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Television programs --- History and criticism. --- Tatort (Television program). --- Germany (East) --- Germany --- In popular culture. --- History
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Das Buch erschließt erstmals Serialisierungsformen und -verfahren in der ARD-Reihe Tatort von 1970 bis heute. Die seriellen Vernetzungen garantieren den bis heute anhaltenden Erfolg des Formats mit Zuschauerquoten, die keine andere regelmäßig ausgestrahlte Sendung im deutschen Fernsehen erreicht. Die Autoren erforschen die spezifische Serialiät der Tatort-Reihe auf der Basis einer umfassenden Korpusanalyse von ca. 500 Folgen. Untersucht wird der Werk-Charakter der Reihe im Verhältnis zu den in den einzelnen Jahrzehnten vorherrschenden Bildästhetiken. Kontinuitäten in der Variation des Fernsehkrimi-Schemas betreffen Ermittlerfiguren, Handlungsräume und Konzepte der verschiedenen ARD-Sender. Behandelt werden darüber hinaus Themen wie Religion und Extremismus im Tatort, insofern darin die Kultur- und Mentalitätsgeschichte der Bundesrepublik reflektiert wird. Zurückgebunden werden die gewonnenen Einsichten an die Rezeption sowohl einzelner Folgen als auch des Tatort-Konzepts im Ganzen. Die Autoren legen eine Pilotstudie vor, die erstmals die quantitative Erfassung eines großen Film-Korpus mit hermeneutischen Analysen einzelner Filme verbindet.
Detective and mystery television programs --- Television crime shows --- Television series --- Series, Television --- Television serials --- Television programs --- Crime shows --- Crime television programs --- Criminal shows --- Criminal television programs --- Fiction television programs --- Thrillers (Television programs) --- History and criticism. --- Aesthetics. --- Tatort (Television program)
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Audio films enable blind and visually impaired people to enjoy a feature film. An audio film consists of the original audio track of the film and the audio description. This film description compensates for the video track of the film. It is therefore a purely auditory media text. Translation studies consider the work of audio descriptors as an intercodal translation process and as a part of audiovisual translation. Maher Tyfour examined the concrete implementation of audiodescription on a corpus of image translations for the Munich Tatort series. His focus was on the city's staging. By comparing them with the original video tracks of the feature films, he illustrates the intertextual relationship between original and translation. In the analysis he identifies the strategies of the audio descriptors that are partly unconsciously implemented in the translation process, explains them and discusses them in terms of text and translation studies. Maher Tyfour studied English at the University of Damascus (Syria) before coming to Germany in 2009. After completing his master's degree in Intercultural German Studies at the Georg-August University of Göttingen, he earned his doctorate at the University of Hildesheim. He works as a teacher of English and German as a second language in Saxony.
Tatort --- Inszenierung --- Stadt --- München --- Blinde --- Audiodeskription --- Sehbehinderte --- Batic --- Hörfilm --- Leitmayr --- Sprachmacht --- Batic; Leitmayr; Munich; audiodescription; blind; audio film; audiomovie; Staging; Visually impaired; Language Power; City; Tatort --- Tatort (Television program)
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German Crime Dramas from Network Television to Netflix approaches German television crime dramas to uncover the intersections between the genre's media-specific network and post-network formats and how these negotiate with and contribute to concepts of the regional, national, and global.Part I concentrates on the ARD network's long-running flagship series Tatort (Crime Scene 1970-). Because the domestically produced crime drama succeeded in interacting with and competing against dominant U.S. formats during 3 different mediascapes, it offers strategic lessons for post-network television. Situating 9 Tatort episodes in their televisual moment within the Sunday evening flow over 38 years and 3 different German regions reveals how producers, writers, directors, critics, and audiences interacted not only with the cultural socio-political context, but also responded to the challenges aesthetically, narratively, and media-reflexively.Part II explores how post-2017 German crime dramas (Babylon Berlin, Dark, Perfume, and Dogs of Berlin) rework the genre's formal and narrative conventions for global circulation on Netflix. Each chapter concentrates on the dynamic interplay between time-shifted viewing, transmedia storytelling, genre hybridity, and how these interact with projections of cultural specificity and continue or depart from established network practices. The results offer crucial information and inspiration for producers and executives, for creative teams, program directors, and television scholars.
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Als ‚Hörfilme‘ werden Kino- und Fernsehfilme bezeichnet, die für sehbehinderte und blinde Rezipienten mit ‚Audiodeskriptionen‘ versehen sind. Dies sind Texte, die wie „akustische Untertitel“ in Dialogpausen eingesprochen werden, gleichsam als Übersetzung des Visuellen in Sprachliches. Was aber geschieht, wenn visuelle Funktionen durch Sprache ersetzt werden müssen? Als Pilotstudie geht der vorliegende Band den sich aus dieser Fragestellung ergebenden medien- wie zeichentheoretischen Problemen aus unterschiedlichen Perspektiven nach. Die einzelnen Beiträge stellen dabei sprach-, literatur-, übersetzungs- und kulturwissenschaftliche Aspekte in den Mittelpunkt. Das Untersuchungsmaterial liefern Beispiele aus der Praxis.
Audio description --- Translation science --- ondertiteling --- Film --- Audiovisual methods --- audiodescriptie --- Subtitling. Supertitling --- Audiovision --- Description vidéo --- Films for people with visual disabilities --- Films pour malvoyants --- Films voor slechtzienden --- Televisie en blinden --- Television and the blind --- Télévision et les aveugles --- Video description --- Tatort (Television program) --- Films for people with visual disabilities. --- Television and the blind. --- Video description. --- Ondertiteling. Boventiteling --- Audiodescriptie
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