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English literature --- American literature --- Technology in literature. --- Technology and civilization in literature. --- Kultur. --- Literatur. --- Technologie (Motiv) --- History and criticism. --- Geschichte 1900-2000. --- Englisch. --- Technologie (Motiv).
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Gibson, William, 1948- . Neuromancer --- Informatiewetenschappen in de literatuur --- Information science in literature --- Sciences de l'information dans la littérature --- Technologie en beschaving in de literatuur --- Technologie et civilisation dans la littérature --- Technology and civilization in literature --- American fiction --- Information science in literature. --- Information technology --- Literature and technology --- Mass media and literature --- Mass media --- Postmodernism (Literature) --- Technology and civilization in literature. --- History and criticism. --- History --- History and criticism --- Literature and mass media --- Literature --- Industry and literature --- Technology and literature --- Technology --- 20th century --- United States --- Gaddis, William --- DeLillo, Don --- Criticism and interpretation --- Pynchon, Thomas --- Cadigan, Pat --- McElroy, Joseph
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830 "19" --- Organism (Philosophy) --- Technology and civilization --- German literature --- -Organism (Philosophy) in literature --- Technology and civilization in literature --- Civilization and machinery --- Civilization and technology --- Machinery and civilization --- Civilization --- Social history --- Technology --- Philosophy --- Duitse literatuur--20e eeuw. Periode 1900-1999 --- History and criticism --- Germany --- -Intellectual life --- -Organism (Philosophy) --- Technology and civilization. --- Organism (Philosophy) in literature. --- Technology and civilization in literature. --- History and criticism. --- Intellectual life --- -830 "19" --- 830 "19" Duitse literatuur--20e eeuw. Periode 1900-1999 --- -Organism (Philosophy). --- Organism (Philosophy). --- -German literature --- Organism (Philosophy) in literature
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Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.
Technology in popular culture. --- Technology in popular culture --- Technology in literature. --- Technology and civilization. --- Technology and civilization in literature. --- Civilization and machinery --- Civilization and technology --- Machinery and civilization --- Civilization --- Social history --- Technology --- Popular culture --- Philosophy --- Shelley, Mary Wollstonecraft, --- McLuhan, Marshall, --- MacLuhan, Marshall, --- McLuhan, Herbert Marshall, --- McLuhan, H. Marshall --- Mac Luhan, Marshall, --- Makluŭn, Marshal, --- McLuhan, Marshall Herbert, --- McLuan, Marshall, --- Shelley, Mary Wollstonecraft Godwin, --- Shelli, Mėri, --- Shelley, --- Shelley, Percy Bysshe, --- Shelley, Mary, --- Shelley, Maria, --- שלי, מרי, --- Adaptations. --- Influence. --- McLuhan, media theory, Mary Shelley, popular culture, Cronenberg, adaptation studies, electronic dance music.
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