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Il est de bon ton de critiquer Plus belle la vie, série emblématique et quotidienne de France 3. Les intellectuels la dénigrent, l'extrême droite l'exècre, les islamistes la vomissent, et pourtant, chaque soir, ce programme démarré en 2004 et qui compte plus de 2 000 épisodes rassemble une moyenne de cinq millions de téléspectateurs. Cette réussite est-elle un hasard ? Rendez-vous familial fédérateur, Plus belle la vie ne correspond à rien de connu, avec son audience atypique qui réunit des jeunes et des vieux, des riches et des pauvres, des ouvriers et des diplômés du supérieur. On la dit politiquement correcte, et pourtant on y voit des homosexuels s'embrasser langoureusement et des drogués se piquer à l'héroïne, à la grande fureur du CSA. Parce qu'elle porte l'ambition de parler du monde tel qu'il est à travers la chronique d'un quartier, d'être un « laboratoire humain » et une caisse de résonance des problèmes de société contemporains, cette série dit quelque chose de la France et des Français : mais de quoi Plus belle la vie est-elle le nom ?

Television series

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Television series.

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Un éclairage sur la géopolitique et les mutations du monde depuis 1913 à partir de l'analyse de seize séries télévisées : Downton Abbey, Borgen, Mad men, entre autres.

Geopolitics --- Television series

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The extraordinary global success of Turkish drama serials is a significant development in contemporary popular culture. This book presents comparative audience data from three different regions to explore its ramifications across the Global South. We learn how this phenomenon has transformed Turkey-a Muslim-majority country-into the world's second-largest producer of scripted television serials, enticing audiences from all over the world. The book takes an audience-centred approach, investigating the reasons for the allure of Turkish dramas to Arab, Latin American, and Israeli audiences. In tandem, it explores Turkey's changing foreign policy, economic, and trade relationships since the turn of the millennium, which have coincided with the enormous success of the country's television output. It also analyses the role and importance of Turkish dramas as a soft-power tool by scrutinizing how they have influenced viewers' perceptions of Turkey, its people, and its culture. This volume will appeal to those working in various disciplines-from media and communication, international relations, public diplomacy, sociology, and Middle Eastern studies. The material will also be of great relevance to upper-level undergraduates, postgraduate students, academics, scholars and researchers.

Television programs. --- Television series.

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The extraordinary global success of Turkish drama serials is a significant development in contemporary popular culture. This book presents comparative audience data from three different regions to explore its ramifications across the Global South. We learn how this phenomenon has transformed Turkey-a Muslim-majority country-into the world's second-largest producer of scripted television serials, enticing audiences from all over the world. The book takes an audience-centred approach, investigating the reasons for the allure of Turkish dramas to Arab, Latin American, and Israeli audiences. In tandem, it explores Turkey's changing foreign policy, economic, and trade relationships since the turn of the millennium, which have coincided with the enormous success of the country's television output. It also analyses the role and importance of Turkish dramas as a soft-power tool by scrutinizing how they have influenced viewers' perceptions of Turkey, its people, and its culture. This volume will appeal to those working in various disciplines-from media and communication, international relations, public diplomacy, sociology, and Middle Eastern studies. The material will also be of great relevance to upper-level undergraduates, postgraduate students, academics, scholars and researchers.

Television programs. --- Television series.