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biografieën (genre) --- Tchaikowsky, André

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296 --- 820 "15" SHAKESPEARE, WILLIAM --- 82:159.9 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Literatuur en psychologie. Literatuur en psychoanalyse --- 820 "15" SHAKESPEARE, WILLIAM Engelse literatuur--?"15"--SHAKESPEARE, WILLIAM --- Engelse literatuur--?"15"--SHAKESPEARE, WILLIAM --- Judaïsme. Jodendom --- Shakespeare, William, --- Jacobson, Howard. --- Castelnuovo-Tedesco, Mario, --- Tchaikowsky, André, --- Harbison, John. --- Nystroem, Gösta,

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351.852 --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Arts --- Copyright and electronic data processing --- Critical legal studies --- Law and art --- Law and literature --- Censorship --- Congresses. --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Congresses --- Literature and law --- Literature --- Art --- Art and law --- Critical legal studies movement --- Sociological jurisprudence --- Electronic data processing and copyright --- Copyright infringement --- Fair use (Copyright) --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Censorship&delete& --- Collectors and collecting --- Law and legislation --- Shakespeare, William, --- Jacobson, Howard. --- Castelnuovo-Tedesco, Mario, --- Tchaikowsky, André, --- Harbison, John. --- Nystroem, Gösta, --- Critical theory --- Arts, Primitive

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Although representations of medieval Christians and Christianity are rarely subject to the same scholarly scrutiny as those of Jews and Judaism, "the Christian" is as constructed a term, category, and identity as "the Jew." Medieval Christian authors created complex notions of Christian identity through strategic use of representations of Others: idealized Jewish patriarchs or demonized contemporary Jews; Woman represented as either virgin or whore. In Western thought, the Christian was figured as spiritual and masculine, defined in opposition to the carnal, feminine, and Jewish. Women and Jews are not simply the Other for the Christian exegetical tradition, however; they also represent sources of origin, as one cannot conceive of men without women or of Christianity without Judaism. The bifurcated representations of Woman and Jew found in the literature of the Middle Ages and beyond reflect the uneasy figurations of women and Jews as both insiders and outsiders to Christian society. Gender and Jewish Difference from Paul to Shakespeare provides the first extended examination of the linkages of gender and Jewish difference in late medieval and early modern English literature. Focusing on representations of Jews and women in Chaucer's Canterbury Tales, selections from medieval drama, and Shakespeare's Merchant of Venice, Lampert explores the ways in which medieval and early modern authors used strategies of opposition to-and identification with-figures of Jews and women to create individual and collective Christian identities. This book shows not only how these questions are interrelated in the texts of medieval and early modern England but how they reveal the distinct yet similarly paradoxical places held by Woman and Jew within a longer tradition of Western thought that extends to the present day.

Christian drama, English --- Difference (Psychology) in literature. --- English drama --- English literature --- Jews in literature. --- Religion in literature. --- Sex role in literature. --- History and criticism. --- Difference (Psychology) in literature --- Jews in literature --- Religion in literature --- Sex role in literature --- Religion in drama --- Religion in poetry --- English Christian drama --- History and criticism --- Paul, --- Chaucer, Geoffrey, --- Shakespeare, William, --- Jacobson, Howard. --- Castelnuovo-Tedesco, Mario, --- Tchaikowsky, André, --- Harbison, John. --- Nystroem, Gösta, --- Pavel, --- Pavol, --- Paulus von Tarsus, --- Paulos, --- Pōghos, --- Paweł, --- Paweł z Tarsu, --- Būlus, --- Pablo, --- Paulo de Tarso, --- Paolo di Tarso, --- Pál, --- Apostolos Paulos --- Saul, --- القديس بولس الرسول --- بولس، --- 사도바울 --- Relations with Jews. --- Paulus, --- Pawełm --- Paulo, --- Paolo, --- Cultural Studies. --- Gender Studies. --- Jewish Studies. --- Literature. --- Medieval and Renaissance Studies. --- Religion. --- Religious Studies. --- Women's Studies.

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The last decade has witnessed a spate of high-profile presentations of The Merchant of Venice: the 2004 Michael Radford film, 2010's New York City "Shakespeare in the Park" production, as well as the play's Tony Award-nominated 2010-11 Broadway run. Likewise, new scholarly works such as Kenneth Gross's Shylock is Shakespeare (2006) and Janet Adelman's Blood Relations (2008) have offered poignant insights into this play. Why has this drama garnered so much attention of late? What else can we l...

English literature. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Shakespeare, William, --- Jacobson, Howard. --- Castelnuovo-Tedesco, Mario, --- Tchaikowsky, André, --- Harbison, John. --- Nystroem, Gösta, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Criticism and interpretation.