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Book
Danser le mythe : la pantomime et sa reception dans la culture antique
Author:
ISBN: 9789042918412 9782877239530 9042918411 2877239535 Year: 2007 Volume: 51 Publisher: Louvain [Belgium] Dudley, MA : Peeters,


Book
Performance in Greek and Roman theatre
Authors: ---
ISBN: 9789004244573 9004244573 9004245456 Year: 2013 Volume: 353 Publisher: Leiden ; Boston : Brill,

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Abstract

In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.

The Cambridge companion to Greek and Roman theatre
Authors: ---
ISBN: 9780521834568 9780521542340 0521542340 0521834562 1139001507 1139817221 9781139001502 Year: 2007 Volume: *121 Publisher: Cambridge : Cambridge University Press,

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This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.

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