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Media philosophy can only be found and revealed in media themselves. The essays collected in this volume thus approach television as a medium both of thought and of action in its own right. Through its specific forms and practices, television implements and reflects on aspects of time, such as synchronicity and succession, seriality and event, history and memory. Additionally, television stages new forms of thinking causality and agency, subject-object relations, tactility, choice, and other founding concepts of everyday experience as well as of outstanding philosophical relevance. In the course of media evolution, television organizes the transition from the analogue to the digital. Last not least, by conceiving of itself, television offers a source of finally thinking through television.
Television --- Philosophy. --- Television, philosophy, media,. --- Télévision --- Philosophie. --- Télévision
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Pourquoi diable fait-il ceci ? Cela est impossible ! Quelle est la cause de cet événement ? Voilà un heureux hasard ! Cette scène est inutile. Mais pourquoi nous dit-on tout cela ? C’est déjà fini ?Au théâtre, au cinéma, devant les séries télévisées contemporaines, le spectateur ne cesse de se poser ces questions, qui constituent la basse continue de la réception de la fiction dramatique. Mais au regard de quel modèle porte-t-on ces jugements ? L’objet de ce livre est d’expliciter ce modèle latent : celui de la cohérence logique de la fiction. Le problème est examiné au moment de l’histoire des formes où l’exigence de logique a été portée à un point extrême : le théâtre régulier français – Corneille, Molière, Racine. C’est alors que s’est élaboré le modèle en fonction duquel nous percevons aujourd’hui encore toutes les fictions dramatiques.
Theater --- Television --- Fiction --- Philosophy --- Theatrical science --- Drama --- French literature --- Theater - Philosophy --- Television - Philosophy
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Mass communications --- Television broadcasting --- Télévision --- Social aspects. --- Philosophy --- Aspect social --- Philosophie --- Television --- Philosophy. --- Social aspects --- Télévision --- Television broadcasting - Social aspects --- Television - Philosophy
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La télévision est un espace de réunion et de participation qui bouleverse les règles de fonctionnement de l'espace public en même temps qu'elle est l'un des lieux où ces règles sont débattues. Elle change les rapports de force entre opinion, gouvernement et parlement, modifie l'exercice de la citoyenneté et crée une situation internationale sans précédent historique. Elle transforme la démocratie et elle en est l'expression la plus radicale. Exaspération de la démocratie, la télévision exaspère. Contre le millénarisme, la peur, le pessimisme, la nostalgie, le conservatisme, contre tout ce qui prend la forme d'un nouvel iconoclaste, l'auteur écrit ici résolument pour elle.
Mass communications --- Radio en televisie --- Radio et télévision --- Sociologie --- Television --- Television broadcasting --- Démocratie --- Théorie de la communication --- Mass media --- Communication --- Philosophy --- Social aspects --- Social aspects. --- Philosophy. --- Television - Philosophy --- Television broadcasting - Social aspects --- Télévision --- Télévision et société. --- Influence. --- Sociologie.
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Philosophy of language --- Mass communications --- Sociology of culture --- Derrida, Jacques --- Television --- Video art --- Postmodernism --- Popular culture --- Autobiography --- Myth --- Philosophy --- Autobiography. --- Myth. --- Popular culture. --- Postmodernism. --- Philosophy. --- Television - Philosophy --- Video art - Philosophy
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Theorizing the Moving Image brings together a selection of essays written by one of the leading critics of film over the past two decades. In this volume, Noël Carroll examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, and comedy, and such topics as sight gags, film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new approach to film theory.
791.43.01 --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Film --- Mass communications --- #SBIB:309H520 --- #SBIB:AANKOOP --- Audiovisuele communicatie: algemene werken --- Motion pictures --- Television broadcasting --- Television --- Telecasting --- Television industry --- Broadcasting --- Mass media --- Philosophy --- Philosophy. --- Motion pictures - Philosophy --- Television - Philosophy --- Television broadcasting - Philosophy
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Television broadcasting --- Television viewers --- Télévision --- Téléspectateurs --- Social aspects --- Attitudes --- Aspect social --- Televisie --- Media --- Sociologie --- Televisie-effecten --- Communicatie --- Onderzoek --- Communicatiesociologie --- Media-onderzoek --- Communicatie-onderzoek --- Televisie-onderzoek --- Televisie-effect --- Mediaonderzoek --- Ontwikkeling --- Leerlijn --- Erfelijkheidsleer --- Stadssamenleving --- Geweld --- Verpleegkunde --- Television - Philosophy --- Television programs --- Television
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Avec l'analyse de l'émission plateau, l'auteure met en perspective l'expression d'une culture dominante. Se positionnant au croisement des logiques médiatiques et des industries culturelles, elle observe par le prisme d'une déconstruction de la structure du programme, les logiques promotionnelles à l'oeuvre et démonte les mécanismes de construction de l'identité culturelle des objets télévisuels.
Television programs --- Public service television programs --- Culture diffusion --- Emissions télévisées --- Emissions d'intérêt public télévisées --- Diffusion culturelle --- Television broadcasting --- Television --- Social aspects --- Philosophy --- Emissions télévisées --- Emissions d'intérêt public télévisées --- Television - Social aspects --- Television - Philosophy --- Television broadcasting - Social aspects --- Télévision --- Marketing de la culture --- Médias et culture --- Émissions --- Anthropologie --- Télévision --- Médias et culture --- Émissions
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Andre Bazin's writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the new media" of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies their artistic potential, social influence, and relationship to existing art forms have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin's astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, Andre Bazin's New Media is excellent for classroom use and vital for anyone interested in the history of media.
Bazin, André --- Télévision --- Cinéma et télévision --- Television --- Motion pictures and television. --- Motion pictures --- Philosophie --- Philosophy. --- Fernsehen. --- Film. --- Medientheorie. --- Bazin, André, --- Motion pictures -- Philosophy. --- Television -- Philosophy. --- Motion pictures and television --- Philosophy --- Moving-pictures and television --- Television and motion pictures --- Cinéma et télévision. --- Philosophie. --- 1950s. --- 3d film. --- andre bazin. --- art films. --- art forms. --- artistic potential. --- cinema studies. --- cinema. --- cinemascope. --- cinerama. --- contemporary film. --- critical thought. --- english translation. --- essay collection. --- film criticism. --- film critics. --- film historians. --- film reviews. --- film scholars. --- film students. --- film studies. --- media historians. --- media studies. --- modern film. --- movie theory. --- new media. --- nonfiction. --- social influence. --- television. --- textbooks. --- visual media. --- Télévision --- Cinéma et télévision.
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Motion pictures --- Cinéma --- Aesthetics --- Semiotics --- Esthétique --- Sémiotique --- Motion picture authorship --- Television --- Television authorship --- Philosophy --- 791.43 --- -Television --- -Television authorship --- Television programs --- Television scripts --- Television writing --- Authorship --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Screenwriters --- Filmkunst. Films. Cinema --- Optical communication systems --- History and criticism --- Play-writing --- Motion picture authorship. --- Television authorship. --- Philosophy. --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Esthétique --- Sémiotique --- CDL --- 791.41 --- Motion pictures - Philosophy --- Television - Philosophy --- Critique cinématographique --- Analyse du discours narratif --- Sémiotique et audiovisueL --- Point de vue (cinéma) --- Télévision --- Communication visuelle --- Sémiotique et cinéma --- Aspect social
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