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Handbuch der Notationskunde
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Year: 1913 Publisher: Leipzig : Breitkopf & Härtel,

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Handbuch der Notationskunde
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Year: 1919 Publisher: Leipzig: Breitkopf und Härtel,

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Intavolatura de viola o vero lauto
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ISBN: 2826606476 Year: 1977 Publisher: Minkoff Reprint,

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Laute und Lautenmusik bis zur Mitte des 16, Jahrhunderts, unter besonderer Berücksichtigung der deutschen Lautentabulatur.
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Year: 1968 Publisher: Farnborough : Gregg,

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Handbuch der notationskunde
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Year: 1913 Volume: 8 Publisher: Leipzig : Breitkopf & Härtel,

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Die handschriftliche Überlieferung der ältesten Instrumentalmusik
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Year: 1931 Publisher: Lahr (Baden) : M. Schauenburg k.g.,

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Laute und Lautenmusik bis zur Mitte des 16. Jahrhunderts : unter besonderer Berücksichtigung der deutschen Lautentabulatur
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Year: 1901 Publisher: Leipzig, : Breitkopf & Härtel,


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Der Lautenist Valentin Bakfark : Leben und Werke, 1507-1576
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Year: 1967 Publisher: Budapest : Akadémiai Kiadó,

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A guide to playing the baroque guitar
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ISBN: 1283101769 9786613101761 0253005019 9780253005014 9781283101769 6613101761 9780253222893 0253222893 Year: 2011 Publisher: Bloomington, Ind. Indiana University Press

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Musica getutscht : a treatise on musical instruments (1511) by Sebastian Virdung
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ISBN: 0521308305 0521032776 1139085239 0511518323 051182680X Year: 2004 Publisher: Cambridge Cambridge University Press

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Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history.

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