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Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en...
Opéra comique. --- Opera --- Opéra comique français --- Opéra-Comique (Paris, France) --- Comédie-Italienne (Paris, France) --- Théâtre Feydeau --- Théâtre national de l'Opéra-Comique (Paris, France) --- Paris. --- Salle Favart --- Opéra national de Paris. --- Théâtre de l'Opéra-Comique (Paris, France) --- Théâtre impérial de l'Opéra-Comique (Paris, France) --- Opera comique. --- Opera-Comique (Paris, France)
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Music --- muziekgeschiedenis --- opéra comique --- anno 1700-1799 --- anno 1900-1999 --- anno 1800-1899 --- France --- Opéra comique --- Opera --- Opéra-comique --- Opéra --- Opéra-Comique (Paris, France) --- History. --- Opéra comique --- Opéra-comique --- Opéra --- Opéra-Comique (Paris, France) --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- Théâtre national de l'Opéra-Comique (Paris, France) --- Paris. --- Salle Favart --- Opéra national de Paris. --- Théâtre de l'Opéra-Comique (Paris, France) --- Théâtre impérial de l'Opéra-Comique (Paris, France) --- Comédie-Italienne (Paris, France) --- Théâtre Feydeau --- 78.77.4 --- 78.77.5 --- Opera-comique (paris) --- Opera-comique --- Histoire
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