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German literature --- Terrorism in literature --- Terrorism --- Anarchism
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Terrorism has long been a popular subject for American fiction writers. This book argues that terrorism in 1990s novels by Paul Auster, Philip Roth, and Bret Easton Ellis serves as a key trope to interrogate the limits of writing and the power of literature. Based on the complex literary and philosophical thought of Maurice Blanchot, this study deals with the writer's terrorist temptation, language's investment in violence, and literature's negotiation of radical alterity. Auster's, Roth's, and Ellis's novels elucidate contemporary political and economic developments as well as our cultural fear of, and fascination with, terrorism. The writing of terrorism can thus become the foundation of a different politics where, according to Maurice Blanchot, «there is no explosion except a book.».
American fiction --- Terrorism in literature --- Blanchot, Maurice.
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Terrorism has long been a major shaping force in the world. However, the meanings of terrorism, as a word and as a set of actions, are intensely contested. This volume explores how literature has dealt with terrorism from the Renaissance to today, inviting the reader to make connections between older instances of terrorism and contemporary ones, and to see how the various literary treatments of terrorism draw on each other. The essays demonstrate that the debates around terrorism only give the fictive imagination more room, and that fiction has a great deal to offer in terms of both understanding terrorism and our responses to it. Written by historians and literary critics, the essays provide essential knowledge to understand terrorism in its full complexity. As befitting a global problem, this book brings together a truly international group of scholars, with representatives from America, Scotland, Canada, New Zealand, Italy, Israel, and other countries.
Thematology --- Terrorism in literature --- Terrorism --- History --- Terrorism - History --- Terrorism in literature. --- History.
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By connecting Fenian and anarchist violence found in popular fiction from the 1880s to the early 1900s with the avant-garde writing of British modernism Deaglán Ó Donghaile demonstrates that Victorian popular fiction and modernism were directly influenced by the explosive shocks of late nineteenth-century terrorism.
English fiction --- Terrorism in literature. --- Modernism (Literature) --- History and criticism. --- Terrorism in literature --- History and criticism
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By connecting Fenian and anarchist violence found in popular fiction from the 1880s to the early 1900s with the avant-garde writing of British modernism Deaglán Ó Donghaile demonstrates that Victorian popular fiction and modernism were directly influenced by the explosive shocks of late nineteenth-century terrorism.
English fiction --- Modernism (Literature) --- Terrorism in literature --- Crepuscolarismo --- Literary movements --- History and criticism --- Terrorism in literature. --- History and criticism.
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