parole --- Dialogue --- Monologue --- Non-dit --- Ecriture --- Polylogue --- Poétique

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Ouvert, incomplet, " troué ", le texte de théâtre se donne à lire tout en affichant en creux la place vide destinée à être investie par ceux qui le transformeront en spectacle vivant proposé à des spectateurs. C'est le processus théâtral, dans toute l'" épaisseur " des " signes " (Barthes) qui le fondent, que les auteurs de l'ouvrage ont voulu étudier, contribuant au renouveau des problématiques en matière d'approche du texte dramatique qui ont surgi depuis une vingtaine d'années. Les études rassemblées ici s'attachent à décrire la " grammaire " spécifique du genre, à en montrer les échappées belles et à dégager les modes de construction de la signification d'un art où fusionnent plusieurs systèmes sémiotiques.

Drama --- Semiotics --- Theater --- Sémiotique et théâtre --- Théâtre (Genre littéraire) --- Sémiotique et théâtre --- Théâtre (Genre littéraire) --- Drama. --- Rhétorique --- Theater - Semiotics --- Théâtre (genre littéraire)

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Theater --- Discourse analysis. --- Drama --- Discourse analysis --- Philosophy. --- Semiotics. --- History and criticism --- Philosophy --- Semiotics --- -Discourse analysis --- -Dramatics --- -Semiotics --- -Performing arts --- -Discourse grammar --- Text grammar --- Semantics --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Literary semiotics --- French literature --- anno 1900-1999 --- -Discourse analysis. --- Discourse grammar --- Theater - Philosophy. --- Theater - Semiotics. --- Drama - History and criticism --- Theater - Philosophy --- Theater - Semiotics

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Experimental theater --- Theater --- Semiotics. --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Alternative theater --- Avant-garde theater --- Semiotics --- Kyrklund, Willy --- -Dramatic production --- -Semiotics --- Kyrklund, Willy, --- Experimental theater - Sweden. --- Theater - Semiotics.

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Theater --- Discourse analysis. --- Drama --- Discourse analysis --- Philosophy. --- Semiotics. --- History and criticism --- Philosophy --- Semiotics --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Discourse grammar --- Text grammar --- -Discourse grammar --- Semantics --- Dramatics --- Performing arts --- Acting --- Actors --- Theater audiences --- Aesthetics --- Théâtre (Genre littéraire) --- Théâtre --- Sémiotique et théâtre --- Esthétique --- Histoire et critique --- Publics --- Theater - Philosophy. --- Theater - Semiotics. --- Drama - History and criticism --- Theater - Philosophy --- Theater - Semiotics --- -Semiotics