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Strange Bedfellows
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ISBN: 1281776521 9786611776527 0813544769 9780813544762 9781281776525 6611776524 9780813542843 0813542847 Year: 2008 Publisher: New Brunswick, NJ

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Abstract

A significant number of Americans get some of their "news" about politics and national affairs from comedy shows. Is "infotainment" a debasement, or a replacement, for traditional news outlets?


Book
Satiric TV in the Americas : critical metatainment as negotiated dissent
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ISBN: 0190872861 0190636513 0190636521 0190636505 Year: 2018 Publisher: New York, NY : Oxford University Press,

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'Satiric TV in the Americas' focuses on Latin American TV satire in order to understand their critical role in challenging the status quo, traditional journalism, and the prevalent local media culture. It introduces the notion of 'critical metatainment' as negotiated dissent, a key concept for the study of postmodern satire.

The sitcom reader
Authors: ---
ISBN: 0791482634 1423748816 9781423748816 0791465691 9780791465691 0791465705 9780791465707 9780791482636 Year: 2005 Publisher: Albany State University of New York Press

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Offers a variety of perspectives on the sitcom genre and its influence on American culture.

Popular film and television comedy
Authors: ---
ISBN: 1134946864 1280603755 9786610603756 0203131975 9780203131978 6610603758 9781134946815 1134946813 9781134946853 1134946856 9781134946860 0415046912 0415046920 9780415046916 9780415046923 9781138142176 1138142174 9781138142176 9781280603754 Year: 1990 Publisher: London New York Routledge

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Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and n

Blockbuster TV : must-see sitcoms in the network era.
Author:
ISBN: 0814783511 0814786995 0585424837 9780585424835 9780814797563 0814797563 9780814797570 0814797571 9780814786994 Year: 2000 Publisher: New York (N.Y.) New York University press

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Archie Bunker. Jed. Laverne and Shirley. Cliff Huxtable. Throughout the entire history of American prime-time television only four sitcoms have been true blockbusters, with Nielsen ratings far above the second- and third-rated programs. Weekly, millions of Americans of every age were making a special effort to turn on the set to see what Archie, Jed, Laverne, and Cliff were doing that week. The wild popularity of these shows-- All in the Family , The Beverly Hillbillies , Laverne & Shirley (and its partner Happy Days ), and The Cosby Show --left commentators bewildered by the tastes and prefer


Book
West African screen media
Author:
ISBN: 1609175905 1611863112 9781609175900 9781611863116 9781628953572 1628953578 9781628963588 1628963581 Year: 2019 Publisher: East Lansing

Popular film and television comedy
Authors: ---
ISBN: 0415046920 0415046912 Year: 1990 Publisher: London Routledge

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Abstract

Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and n


Book
Cult British TV comedy
Author:
ISBN: 1526102358 1781705860 9781526102355 9780719083778 071908377X 1526102366 Year: 2013 Publisher: Manchester, UK New York, NY New York, NY

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This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

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