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Art, Modern --- Art --- Exhibition techniques. --- Techniques d'exposition
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Art publishing --- Art --- Exhibition techniques. --- Edition --- Techniques d'exposition
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Art --- Exhibition techniques --- Techniques d'exposition --- Szeemann, Harald --- Art critics --- Art museum curators --- Szeemann, Harald,
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Art --- Art exhibition audiences --- Exhibitions --- History --- Exhibition techniques --- Expositions --- Histoire --- Techniques d'exposition --- Publics
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"Displaying the Ideals of Antiquity investigates the study and display of ancient sculpture from archaeological, art history, and museum studies perspectives. Ancient sculptures not only give us knowledge about ancient Greek and Roman pasts, but they also mediate ideals that inform us about modern perceptions of antiquity. This book analyzes how an art historical tradition establishes and preserves an idealized view of antiquity in classical archaeology and in museum exhibitions. The authors also investigate how these ideals are kept alive today, an approach that often is neglected in studies on ancient reception. This book stands out among current publications in its international scope and in illustrating how academic conceptual foundations influence museum exhibitions. This perspective is not only relevant to classical archaeology and art history, but also to museum studies and the history of ideas. This timely volume discusses contemporary museum exhibitions of ancient sculpture and clarifies how also old discourses continue to affect museum exhibitions and conceptualizations of ancient sculptures. The authors have analyzed close to 100 museums around the world, and elaborate on how ancient sculptures are mediated across Europe and the western world. The exhibition of ancient sculptures is similar in most states, which emphasizes the international character of the classical legacy"--
Sculpture, Classical --- Art --- Sculpture antique --- Appreciation. --- Exhibition techniques. --- Appréciation --- Techniques d'exposition
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"Curating the Moving Image presents a selection of essays dealing with contemporary art, film and installation. In the 20th century film became one of the most important tools for social and aesthetic exchange. This dynamic has now migrated into the art world and contemporary curatorial practice. These essays argue that radical forms bring in the curatorial as a most significant force within the fields of art and cultural practices."--Back cover.
Art --- Conservation. --- Curatorship. --- Film installations (Art). --- Installations filmiques (Art). --- Exhibition techniques. --- Techniques d'exposition.
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Cet ouvrage regroupe les textes écrits par Szemann depuis 1969. pour la plupart inédits ils s'intéressent essentiellement à la muséologie de l'art contemporain, domaine dans lequel l'auteur s'est spécialisé.
Techniques d'exposition --- Art --- Art contemporain --- Manifestation artistique --- Muséologie --- Art, Modern --- Exhibition techniques. --- Exhibitions. --- Expositions --- Art - Techniques d'exposition --- Art - 20e siècle - Expositions --- 7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Exposition
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exhibiting --- palazzi --- Private houses --- Museology --- Art --- anno 1500-1799 --- Rome --- Interior decoration --- Décoration intérieure --- Exhibitions --- Exhibition techniques --- History. --- History --- Expositions --- Techniques d'exposition --- Histoire --- Rome (Italy) --- Rome (Italie) --- Philosophy. --- Décoration intérieure --- Exhibition techniques.
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Curator Jens Hoffman s Theater of Exhibitions considers the plight of art afterthe end of art and asks whether inherited frameworks of making, theorizingand exhibiting art still apply to contemporary practice. Are exhibitions still anappropriate form of assembly and embodied ritual in our 21st-century globalsociety? Drawing from his formation in theater and his own curatorial work, Hoffmannreflects on the current spaces of contemporary art the gallery, the institutionand the biennial. Ultimately he positions the discipline of curating in the contextof a larger cultural sphere one shaped by the political, social and economicconditions and demanding new attitudes and new thinking. The book alsoconsiders the commodification of the art industry and the distribution of imagesin the digital age and posits the exhibition as an anthropological endeavor, withcurator as agent.
art criticism --- Art --- philosophy of art --- exhibition curators --- Curatorship. --- Art, Modern --- Conservation. --- preserving. --- preservation (function). --- conservation (process). --- conservation (discipline). --- curating. --- Art, Modern. --- Exhibition techniques. --- History --- Techniques d'exposition. --- Histoire --- 1900-2099.
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kunstgeschiedenis --- moderne kunst --- art history --- exhibitions [events] --- Modern [styles and periods] --- tentoonstellingen --- Museology --- Art, Modern --- Art --- Exhibitions --- History --- Exhibition techniques. --- Expositions --- Histoire --- Techniques d'exposition --- Modern [style or period] --- History.
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