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Classical literature --- Theatrical science --- Drama --- Antiquity --- Theater --- Pantomime --- Théâtre --- History --- Histoire --- Théâtre --- Theater - Greece - History - To 500 --- Theater - Rome - History - To 500 --- Pantomime - Greece - History - To 500 --- Pantomime - Rome - History - To 500 --- Theater - History - To 500

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Theater --- Latin drama (Tragedy) --- History --- History and criticism --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- -Latin drama (Tragedy) --- History and criticism. --- -History and criticism --- Theater - Rome --- Theater - History - To 500 --- Latin drama (Tragedy) - History and criticism

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Classical literature --- Drama --- Classical drama --- European drama --- Greek drama --- Theater --- History and criticism --- Appreciation --- Classical influences --- Presentation, Modern --- History --- Classical drama - History and criticism --- Classical drama - Appreciation - Europe --- European drama - Classical influences --- Greek drama - Presentation, Modern --- Theater - History - To 500 --- Theater - Greece --- Theater - Rome

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L'idea di questo lavoro nacque più di un decennio addietro quando, studiando la gran massa di piccole terracotte di argomento teatrale rinvenute a Lipari, abbiamo potuto riscontrare la corrispondenza fra i tipi liparesi riferibili alla Commedia nuova e quelli descritti nel catalogo delle maschere della commedia conservatoci dallOnomastikon di Giulio Polluce. Quasi tutti i tipi descritti in questo catalogo potevano essere riconosciuti a Lipari stessa ο nella documentazione integrativa offertaci da altri centri della Sicilia quali Centuripe, Morgantina ecc., ma soprattutto nelle figurazioni musive ο pittoriche di Pompei e di Ercolano. Il ricorrere degli stessi tipi, sempre ben definiti dalle loro caratteristiche individuali, in centri diversi e lontani fra loro dimostrava d'altronde che non si trattava di creazioni estemporanee di artisti locali. È una documentazione che potrebbe ovviamente essere molto ampliata continuando ed estendendo ulteriormente le ricerche. Come già per le maschere della commedia, è infatti lungi da noi l'idea di un corpus delle maschere della tragedia pervenuteci dall'antichità classica. Sicché è sperabile che la raccolta da noi oggi presentata possa presto esse-re arricchita e migliorata ο anche forse parzialmente modificata.

Greek drama (Tragedy) --- Mythology, Greek, in literature --- Theater --- Masks --- Art, Hellenistic --- History and criticism --- History --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Hellenistic art --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Art, Greek --- Performing arts --- Acting --- Actors --- Costume --- Carnival --- Greek drama --- Greek drama (Tragedy) - History and criticism --- Theater - Greece - History --- Masks - Greece - History --- Theater - History - To 500 --- Italie --- tragédie grecque --- théâtre --- archéologie --- masque

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Stage design. Scenography --- toneelgeschiedenis --- Theatrical science --- Italy --- Latin drama --- -Theater --- -Theater audiences --- -Audiences, Theater --- Theater --- Theatergoers --- Performing arts --- Theater attendance --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Latin literature --- History and criticism --- History --- Audiences --- -History and criticism --- Rome --- Theater audiences --- Theater - Rome - History. --- Theater audiences - Rome - History. --- Latin drama - History and criticism. --- Theater - Rome --- Theater audiences - Rome --- Latin drama - History and criticism --- Theater - History - To 500