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Classical literature --- Theatrical science --- Drama --- Antiquity --- Theater --- Pantomime --- Théâtre --- History --- Histoire --- Théâtre --- Theater - Greece - History - To 500 --- Theater - Rome - History - To 500 --- Pantomime - Greece - History - To 500 --- Pantomime - Rome - History - To 500 --- Theater - History - To 500
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In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
Classical literature --- Theatrical science --- Drama --- Antiquity --- Theater --- Classical drama --- Théâtre --- Théâtre ancien --- Théâtre (Genre littéraire) --- History --- History and criticism. --- Technique. --- Histoire --- Histoire et critique --- Technique --- History and criticism --- Théâtre --- Théâtre ancien --- Théâtre (Genre littéraire) --- Theater - Greece - History - To 500 --- Theater - Rome - History - To 500 --- Classical drama - History and criticism --- Drama - Technique
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This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.
Theater --- Greek drama --- Latin drama --- Théâtre --- Théâtre grec --- Théâtre latin --- History --- History and criticism. --- Histoire --- Histoire et critique --- History and criticism --- Théâtre --- Théâtre grec --- Théâtre latin --- Classical Latin literature --- Classical Greek literature --- Theatrical science --- Drama --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Theater - Greece - History - To 500 --- Greek drama - History and criticism --- Theater - Rome - History - To 500 --- Latin drama - History and criticism
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