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he beginning -- Art : a yearning for the ideal -- Imprinted time -- Cinema's destined role -- The film image -- Time, rhythm and editing -- Scenario and shooting script -- The film's graphic realisation -- The film actor -- Music and notes -- The author in search of an audience -- The artist's responsibility -- After Nostalgia -- The sacrifice.
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Andrey Tarkovsky (1932-1986) is one of the eminent film makers of the 20th century. The five feature films he directed in the Soviet Union-among them Andrei Rublev, Solaris, and Stalker-brought him international fame. Evading censorship and mounting pressure by Soviet authorities, he did not return to the Soviet Union after completing Nostalghia in Tuscany in 1983. His final film, The Sacrifice, was shot in Sweden in 1985. Compiled and edited by Tarkovsky”s son Andrey Jr., film historian and critic Hans-Joachim Schlegel, and Lothar Schirmer, our book pays homage to a great visionary who though in poetic and, at times, disturbing images of near-biblical intensity. It features stills and documentary photos from each of his films, a rich selection of Tarkovsky”s own writings, private photographs from the family album, as well as Polaroids from Russia and Italy. A compilation of prominent voices who have commented on Tarkovsky”s work and personality-including Jean-Paul Sartre, Ingmar Bergman, and Aleksandr Sokurov-rounds out the volume.
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Sur l’île suédoise de Gotland, Tarkovski tourne en 1985 ce qui sera son dernier film avec les familiers et les collaborateurs d’Ingmar Bergman dans leurs paysages, lumières et intérieurs. C’est dans cet épicentre de l’affrontement historique entre l’Est et l’Ouest que l’exilé soviétique acclimate sa fable de l’apocalypse nucléaire, pour un huis clos insulaire aux nombreuses résonances pasoliniennes. Dans l’arrachement à sa terre natale et à ses proches les plus chers qui vient de régir Nostalghia, c’est avec le même acteur suédois Erland Josephson qu’il poursuit sa dramatisation de la sainte folie russe, pour la confronter ici aux démesures sacrées de Jean Sébastien Bach et de Léonard de Vinci. Reste que d’inattendus secrets gisent dans de moindres détails qu’il a le génie de laisser échapper à sa constante volonté de maîtriser sa création.
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Film --- Tarkovski, Andrei --- Art --- Kunst --- Tarkovskij, Andrei
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