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Burlesque (Literature) --- Theater --- Satire, English --- History --- History and criticism --- Fielding, Henry, --- Dramatic works --- History and criticism. --- Burlesque (Literature). --- Theater - England - London - History - 18th century --- Satire, English - History and criticism --- Fielding, Henry, - 1707-1754 - Dramatic works --- Fielding, Henry, - 1707-1754
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Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
Music --- Theatrical science --- anno 1600-1699 --- anno 1700-1799 --- London --- Theater --- Musical theater --- Théâtre --- Théâtre musical --- History --- Histoire --- England --- 17th century --- Musical theater -- England -- London -- History -- 17th century. --- Musical theater -- England -- London -- History -- 18th century. --- Theater -- England -- London -- History -- 17th century. --- Theater -- England -- London -- History -- 18th century. --- Music, Dance, Drama & Film --- Drama --- Lyric theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors
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During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ideological conflict and psychological stress.
Theater --- English drama --- History --- History and criticism --- 18th century --- 19th century --- France --- Revolution, 1789-1799 --- Influence --- Theater - England - London - History - 18th century. --- Theater - England - London - History - 19th century. --- History and criticism. --- Influence. --- Foreign public opinion, British. --- Literature and the revolution. --- Theater - England - London - History - 18th century --- Theater - England - London - History - 19th century --- English drama - 18th century - History and criticism --- English drama - 19th century - History and criticism
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