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Technology and the diva : sopranos, opera, and media from Romanticism to the digital age
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ISBN: 1316760715 1316760898 1139031244 1316760987 1316761258 0521198062 1108723330 1316760170 1316760804 9781316761168 1316761169 9781316761250 9780521198066 Year: 2016 Publisher: Cambridge : Cambridge University Press,

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In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.


Book
Curtain, gong, steam
Author:
ISBN: 9780520966550 0520966554 9780520279681 0520279689 Year: 2018 Publisher: Oakland, California

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"In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required machineries consistently changed, sometimes still resonating in contemporary stagings, performance art, and popular culture. Focusing on devices (which she dubs 'Wagnerian technologies') intended to amalgamate opera's various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner's idealist theories of total illusionism. Curtain, Gong, Steam's multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, the book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure"--Provided by publisher.

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