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Theater -- Religious aspects --- Arts and morals --- Conduct of life --- Brocas
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Comparative literature --- Thematology --- Drama --- Theater --- History and criticism --- Religious aspects --- Kunisch, Hermann, --- History and criticism. --- Religious aspects. --- Criticism --- Moral and religious aspects --- Drama - History and criticism --- Theater - Religious aspects --- Kunisch, Hermann, - 1901 --- -Drama --- -Drama - History and criticism --- Kunisch, Hermann, - 1901-
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Contributions sur les représentations du sacré et du merveilleux sur les scènes de théâtre en France et en Europe au XVIIIe siècle. Le sacré est renouvelé par l'apparition de mythes laïques et la scène théâtrale se présente comme un vecteur de pensée. ©Electre 2015
Comparative literature --- Drama --- anno 1700-1799 --- Europe --- Holy, The, in literature --- Religion and drama --- Theater --- Sacré dans la littérature --- Religion et théâtre --- Théâtre --- History --- Histoire --- Holy, The, in art --- Religious aspects --- Sacré dans la littérature --- Religion et théâtre --- Théâtre --- Theater - Europe - History - 18th century --- Theater - Religious aspects
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Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Christian ethics. --- Theater --- Performing arts --- Religion and drama. --- Christianity and the arts. --- Religious aspects --- Christianity. --- 241 --- Moraaltheologie. Theologische ethiek --- Arts and Christianity --- Arts --- Drama and religion --- Drama --- Ethical theology --- Moral theology --- Theology, Ethical --- Theology, Moral --- Christian life --- Christian philosophy --- Religious ethics --- Theater - Religious aspects - Christianity. --- Performing arts - Religious aspects - Christianity.
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The book presents a theory of relationship between the forms of devotion and early drama genres. The historical background is the circumstances of the Church becoming independent of the Empire. A theological and philosophical aspect of the transformation of piety at the time was the specification of the ontological status of the sacred (spiritualization) and "shifting it to Heaven" (transcendentalization). In opposition to a theory of Western civilization as a process of increasing individual self-control, the author argues for the need to take into account purely religious conditions (the idea of recapitulation). This allows the author to develop a holistic aesthetics for the religiously inspired creativity in the period spanning the 11th-15th centuries and to propose a new typology of medieval drama.
Theater --- Religious aspects --- Christianity --- Christian religion --- Theatrical science --- anno 500-1499 --- Drama, Medieval --- History and criticism. --- Theater - Religious aspects - Christianity --- 2013 --- Ages --- Art History --- Cognitive Psychology --- cywilizacja --- Dabrowka --- estetyka --- Historical Anthropology --- Medieval Drama --- Middle --- Monografie --- Religia --- Religion and Civilization --- Sacred --- sacrum --- seria --- Social History --- średniowieczu --- Teatr --- Theatre --- Torun --- Wydawnictwo
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Theater --- Christianity --- Emotions (Philosophy) --- Emotions --- Religious aspects --- 82-251 --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Philosophy --- Religions --- Church history --- 82-251 Religieus toneel --- Religieus toneel --- Religious aspects&delete& --- Moral and religious aspects --- Theater - Religious aspects --- Emotions - Religious aspects - Christianity
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In this groundbreaking, interdisciplinary study, Andrew Walker White explores the origins of Byzantine ritual - the rites of the early Greek Orthodox Church - and its unique relationship with traditional theatre. Tracing the secularization of pagan theatre, the rise of rhetoric as an alternative to acting, as well as the transmission of ancient methods of musical composition into the Byzantine era, White demonstrates how Christian ritual was in effect a post-theatrical performing art, created by intellectuals who were fully aware of traditional theatre but who endeavoured to avoid it. The book explores how Orthodox rites avoid the aesthetic appreciation associated with secular art, and conducts an in-depth study (and reconstruction) of the late Byzantine Service of the Furnace. Often treated as a liturgical drama, White translates and delineates the features of five extant versions, to show how and why it generated widely diverse audience reactions in both medieval times and our own.
Aesthetics, Byzantine. --- Liturgics --- Liturgics. --- Liturgy and drama --- Liturgy and drama. --- RELIGION / Christian Rituals & Practice / Worship & Liturgy. --- RELIGION / Institutions & Organizations. --- Theater --- History. --- Religious aspects --- Christianity --- Christianity. --- Orthodox Eastern Church --- Orthodox Eastern Church. --- Liturgy --- Byzantine Empire --- Byzantine Empire. --- Church history. --- Aesthetics, Byzantine --- 264.015 --- 264.019 --- Byzantine aesthetics --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama and liturgy --- Drama --- Drama in public worship --- 264.019 Byzantijns-orthodoxe patriarchale Kerk: Constantinopel; Alexandrië; Antiochië; Jeruzalem; Cyprus --- Byzantijns-orthodoxe patriarchale Kerk: Constantinopel; Alexandrië; Antiochië; Jeruzalem; Cyprus --- 264.015 Liturgie van de Oosterse Kerken--(algemeen) --- Liturgie van de Oosterse Kerken--(algemeen) --- History --- Religious aspects&delete& --- Christianity&delete& --- Byzantine Empire -- Church history. --- Liturgics -- History. --- Liturgy and drama -- History. --- Orthodox Eastern Church -- Liturgy -- History. --- Theater -- Religious aspects -- Christianity -- History. --- Liturgics - History. --- Liturgy and drama - History. --- Theater - Religious aspects - Christianity - History. --- Byzantine Empire - Church history.
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French literature --- Christian church history --- Drama --- anno 1500-1799 --- Theater --- Théâtre --- History. --- Religious aspects --- Catholic Church --- Catholic Church. --- Histoire --- Aspect religieux --- Eglise catholique --- Christianity. --- History --- Théâtre --- French drama --- 16th century --- Moral and ethical aspects --- 17th century --- 18th century --- 19th century --- Theater - France - History --- Theater - Religious aspects - Catholic Church --- THEATRE --- RELIGION ET CULTURE --- ACTEURS --- THEATRE (GENRE LITTERAIRE) --- ASPECT RELIGIEUX --- 1500-1800 --- FRANCE --- HISTOIRE ET CRITIQUE --- CHRISTIANISME --- VIE RELIGIEUSE --- 16E-18E SIECLES
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"Compared to the wealth of information available to us about classical tragedy and comedy, not much is known about the culture of pantomime, mime, and dance in late antiquity. Charges of obscenity and polemical anti-theater discourse have, at times, erased these popular performance traditions from the modern imagination. Demons and Dancers returns us to the times and places where those great ancient theaters were more than picturesque ruins dotting the Mediterranean landscape." "Ruth Webb fills this gap in our knowledge of the ancient world and provides us with a richly detailed look at social life in the late antique period through an investigation of its performance culture. The book focuses on the eastern empire, from Greece proper to modern-day Turkey and Egypt, between the second and sixth centuries CE. Using some of the tools provided by modern performance theory, this book explains how audiences interpreted the actions on stage, how the status of male and female performers shifted across time and place, how skilled the actors actually were (it was commonplace to dismiss these performers for their lack of skill), and what role spectacles involving spoken and sung words, as well as stylized gestures, had in Greco-Roman civic life."--BOOK JACKET.
Classical drama --- Theater --- Théâtre ancien --- Théâtre --- History and criticism. --- Religious aspects --- Christianity --- History of doctrines --- Histoire et critique --- Aspect religieux --- Christianisme --- Histoire des doctrines --- History and criticism --- Théâtre ancien --- Théâtre --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Classical drama - History and criticism --- Theater - Religious aspects - Christianity - History of doctrines - Early church, ca. 30-600 --- Danse --- Antiquité tardive --- Saints acteurs
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Classical Latin literature --- Christian moral theology --- Patrology --- Theater --- Religious aspects --- Christianity --- Early works to 1800 --- Early works to 1800. --- #GGSB: Latijnse patrologie (studie) --- #GGSB: Latijnse patrologie (tekst) --- -#GOSA:II.P.TE.O --- #GROL:SEMI-276<08> Sour 332 --- 241.65 --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- -Christianity --- -Early works to 1800 --- Religion Christian Moral Ethics of recreation, leisure, public preformances communication --- #GOSA:II.P.TE.O --- Religious aspects&delete& --- Christianity&delete& --- Latijnse patrologie (studie) --- Latijnse patrologie (tekst) --- Theater - Religious aspects - Christianity - Early works to 1800 --- Tertullien (0155?-0222?). De spectaculis --- Théâtre --- Aspect religieux --- Théâtre
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