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TASSE, TORQUATO TASSO DIT LE

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GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- TORQUATO TASSO

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Come reagiscono Torquato Tasso e Giovan Battista Marino al contesto vigilante e normativo tra Cinque- e Seicento? A partire dal rapporto che i due autori nutrono nei confronti delle norme e delle regole si prendono in considerazione due tattiche evasive pensate per salvaguardare lascivie e incanti nei poemi: da un lato l’allegoria, dall’altro il travestimento. Il percorso di Tasso è evolutivo e la sua opinione cambia in base all’interiorizzazione di leggi e valori che portano a una rivalutazione delle opinioni iniziali, mentre Marino trasgredisce le regole e utilizza elementi tipicamente difensivi – quali l’allegoria – rovesciandoli e inventandone un uso celatamente offensivo. In questo contesto vengono così rivalutate le allegorie paratestuali dell’Adone di Marino, finora mal considerate dalla critica, e viene ripensato il percorso tassiano in un’ottica che vede i due autori non come vittime di un sistema censorio, ma come partecipanti attivi.

HISTORY / Europe / Italy. --- Allegory. --- Giovan Battista Marino. --- Torquato Tasso. --- censorship. --- inquisition. --- Tasso, Torquato, --- Criticism and interpretation. --- Le Tasse

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This study examines the literary, artistic and biographical afterlives in England of the great 16th-century Italian poet Torquato Tasso, from before his death to the end of the 19th century. Focusing on the lasting impact of his once famous poem 'Gerusalemme Liberata' across a spectrum of arts, it aims to stimulate a revival of interest in a neglected poetic masterpiece and its author, some 50 years after the last account of the poet in English. The influence of Tasso's poem is traced and analysed in the literary works of Spenser, Milton, Shakespeare and Daniel, and consideration is also given to its impact on the visual and musical arts in England, in works by Van Dyck, Poussin and Handel. A second strand focuses on English responses to Tasso's troubled life in the 18th and 19th centuries, exemplified in Byron's memorable impersonation of the poet's voice in 'The Lament of Tasso.'

Tasso, Torquato, --- Le Tasse --- Campra, André, --- Criticism and interpretation. --- Tasse, Le, --- Tasse, Le (1544-1595). --- Critique et interpretation. --- Gerusalemme liberata (Tasso, Torquato) --- Tasso napoletano (Tasso, Torquato) --- Gierosalemme libberata (Tasso, Torquato) --- Gierusalemme (Tasso, Torquato) --- Goffredo, overo, Gierusalemme liberata (Tasso, Torquato) --- Codice Urbinate-Latino 413 --- Literature and literary studies --- Literature: history and criticism --- LITERARY CRITICISM --- Europe. --- European --- General. --- Abraham Fraunce. --- Edmund Spenser. --- Elizabethan England. --- Gerusalemme liberata. --- John Dennis. --- Rinaldo and Armida: A Tragedy. --- Samuel Daniel. --- Tancredi and Erminia. --- Tasso's art. --- Tasso's poems. --- Torquato Tasso. --- amorous interlude. --- artistic afterlives. --- dramatic opera. --- enchanted garden. --- visual arts.

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Goethe, Johann Wolfgang von --- Kleist, Heinrich von --- Goethe, Johann Wolfgang von, --- Kleist, Heinrich von, --- Kleist, H. V. --- Ḳlaisṭ, Hainrikh fun --- Kleĭst, Genrikh --- Kleist, Bernd Heinrich Wilhelm von --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- Goethe, Johann Wolfgang --- von Kleist, Heinrich --- Von Goethe, Johann Wolfgang, --- Gete, Volʹfgang, --- Ko-tê, --- Gede, --- Gete, Jogann, --- Gette, --- Gʹote, Ĭokhan Volʹfgang, --- Jūtah, Yūhān Fūlfjānj, --- Goethe, J. W. --- Jītī, --- Gete, V. --- Koetʻe, --- Goetʻe, --- Getė, --- Goethe, --- Gkaite, --- Gitah, Y. Ṿ., --- Goethe, Jan Wolfgang, --- Gëte, Iogann Volʹfgang, --- Göte, --- Gyoete, --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon-, --- Giteh, Yohan Ṿolfgang Fon-, --- Gete, Johan Volfgang, --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank, --- Katē, --- Katē, Yōkān̲ Vulpkēṅk Vān̲, --- Гете, Иоганн Вольфганг, --- Qöte, Y. V. --- Qöte, Yohan Volfqanq, --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Kleĭst, Genrikh, --- Kleist, Bernd Heinrich Wilhelm von, --- Ḳlaisṭ, Hainrikh fun, --- קלייסט, היינריך --- קלייסט, היינריך פון, --- קלייסט, הינריך פון, --- Goethe --- Von Goethe, Johann Wolfgang --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Jītī --- Koetʻe --- Goetʻe --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Yohan Volfqanq --- ゲエテ --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- KLEIST (HEINRICH VON), 1777-1811 --- IPHIGENIE AUF TAURIS --- PROMETHEUS --- PANDORA --- TORQUATO TASSO --- CRITIQUE ET INTERPRETATION